This brief presents a solution to the interpolation problem for arithmetically Cohen-Macaulay (ACM) sets of points in the multiprojective space P^1 x P^1. It collects the various current threads in the literature on this topic with the aim of providing a self-contained, unified introduction while also advancing some new ideas. The relevant constructions related to multiprojective spaces are reviewed first, followed by the basic properties of points in P^1 x P^1, the bigraded Hilbert function, and ACM sets of points. The authors then show how, using a combinatorial description of ACM points in P^1 x P^1, the bigraded Hilbert function can be computed and, as a result, solve the interpolation problem. In subsequent chapters, they consider fat points and double points in P^1 x P^1 and demonstrate how to use their results to answer questions and problems of interest in commutative algebra. Throughout the book, chapters end with a brief historical overview, citations of related results, and, where relevant, open questions that may inspire future research. Graduate students and researchers working in algebraic geometry and commutative algebra will find this book to be a valuable contribution to the literature.
This book questions the reliance on melodrama and spectacle in social performances and cultural productions by and about migrants from Mexico and Central America to the United States. Focusing on archetypal characters with nineteenth-century roots that recur in the twentieth- and twenty-first centuries – heroic saviors, saintly mothers and struggling fathers, martyred children and rebellious youth – it shows how theater practitioners, filmmakers, visual artists, advocates, activists, journalists, and others who want to help migrants often create migrant melodramas, performances that depict their heroes as virtuous victims at the mercy of evil villains. In order to gain respect for the human rights that are supposedly already theirs on paper and participate in a global market that trades in performances of suffering, migrants themselves sometimes accept the roles into which they are cast, or even cast themselves. Some express their suffering publicly, often on demand. Others find ways to twist, parody, resist, or reject migrant melodrama. Timely, beautifully written, and deeply researched, Puga’s and Espinosa’s study captures the complex nuances of how performance scholars and ethnographers grapple with telling stories of and bearing witness to trauma. They invite scholars to re-imagine the narrative genres into which histories of migration are often coerced. They question how familiar forms such as melodrama can empower or dis-empower individuals struggling to share their stories and change their circumstances. Their thoughtful work offers a compassionate and erudite model for performance ethnographers. Heather S. Nathans Alice and Nathan Gantcher Professor in Judaic Studies Tufts University In their penetrating analysis, Puga and Espinosa show how militarized borders, neoliberal economics, exclusionary immigration policies, and rising nativism have combined to create an ongoing melodrama in which migrants, journalists, and rescuers perform scripted roles as martyrs, saints, and heroes in an effort to sway a global audience of onlookers. Although the protagonists in this melodrama seek to relieve the suffering of migrants by valorizing their pain and using it as a currency in a political economy of suffering, the authors’ sympathetic but critical analysis reveals both the promise and perils of this emotive strategy. Their analysis is essential to understanding how immigration is portrayed and perceived in the world today. Douglas S. Massey Henry G. Bryant Professor of Sociology and Public Affairs Princeton University Ana Elena Puga and Víctor M. Espinosa’s Performances of Suffering is well-researched and compellingly theorized collaboration which reveals the affective labor performed by, with and for migrants in the United States and Mexico. In these perilous times, the lessons that this book teaches us about the performance of melodrama as a key aspect of obtaining justice and care for migrants throughout the hemisphere are crucial to understanding representations of “migrant crises” in our contemporary social media, performance and advocacy movements. Patricia Ybarra Professor of Theatre Arts and Performance Studies Brown University In this fascinating book, Puga and Espinosa illuminate the political economy of suffering among Latin American migrants. This is a timely and important work to understand how migrants, the state, humanitarian workers, and the media all perform the melodrama of the suffering migrant. An impressive and provocative book! Carolyn Chen Associate Professor of Ethnic Studies University of California at Berkeley
Por el camino andamos... Esta es una novela filosófica que tiene el propósito de resolver esos problemas de todos los días, con los cuales nos enfrentamos por la sencilla razón de haber sido creados poseyendo el mejor de los regalos divinos, la libertad. Esa libertad que cuando bien utilizada nos lleva al éxito, y cuando no, nos lleva a la angustia y al fracaso . Dejemos pues, que Don Sebastián, maestro de filosofía, ilumine el camino de nuestra vida ayudandonos a transitar por esos caminos, y así, pensamiento por pensamiento y acción por acción cambiar, de la pobreza a la riqueza, de la dependencia a la independencia, de la ignorancia a la sabiduría, de la historia a la realidad, del pasado al presente dejándote llevar de la mano de la filosofía de todos los tiempos, la amiga eternal de toda la vida, porque como dice Don Sebastián. Por el camino andamos...
Oculto sendero, novela inédita y testamento literario de Elena Fortún (1885-1952), por fin sale a la luz. Fortún escribe esta autobiografía novelada durante su exilio en Argentina y la firma con el seudónimo de Rosa María Castaños. La protagonista es María Luisa Arroyo, pintora y antes niña que quería vestirse de marinero, alter-ego de la autora. El camino de su vida es el sendero hacia el entendimiento de su homosexualidad, camino que avanza parejo al conocimiento y realización del potencial artístico e intelectual de la protagonista. Tras una infancia narrada al más puro estilo Fortún, María Luisa Arroyo irá dejando atrás, como la creadora de la inolvidable Celia, los dictados de la feminidad convencional para adentrarse en una modernidad inevitable y también desgarradora. Ambientada en la España anterior a 1936, Oculto sendero ofrece un retrato único y necesario de la intimidad y la lucha de una mujer excepcional.
The Iron Maiden" is a collection of poems written and performed by Elena Skoko aka Sugar Babe between 2000 and 2007. Most of them were intended for the spoken word or multimedia projections, as part of her live performances (OphLove, Proleter-K, 2B1C) or of single and private acts. Passion, anger, revolt and vulnerability are ritualized through words that manifest themselves in different languages as Elena moves her life through countries, cultures and lovers. Her communist upbringing, dating back from the former Yugoslavia, reflects her vision of the world in form of a broken mirror. Her inability to fit in and merge with the commodified life makes her find her way as part of the European urban cultural proletariat and its communities, where she lives until she moves to Bali. But that's another story.
É un libro con dei piccoli personaggi bellissimi, allegri , spensierati , un libro per i bambini che puo arricchire le loro visioni, le loro fantasie e il loro divertimento.
The first extended analysis of the relationship between Italian criminology and crime fiction in English, Methods of Murder examines works by major authors both popular, such as Gianrico Carofiglio, and canonical, such as Carlo Emilio Gadda. Many scholars have argued that detective fiction did not exist in Italy until 1929, and that the genre, which was considered largely Anglo-Saxon, was irrelevant on the Italian peninsula. By contrast, Past traces the roots of the twentieth-century literature and cinema of crime to two much earlier, diverging interpretations of the criminal: the bodiless figure of Cesare Beccaria’s Enlightenment-era On Crimes and Punishments, and the biological offender of Cesare Lombroso’s positivist Criminal Man. Through her examinations of these texts, Past demonstrates the links between literary, philosophical, and scientific constructions of the criminal, and provides the basis for an important reconceptualization of Italian crime fiction.
This work aims to provide insights into the way a corpus can be used, the type of findings that can be obtained, the possible applications of these findings as well as the theoretical changes that corpus work can bring into linguistics and language engineering. Topics include the rise of corpus linguistics, delexicalization, semantic prosodies and different corpora for different purposes.
The history of the Reconquista - the Christian reconquest of Spain from the Arabs - has proved an increasingly stimulating field of historical research. On the one hand, the struggle forced Spanish society into a mould which then shaped the course of its expansion into the Americas, on the other it gave rise to a unique process of accommodation and acculturation. Dr Lourie here concentrates on the realms of the Crown of Aragon in the 12th-14th centuries. The first articles deal with the evolution of the crusading spirit, with geopolitics, notably the rivalry between Aragon and Castille, and with the progress of Christian colonisation. The next section examines the conflicting demands of ideology, demography and colonisation, and includes one major new study on Christian ambivalence towards the Mudejars, the conquered Muslim population. Dr Lourie seeks to throw this attitude into sharper focus by comparing the Muslim situation with that of the Jews, and it is to the latter and their relations with Christians that her last five articles are devoted.
In spite of the attention that Latin American women writers have attracted in recent years, a book dedicated exclusively to those writers whose work primarily articulates a lesbian perspective was until now missing. The purpose of this book, first published in 1996, is to bring attention to and examine the articulation of lesbian themes, motifs and issues in the works of these writers. It aims to study the problems pertaining to the specific literary representations of lesbianism and to examine the dimensions of a lesbian view in the works. By undertaking the study of the works of these women writers, this book contributes to the recognition and legitimization of a lesbian literary discourse.
Il Volume, dedicato al tema della Sicurezza nei Cantieri edili, ha un taglio essenzialmente pratico ed operativo per gli "addetti ai lavori", ma rigorosamente inquadrato nel sistema legislativo come interpretato dalla giurisprudenza. STRUTTURA PARTE PRIMA La Direttiva cantieri 92/57/CEE: quadro giuridico di riferimento, oggetto e campo di applicazione, recepimento nell’ordinamento giuridico italiano. Le decisioni della Corte di Giustizia Europea di maggior interesse. PARTE SECONDA Analisi e commento al titolo IV del D.Lgs 81/08 come modificato dal D.Lgs. 106/2009 e raffronto con la disciplina precedente. PARTE TERZA Indicazioni operative per la redazione dei seguenti documenti: contratto d’appalto; verifica dell’idoneità tecnico professionale dell’appaltatore; notifica preliminare PSC (piano di sicurezza e coordinamento) POS (piano operativo di sicurezza) documentazione attività di coordinamento: scheda di acquisizione dati e richiesta documentazione verbale riunione preliminare verbale riunioni di coordinamento verbale sopralluogo e verifica in cantiere prescrizione adeguamento POS schede di verifica delle attività di cantiere giornale di coordinamento comunicazione inadempienze riscontrate dal coordinatore per l’esecuzione e prescrizioni fascicolo tecnico dell’opera PARTE QUARTA Rassegna della giurisprudenza più significativa, degli ultimi anni, della Corte di Cassazione in versione integrale.
Antonella e Carlotta e la loro amicizia, oltre ogni limite, e il loro amore, esclusivo come lo si può essere da adolescenti, e la loro fantasia, che modifica la realtà.
This brief presents a solution to the interpolation problem for arithmetically Cohen-Macaulay (ACM) sets of points in the multiprojective space P^1 x P^1. It collects the various current threads in the literature on this topic with the aim of providing a self-contained, unified introduction while also advancing some new ideas. The relevant constructions related to multiprojective spaces are reviewed first, followed by the basic properties of points in P^1 x P^1, the bigraded Hilbert function, and ACM sets of points. The authors then show how, using a combinatorial description of ACM points in P^1 x P^1, the bigraded Hilbert function can be computed and, as a result, solve the interpolation problem. In subsequent chapters, they consider fat points and double points in P^1 x P^1 and demonstrate how to use their results to answer questions and problems of interest in commutative algebra. Throughout the book, chapters end with a brief historical overview, citations of related results, and, where relevant, open questions that may inspire future research. Graduate students and researchers working in algebraic geometry and commutative algebra will find this book to be a valuable contribution to the literature.
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