Eli Hirsch has contributed steadily to metaphysics since his ground-breaking (and much cited) work on identity through time (culminating in the 1982 OUP book The Concept of Identity). Within the last 10 years, his work on realism and quantifier variance has been front-and-center in the minds of many metaphysicians. Metametaphysics, which looks at foundational questions about the very practice of metaphysics and the questions it raises, is now a popular area of discussion. There is a lot of anxiety about what ontology is, and Hirsch's diagnosis of how revisionary ontologists go wrong is one of the main views being discussed. This volume collects HIrsch's essays from the last decade (with the exception of one article from 1978) on ontology and metametaphysics which are very much tied to these debates. His essays develop a distinctive language-based argument against various anti-commonsensical views that have recently dominated ontology. All these views go astray, Hirsch says, by failing to interpret ordinary assertions about existence in a plausibly charitable way, so their philosophizing leads them to misuse language about ontology -- our ordinary concept of 'what exists' -- in favor of a position othat is quite different. Hirsch will supply a new introduction. The volume will interest philosophers of metaphysics currently engaged in these debates.
Important and challenging, and covers much territory.... Hirsch leads us through the heart of metaphysics, [leaving] his special mark on all the topics he touches. I'd put it on the Metaphysician's Must Read list."--Philosophy and Phenomenological Research
In this book, Eli Hirsch focuses on identity through time, first with respect to ordinary bodies, then underlying matter, and eventually persons. These are linked at various points with other aspects of identity, such as the spatial unity of things, the unity of kinds, and the unity of groups. He investigates how our identity concept ordinarily operates in these respects. He also asks why this concept is so cental to our thinking and whether we can justify seeing the world in terms of such a concept. This is the revised and updated edition of a hardback published in 1982.
Radical Skepticism and the Shadow of Doubt brings something new to epistemology both in content and style. At the outset we are asked to imagine a person named Vatol who grows up in a world containing numerous people who are brains-in-vats and who hallucinate their entire lives. Would Vatol have reason to doubt whether he himself is in contact with reality? If he does have reason to doubt, would he doubt, or is it impossible for a person to have such doubts? And how do we ourselves compare to Vatol? After reflection, can we plausibly claim that Vatol has reason to doubt, but we don't? These are the questions that provide the novel framework for the debates in this book. Topics that are treated here in significantly new ways include: the view that we ought to doubt only when we philosophize; epistemological “dogmatism”; and connections between radical doubt and “having a self.” The book adopts the innovative form of a “dialogue/play.” The three characters, who are Talmud students as well as philosophers, hardly limit themselves to pure philosophy, but regale each other with Talmudic allusions, reminiscences, jokes, and insults. For them the possibility of doubt emerges as an existential problem with potentially deep emotional significance. Setting complex arguments about radical skepticism within entertaining dialogue, this book can be recommended for both beginners and specialists.
During an era when millions of Jews fled the pogroms of Eastern Europe, the Titanic sailed on her maiden voyage. At the time, she was the largest and most luxurious ship ever built and many of her 2,200 passengers were Jewish. At 23:40, April 14, (28th of Nissan 5672) the Titanic swiped an iceberg and sank within two and a half hours. Most of her passengers lost their lives. The sinking of the Titanic was one of the worst and well known maritime disasters of the 20th century. The entire world mourned the Titanic. The grief was universal and shared by people of many nations and religions. This book focuses on the lives and deaths of the Jewish passengers who sailed on the Titanic. It covers various Jewish aspects of the voyage and of the sinking. Aspects, such as keeping kosher, the Agunot dilemma and Jewish burial. The book outlines the life story of the passengers and the effect the disaster made on world Jewry. This book is the result of a long research on the subject, including an attempt to compose a unique and complete list of all the Jews who sailed on the Titanic, and identifying many of them who were previously unknown.
Important and challenging, and covers much territory.... Hirsch leads us through the heart of metaphysics, [leaving] his special mark on all the topics he touches. I'd put it on the Metaphysician's Must Read list."--Philosophy and Phenomenological Research
The career of Eli Mandel (1922–1992) was one of the most prolific and distinguished in all of Canadian literature, yet in recent years his work has gone unsung compared with that of such peers as Margaret Atwood, Leonard Cohen, Robert Kroetsch, Irving Layton, and P.K. Page. Though he was a critic, anthologist, and editor of national prominence, Mandel’s legacy resides most securely in his poetry, which earned many accolades. From Room to Room: The Poetry of Eli Mandel presents thirty-five of Mandel’s best poems written over four decades, from the 1950s to the 1980s. The selection covers the most prominent themes in Mandel’s work, including his Russian-Jewish heritage, his Saskatchewan upbringing, his interest in classical and biblical archetypes, and his concern for the political and social issues of his time. The book also highlights the way in which Mandel’s work bridged the formal attributes of modernist poetry with contemporary, sometimes experimental, poetics. Complete with a scholarly introduction by Peter Webb and a literary afterword by Andrew Stubbs, From Room to Room makes a worthy addition to the Laurier Poetry Series, which presents affordable editions of contemporary Canadian poetry for use in the classroom and the enjoyment of anyone wishing to read some of the finest poetry Canada has to offer.
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