Reconstructing the murder, investigation, trial, and aftermath, Who Killed George Polk? offers a penetrating analysis of the willingness of the American media - including CBS and a committee of prominent journalists headed by Walter Lippmann - to accept the government's version of events despite numerous inconsistencies. The book also explores the fate of the handful of journalists who had questioned the original coverup and shows that even when additional developments turned the official version on its head, they were no longer in a position to press for a new investigation. All had become victims of anticommunist witchhunts. Arguing that the mainstream media and U.S. government were so blinded by cold war political considerations that they overlooked the most obvious culprits for the Polk murder, Elias Vlanton proves that Polk was likely killed neither by the communists, as originally charged, nor by corrupt Greek government officials, as claimed by a recent book and a CBS 60 Minutes broadcast. Instead, based on evidence uncovered during Vlanton's nineteen-year investigation of the case, the author presents the only plausible scenario of how and why Polk was murdered.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the course of his life, Elias Hicks (1748-1830) penned hundreds of letters, while writing only one book. The Journal of Elias Hicks is a record of service to the Religious Society of Friends, revealing a man repeatedly called by God to travel among and minister to Quakers in North America. In the Journal, he describes the hundreds of Quaker meetings he visited, scores of public meetings he conducted, and gives some account of his life as a Long Island farmer.Complementing the framework in the Journal, Hicks' letters flesh out details of his life and his beliefs. They reveal a thoughtful man of deep devotion - a man devoted to his wife and family, to his neighbors and friends, to the Religious Society of Friends, but more than anything else, a man simply, humbly, and steadfastly devoted to God.Some of his letters recount the trials of a traveling minister in the early 19th century. Others lay out his understanding of what it means to live faithfully as a Quaker in those times of conflict and change. Most controversially, some put forward his theological beliefs and the scriptural basis for them.Paul Buckley has compiled and transcribed a selection of Elias Hicks' letters and essays from the original manuscripts. To assist the reader, he has added footnotes and scriptural citations to the text, as well as appendices explaining Quaker terms and structures, definitions of archaic and unfamiliar words and phrases, and biographical sketches.This is a book for anyone who cares about the Society of Friends and wonders how it became what it is today.
For 175 years, the prevailing image of Elias Hicks has been a false one. His opponents in the Religious Society of Friends have successfully misrepresented him as denying Christ and the Scriptures. In his last year of life, Hicks reluctantly penned a reply to these charges, recounting in his journal how God had ordered his life. But the published journal was edited into a bland portrayal of one of the most dynamic figures in Quaker history. Paul Buckley has meticulously compiled a new edition of "The Journal of Elias Hicks" from the original manuscripts--most in Hicks' own handwriting-- that restores more than 100 pages of missing material.--Publisher's description.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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