Originally published in 1998, in this book, a number of stereotypes, symbols and signs of Russia, such as the double-headed eagle, the star, bread-and-salt, troika, the Orthodox cross, etc., are presented as a consistent set of metaphors, revealing a symbolic world made by and for the Russians in order to sustain and reinforce their group identity. The Russian language, culture and history form the basic core of the symbolic archive, or thesaurus, of Russianness, from which the necessary images, symbols and signs of identification are provided to manifest connection with the sphere of Russian identity. Such symbolism may directly or obliquely refer either to the territory (soil) of Russia, or to the ethnically specific traits of the Russian people (soul). Both soil and soul are emphatically personified in the symbolic image of Holy Russia - Mother Russia.
As waves of composers migrated from Russia in the 20th century, they grappled with the complex struggle between their own traditions and those of their adopted homes. Russian Composers Abroad explores the self-identity of these émigrés, especially those who left from the 1970s on, and how aspects of their diasporic identities played out in their music. Elena Dubinets provides a journey through the complexities of identity formation and cultural production under globalization and migration, elucidating sociological perspectives of the post-Soviet world that have caused changes in composers' outlooks, strategies, and rankings. Russian Composers Abroad is an illuminating study of creative ideas that are often shaped by the exigencies of financing and advancement rather than just by the vision of the creators and the demands of the public.
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