This book explores diverse communities living in Central Asia and the Caucasus, who are generally gathered under the umbrella term of ‘Gypsies’, their multidimensional identities, self-appellations and labels given to them by surrounding populations, researcher and policy-makers. The book presents various Gypsy and Gypsy-like communities and provides a comprehensive review of their history, demography, ways of life, past and present occupations, and contemporary migration in post-Soviet space. The authors situate these communities in historical settings and also in the wider context of contemporary evolving global and areal developments. The book will be of interest to scholars and students of history, sociology, social anthropology, nationalities studies, global and Central Asia and Caucasus areal studies, and Gypsy/Romani studies, and also for policy-makers and civic organizations.
The Roma presence in the European part of the Ottoman Empire - the Balkans - is centuries old and it is not by accident that this regions has often been called the second motherland of the Gypsies. From this region Gypsies moved westwards taking with them inherited Balkan cultural models and traditions. This book explores the history, ethnography, social structure and culture of the Gypsies in the Ottoman Empire. It is based on archival sources, mainly detailed tax registers, special laws, guild registers and court documents. Notes on Gypsies in books by foreign travellers are also included.
This book explores diverse communities living in Central Asia and the Caucasus, who are generally gathered under the umbrella term of ‘Gypsies’, their multidimensional identities, self-appellations and labels given to them by surrounding populations, researcher and policy-makers. The book presents various Gypsy and Gypsy-like communities and provides a comprehensive review of their history, demography, ways of life, past and present occupations, and contemporary migration in post-Soviet space. The authors situate these communities in historical settings and also in the wider context of contemporary evolving global and areal developments. The book will be of interest to scholars and students of history, sociology, social anthropology, nationalities studies, global and Central Asia and Caucasus areal studies, and Gypsy/Romani studies, and also for policy-makers and civic organizations.
The Roma presence in the European part of the Ottoman Empire - the Balkans - is centuries old and it is not by accident that this regions has often been called the second motherland of the Gypsies. From this region Gypsies moved westwards taking with them inherited Balkan cultural models and traditions. This book explores the history, ethnography, social structure and culture of the Gypsies in the Ottoman Empire. It is based on archival sources, mainly detailed tax registers, special laws, guild registers and court documents. Notes on Gypsies in books by foreign travellers are also included.
* Named a Best Book of the Year by The New Yorker and TIME * Winner of the Pushkin House Book Prize * A New York Times Book Review Editors' Choice * “A haunting book of rare courage.” —Clarissa Ward, CNN chief international correspondent and author of On All Fronts To be a journalist is to tell the truth. I Love Russia is Elena Kostyuchenko’s unrelenting attempt to document her country as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doctors at a Ukrainian maternity ward, and reporters like herself. Here is Russia as it is, not as we imagine it. The result is a singular portrait of a nation, and of a young woman who refuses to be silenced. In March 2022, as a correspondent for Russia’s last free press, Novaya Gazeta, Kostyuchenko crossed the border into Ukraine to cover the war. It was her mission to ensure that Russians witnessed the horrors Putin was committing in their name. She filed her pieces knowing that should she return home, she would likely be prosecuted and sentenced to up to fifteen years in prison. Yet, driven by the conviction that the greatest form of love and patriotism is criticism, she continues to write. I Love Russia stitches together reportage from the past fifteen years with personal essays, assembling a kaleidoscopic narrative that Kostyuchenko understands may be the last work from her homeland that she’ll publish for a long time—perhaps ever. It exposes the inner workings of an entire nation as it descends into fascism and, inevitably, war. She writes because the threat of Putin’s Russia extends beyond herself, beyond Crimea, and beyond Ukraine. We fail to understand it at our own peril.
Elena Bonner, the widow of Andrei Sakharov, evokes both the privileges and the unmet needs of growing up in the inner circle of the Communist elite even as she provides an indelible vision of the horror of her family's near extinction during Stalin's purges of the 1930s. 24 pages of photos.
SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING âe~Incredibly powerful âe¦ by the time you reach the end, youâe(tm)ll have experienced the laughter, sorrow, joy, regret, love and hurt of a real life.âe(tm) Alan Alda âe~The possibility of leaving Russia was never as thrilling as the prospect of leaving my mother.âe(tm) When Elena Gorokhova arrives in America, the only link back to her Russian past is a suitcase filled with twenty kilograms of what used to be her life. Navigating a country she had been taught to fear, Elena begins to carve out a new life in an unfamiliar world. Before the birth of Elena's daughter, her mother comes to visit and stays for twenty-four years. Elena, must struggle with the challenge of raising an American daughter whilst living with her controlling mother, a mirror image of her Motherland. Russian Tattoo is the story of what it means to be an outsider, and what happens when the cultures of our past and present collide. Above all, it is an insightful portrait of mothers and daughters.
Preserving the childhood memories of some of the last generation of White Russian women to experience the revolution first-hand, this poignant collection of interviews and photographs provides a unique record of life in Russia.
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