Part one. Embarking on a global adventure -- Introduction to globalization -- Consumers, consumption, and well-being -- Textile and apparel supply matrix -- Sustainability in textile and apparel industries -- Part two. The global supply chain -- Textile and apparel trade: barriers, regulations, and politics -- Illegal and unethical trade activity -- Selecting locations for global sourcing -- Selecting vendors for global sourcing -- Part three. Trading partners -- Europe and the European Union -- The Americas and the Caribbean Basin -- Asia and Oceania -- The Middle East and Africa.
Botulinum therapy occupies a special place in modern aesthetic medicine, not only as one of the most effective methods with more than 30 years of successful medical history but also as a tool that raises many questions. However, all known medical books on botulinum therapy primarily consider practical aspects — determination of injection points, dosage, etc. While this is certainly valuable information for botulinum therapy practitioners, everyone else is more concerned with other issues — whether botulinum toxin is safe, how it works, what effects can be expected from its use, and how to maximize its duration. These and other essential questions are addressed in our book — no one has ever dealt with botulinum toxin and its possibilities in such detail! We will identify the critical points related to botulinum toxin and its use in clinical practice. After discussing the nature of the active ingredient — botulinum toxin — we will move on to a brief review of commercial preparations, followed by the main factors affecting the treatment efficacy and safety, backed up by references to authoritative scientific studies. We will outline and justify the main directions of applying botulinum toxin for aesthetic and dermatological indications. We will also discuss the specifics of combining botulinum therapy with other injectable and device-based methods within the framework of complex aesthetic programs to prevent and correct age-related skin changes. This book is part of the Cosmetic Dermatology & Skincare Practice book series, covering the most relevant topics in modern dermatology and aesthetic medicine. All books are structured, written in accessible language, and answer critical questions about the problem or technology at hand. The information in this book will be useful to aestheticians, dermatologists, physiotherapists, neurologists, ophthalmologists, and plastic surgeons — both practicing and those just beginning to master botulinum therapy — as well as medical students and all interested parties.
“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.” - Jeff Sahadeo, Associate Professor, Carleton University, Canada “Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s 'civilizing' mission in the East.” - Harsha Ram, Associate Professor, University of California, Berkeley, USA This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin. It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise. It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.
This volume presents a unique study of war songs created during and after World War II, known in Russia as the “Great Patriotic War”. The most popular war songs, such as “Katyusha”, “The Sacred War”, “Dark Night”, “My Moscow”, “In the Dugout”, “Victory Day”, provide illuminating insights into the musical culture of the former Soviet Union and modern Russia. In the year of the 70th anniversary of victory in the war, the book studies the cultural heritage of famous war songs from a new perspective, exploring the historical background of their creation and analysing their lyrics as part of Russian cultural heritage. The book also discusses the modifications required when translating the songs from Russian to English. It concludes with a description an educational project studying war songs at Moscow schools run under the auspices of UNESCO.
Felix Berezin was an outstanding Soviet mathematician who in the 1960s and 70s was the driving force behind the emergence of the branch of mathematics now known as supermathematics. The integral over the anticommuting Grassmann variables that he introduced in the 1960s laid the foundation for the path integral formulation of quantum field theory with fermions, the heart of modern supersymmetric field theories and superstrings. The Berezin integral is named for him, as is the closely related construction of the Berezinian, which may be regarded as the superanalog of the determinant.This book features a masterfully written memoir by Berezin's widow, Elena Karpel, who narrates a remarkable account of Berezin's life and his struggle for survival under the totalitarian Soviet regime. Supplemented with recollections by his close friends and colleagues, Berezin's accomplishments in mathematics, his novel ideas and breakthrough works, are reviewed in two articles written by Andrei Losev and Robert Minlos.
An ethnography of Russian teacher education reforms as scripted performances of political theater. Around the world, countries undertake teacher education reforms in response to international norms and assessments. Russia has been no exception. Elena Aydarova develops a unique theatrical framework to tell the story of a small group of reformers who enacted a major reform to modernize teacher education in Russia. Based on scripts circulated in global policy networks and ideologies of national development, this reform was implemented despite great opposition—but how? Drawing on extensive ethnographic material, Aydarova teases out the contradictions in this process. Teacher Education Reform as Political Theater reveals how the official story of improving education obscured dramatic and, ultimately, socially conservative changes in the purposes of schooling, the nature and perception of teachers’ work, and the design of teacher education. Despite the official rhetoric, Aydarova argues, modernization reforms such as we see in the Russian context normalize social inequality and put educational systems at the service of global corporations. As similar dramas unfold around the world, this book considers how members of scholarly communities and the broader public can respond to reformers’ stories of crises and urgent calls for reform on other national stages. “This book provides an unprecedented ethnographic look into the making of national education policy. The setting, amazingly, is Russia, but the volume raises questions about how ideas become policy in other nations as well. It is thus a highly provocative and fascinating case study that should get the attention of anyone interested in national and global education policymaking.” — Kathryn Anderson-Levitt, coeditor of Comparing Ethnographies: Local Studies of Education Across the Americas
The book “What teaches dysgraphy” summarizes the research materials of the socio-educational, culturological, philosophical nature of persistent violations of written speech in children, revealing the perspectives and phenomenology of significant processes in this area, their system-activity reference and personal orientation.
This book delineates the ways in which our hands have shaped our development--cognitive, emotional, linguistic, and psychological--in light of the most recent research being done in anthropology, neuroscience, linguistics, and psychology.
* Named a Best Book of the Year by The New Yorker and TIME * Winner of the Pushkin House Book Prize * A New York Times Book Review Editors' Choice * “A haunting book of rare courage.” —Clarissa Ward, CNN chief international correspondent and author of On All Fronts To be a journalist is to tell the truth. I Love Russia is Elena Kostyuchenko’s unrelenting attempt to document her country as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doctors at a Ukrainian maternity ward, and reporters like herself. Here is Russia as it is, not as we imagine it. The result is a singular portrait of a nation, and of a young woman who refuses to be silenced. In March 2022, as a correspondent for Russia’s last free press, Novaya Gazeta, Kostyuchenko crossed the border into Ukraine to cover the war. It was her mission to ensure that Russians witnessed the horrors Putin was committing in their name. She filed her pieces knowing that should she return home, she would likely be prosecuted and sentenced to up to fifteen years in prison. Yet, driven by the conviction that the greatest form of love and patriotism is criticism, she continues to write. I Love Russia stitches together reportage from the past fifteen years with personal essays, assembling a kaleidoscopic narrative that Kostyuchenko understands may be the last work from her homeland that she’ll publish for a long time—perhaps ever. It exposes the inner workings of an entire nation as it descends into fascism and, inevitably, war. She writes because the threat of Putin’s Russia extends beyond herself, beyond Crimea, and beyond Ukraine. We fail to understand it at our own peril.
Elena Bonner, the widow of Andrei Sakharov, evokes both the privileges and the unmet needs of growing up in the inner circle of the Communist elite even as she provides an indelible vision of the horror of her family's near extinction during Stalin's purges of the 1930s. 24 pages of photos.
SHORTLISTED FOR THE WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING ‘Incredibly powerful ... by the time you reach the end, you’ll have experienced the laughter, sorrow, joy, regret, love and hurt of a real life.’ Alan Alda ‘The possibility of leaving Russia was never as thrilling as the prospect of leaving my mother.’ When Elena Gorokhova arrives in America, the only link back to her Russian past is a suitcase filled with twenty kilograms of what used to be her life. Navigating a country she had been taught to fear, Elena begins to carve out a new life in an unfamiliar world. Before the birth of Elena's daughter, her mother comes to visit and stays for twenty-four years. Elena, must struggle with the challenge of raising an American daughter whilst living with her controlling mother, a mirror image of her Motherland. Russian Tattoo is the story of what it means to be an outsider, and what happens when the cultures of our past and present collide. Above all, it is an insightful portrait of mothers and daughters.
Preserving the childhood memories of some of the last generation of White Russian women to experience the revolution first-hand, this poignant collection of interviews and photographs provides a unique record of life in Russia.
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