Before the Civil War, free African Americans and fugitive slaves crossed international borders to places like Canada, Mexico, and the Caribbean in search of freedom and equality. Beacons of Liberty tells the story of how these bold migrants catalyzed contentious debates over citizenship, racial justice, and national character in the United States. Blending fresh historical analysis with incredible stories of escape and rebellion, Elena K. Abbott shows how the shifting geography of slavery and freedom beyond US borders helped shape the hopes and expectations of black radicals, white politicians, and fiery reformers engaged in the American anti-slavery movement. Featuring perspectives from activists and risk-takers like Mary Ann Shadd, Martin Delany, and James C. Brown, Beacons of Liberty illuminates the critical role that international free soil played in the long and arduous fight for emancipation and racial justice in the United States.
Exhibitions for Social Justice assesses the state of curatorial work for social justice in the Americas and Europe today. Analyzing best practices and new curatorial work to support all those working on exhibitions, Gonzales expounds curatorial practices that lie at the nexus of contemporary museology and neurology. From sharing authority, to inspiring action and building solidarity, the book demonstrates how curators can make the most of visitors’ physical and mental experience of exhibitions. Drawing on ethnographic and archival work at over twenty institutions with nearly eighty museum professionals, as well as scholarship in the public humanities, visual culture, cultural studies, memory studies, and brain science, this project steps back from the detailed institutional histories of how exhibitions come to be. Instead, it builds a set of curatorial practices by examining the work behind the finished product in the gallery. Demonstrating that museums have the power to help our society become more hospitable, equitable, and sustainable, Exhibitions for Social Justice will be of interest to scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will also be valuable reading for museum professionals and anyone else working with exhibitions who is looking for guidance on how to ensure their work attains maximum impact.
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