The years of late Stalinism are one of the murkiest periods in Soviet history, best known to us through the voices of Ehrenburg, Khrushchev and Solzhenitsyn. This is a sweeping history of Russia from the end of the war to the Thaw by one of Russia's respected younger historians. Drawing on the resources of newly opened archives as well as the recent outpouring of published diaries and memoirs, Elena Zubkova presents a richly detailed portrayal of the basic conditions of people's lives in Soviet Russia from 1945 to 1957. She brings out the dynamics of postwar popular expectations and the cultural stirrings set in motion by the wartime experience versus the regime's determination to reassert command over territories and populations and the mechanisms of repression. Her interpretation of the period establishes the context for the liberalizing and reformist impulses that surfaced in the post-Stalin succession struggle, characterizing what would be the formative period for a future generation of leaders: Gorbachev, Yeltsin and their contemporaries.
* Named a Best Book of the Year by The New Yorker and TIME * Winner of the Pushkin House Book Prize * A New York Times Book Review Editors' Choice * “A haunting book of rare courage.” —Clarissa Ward, CNN chief international correspondent and author of On All Fronts To be a journalist is to tell the truth. I Love Russia is Elena Kostyuchenko’s unrelenting attempt to document her country as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doctors at a Ukrainian maternity ward, and reporters like herself. Here is Russia as it is, not as we imagine it. The result is a singular portrait of a nation, and of a young woman who refuses to be silenced. In March 2022, as a correspondent for Russia’s last free press, Novaya Gazeta, Kostyuchenko crossed the border into Ukraine to cover the war. It was her mission to ensure that Russians witnessed the horrors Putin was committing in their name. She filed her pieces knowing that should she return home, she would likely be prosecuted and sentenced to up to fifteen years in prison. Yet, driven by the conviction that the greatest form of love and patriotism is criticism, she continues to write. I Love Russia stitches together reportage from the past fifteen years with personal essays, assembling a kaleidoscopic narrative that Kostyuchenko understands may be the last work from her homeland that she’ll publish for a long time—perhaps ever. It exposes the inner workings of an entire nation as it descends into fascism and, inevitably, war. She writes because the threat of Putin’s Russia extends beyond herself, beyond Crimea, and beyond Ukraine. We fail to understand it at our own peril.
Elena Bonner, the widow of Andrei Sakharov, evokes both the privileges and the unmet needs of growing up in the inner circle of the Communist elite even as she provides an indelible vision of the horror of her family's near extinction during Stalin's purges of the 1930s. 24 pages of photos.
SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING ‘Incredibly powerful ... by the time you reach the end, you’ll have experienced the laughter, sorrow, joy, regret, love and hurt of a real life.’ Alan Alda ‘The possibility of leaving Russia was never as thrilling as the prospect of leaving my mother.’ When Elena Gorokhova arrives in America, the only link back to her Russian past is a suitcase filled with twenty kilograms of what used to be her life. Navigating a country she had been taught to fear, Elena begins to carve out a new life in an unfamiliar world. Before the birth of Elena's daughter, her mother comes to visit and stays for twenty-four years. Elena, must struggle with the challenge of raising an American daughter whilst living with her controlling mother, a mirror image of her Motherland. Russian Tattoo is the story of what it means to be an outsider, and what happens when the cultures of our past and present collide. Above all, it is an insightful portrait of mothers and daughters.
Eight foreign policy experts analyze the expanding role of the United States government in pro-insurgency, counter-insurgency, and anti-terrorist programs around the world
The years of late Stalinism are one of the murkiest periods in Soviet history, best known to us through the voices of Ehrenburg, Khrushchev and Solzhenitsyn. This is a sweeping history of Russia from the end of the war to the Thaw by one of Russia's respected younger historians. Drawing on the resources of newly opened archives as well as the recent outpouring of published diaries and memoirs, Elena Zubkova presents a richly detailed portrayal of the basic conditions of people's lives in Soviet Russia from 1945 to 1957. She brings out the dynamics of postwar popular expectations and the cultural stirrings set in motion by the wartime experience versus the regime's determination to reassert command over territories and populations and the mechanisms of repression. Her interpretation of the period establishes the context for the liberalizing and reformist impulses that surfaced in the post-Stalin succession struggle, characterizing what would be the formative period for a future generation of leaders: Gorbachev, Yeltsin and their contemporaries.
Drawing on newly available archival materials including official documents, reports, and personal accounts, this remarkable study presents a detailed picture of the living standards of various social groups in prewar Soviet Russia, and the role of state-controlled distribution of food and goods as a tool of the Stalinist dictatorship. The study offers a new perspective not only on the period of collectivization, industrialization, and terror but also on the regime's most rudimentary method of controlling human behavior and reshaping the social order. In her conclusion the author analyzes the long-term impacts of the Stalinist "dictatorship of distribution", from bureaucratization to rural depopulation to the emergence of a distinctive type of black-market economy.
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