This book represents the first comprehensive historical treatment of sociology in Russia from the mid-nineteenth century through the pre-revolutionary and Soviet eras to the present day. It sheds new light on the dramatic history of sociology in the Russian context; dramatic both in its relationship with state power, and in the large-scale societal transformations it has had to grapple with. The authors highlight several particularities including the late institutionalization of sociology in the Soviet period, the breaks in continuity between its main historical periods and the relationship between sociology and power throughout its history. This valuable work will appeal to social science and history scholars, as well as readers interested in the history of contemporary Russia.
In the realm of political discourse there is a distinct gap in understanding between Russia and the West. To an outsider, the ideas that animate the actions of Russia's ruling elite, opposition, and civil society - from the motivations driving Russia's political actors to the class structure and international and domestic constraints that shape Russia's political thinking - remain shrouded in mystery. Contrary to the view that a bleak discursive uniformity reigns in Vladimir Putin's Russia, Political Ideologies in Contemporary Russia shows that the country is engaging in serious theoretical debates across a wide spectrum of modern ideologies including liberalism, nationalism, feminism, and multiculturalism. Elena Chebankova argues that the nation is fragmented and the state seeks to balance the various ideological movements to ensure that none dominates. She shows that each of the main ideological trends is far from uniform, but the major opposition is between liberalism and traditionalism. The pluralistic picture she describes contests many current portrayals of Russia as an authoritarian or even totalitarian state. Offering an alternative to the Western lens through which to view global politics, Political Ideologies in Contemporary Russia is a major contribution to our understanding of this world power.
This book represents the first comprehensive historical treatment of sociology in Russia from the mid-nineteenth century through the pre-revolutionary and Soviet eras to the present day. It sheds new light on the dramatic history of sociology in the Russian context; dramatic both in its relationship with state power, and in the large-scale societal transformations it has had to grapple with. The authors highlight several particularities including the late institutionalization of sociology in the Soviet period, the breaks in continuity between its main historical periods and the relationship between sociology and power throughout its history. This valuable work will appeal to social science and history scholars, as well as readers interested in the history of contemporary Russia.
SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING âe~Incredibly powerful âe¦ by the time you reach the end, youâe(tm)ll have experienced the laughter, sorrow, joy, regret, love and hurt of a real life.âe(tm) Alan Alda âe~The possibility of leaving Russia was never as thrilling as the prospect of leaving my mother.âe(tm) When Elena Gorokhova arrives in America, the only link back to her Russian past is a suitcase filled with twenty kilograms of what used to be her life. Navigating a country she had been taught to fear, Elena begins to carve out a new life in an unfamiliar world. Before the birth of Elena's daughter, her mother comes to visit and stays for twenty-four years. Elena, must struggle with the challenge of raising an American daughter whilst living with her controlling mother, a mirror image of her Motherland. Russian Tattoo is the story of what it means to be an outsider, and what happens when the cultures of our past and present collide. Above all, it is an insightful portrait of mothers and daughters.
Elena Bonner, the widow of Andrei Sakharov, evokes both the privileges and the unmet needs of growing up in the inner circle of the Communist elite even as she provides an indelible vision of the horror of her family's near extinction during Stalin's purges of the 1930s. 24 pages of photos.
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