Work isn’t what it used to be. Leaders need a field guide that equips them with what to say and do as they face the new culture expectations of today’s employees. Many employees now show up for work not just to do their jobs but also to discover, debate, and digest important social issues. A growing number of workers want to have an impact in the world, and their preferences are a prompt for employers to be more mindful of the role of business in driving societal change, starting with what people experience at work. Felicia Joy and Elena Grotto, experts on behavioral science, business strategy, and organizational culture, share practical guidance to help organizations rise to these new standards by advancing seven behaviors, including the surprising—and perhaps most important—new business skill for high-performing cultures: forgiveness. Managers today are asked to operate as both business leaders and community leaders within the workplace—and the latter skillset is new to many. I Don’t Just Work Here helps managers leverage culture to bolster business results as they replace anxiety with confidence and lead with greater purpose in providing the expanded support employees need to develop and perform. Organizations that take heed, elevate people managers, invest in building a strategic culture, and lead with clear values and behaviors are more likely to have a decisive competitive advantage and greater business impact for years to come.
Work isn’t what it used to be. Leaders need a field guide that equips them with what to say and do as they face the new culture expectations of today’s employees. Many employees now show up for work not just to do their jobs but also to discover, debate, and digest important social issues. A growing number of workers want to have an impact in the world, and their preferences are a prompt for employers to be more mindful of the role of business in driving societal change, starting with what people experience at work. Felicia Joy and Elena Grotto, experts on behavioral science, business strategy, and organizational culture, share practical guidance to help organizations rise to these new standards by advancing seven behaviors, including the surprising—and perhaps most important—new business skill for high-performing cultures: forgiveness. Managers today are asked to operate as both business leaders and community leaders within the workplace—and the latter skillset is new to many. I Don’t Just Work Here helps managers leverage culture to bolster business results as they replace anxiety with confidence and lead with greater purpose in providing the expanded support employees need to develop and perform. Organizations that take heed, elevate people managers, invest in building a strategic culture, and lead with clear values and behaviors are more likely to have a decisive competitive advantage and greater business impact for years to come.
The fruit of years of research, TRIANON corrects many of the popular misconceptions about Louis XVI and Marie-Antoinette. The novel chronicles their resolution and dignity in the face of crushing disappointments, innumerable humiliations, personal and national tragedy, and death itself. Originally published in 1997, TRIANON has received critical acclaim and gained an international following. Mayapple Books is happy to announce the third edition of this timeless portrait of one of the most enigmatic and tragic royal couples who ever lived.
Dancing on Water is both a personal coming-of-age story and a sweeping look at ballet life in Russia and the United States during the golden age of dance. Elena Tchernichova takes us from her childhood during the siege of Leningrad to her mother's alcoholism and suicide, and from her adoption by Kirov ballerina Tatiana Vecheslova, who entered her into the state ballet school, to her career in the American Ballet Theatre. As a student and young dancer with the Kirov, she witnessed the company's achievements as a citadel of classic ballet, home to legendary names--Shelest, Nureyev, Dudinskaya, Baryshnikov--but also a hotbed of intrigue and ambition run amok. As ballet mistress of American Ballet Theatre from 1978 to 1990, Elena was called "the most important behind-the-scenes force for change in ballet today," by Vogue magazine. She coached stars and corps de ballet alike, and helped mold the careers of some of the great dancers of the age, including Gelsey Kirkland, Cynthia Gregory, Natalia Makarova, and Alexander Godunov. Dancing on Water is a tour de force, exploring the highest levels of the world of dance.
A first love, friends to lovers, holiday, small-town romance from USA Today Best Selling Author, Elena Aitken. He’s always loved her. Will she finally see what was always in front of her? When Kylie Wilson receives a mysterious invitation for an all expenses paid trip to a tropical, all inclusive resort, there's no doubt in her mind who it came from—Marcus Stone, the only man she ever thought she'd loved. The same man who'd promised her forever and then promptly left town to pursue his dream without so much as a backward glance. Kylie owes it to herself to take a chance and despite her conflicted feelings, she decides to risk her heart again and before she can talk her way out of it—is jetting toward the island of Eden and the man she hopes will finally fill the void in her life. But when she arrives, and it's not Marcus who greets her at all, but his much sexier twin brother, Malcolm. Kylie’s more confused than ever. But on an island that is supposed to 'know exactly what you need', can Kylie open her body, mind, and more importantly—her heart to the idea that sometimes in love you have to take Second Glances?
National Book Award-finalist: an “ingenious social satire” of the “arrogance, folly, injustice, and debauchery” among Spain’s privileged class (The Atlantic). Solita, a young daughter of refugees from Francisco Franco’s dictatorship in Spain, is whisked from the urban ghetto of Galmeda to El Topaz, the lush hacienda of a wealthy eccentric, which Solita’s mother assures her will be paradise. But behind its beautiful facade, El Topaz is a quagmire of social subterfuge, from its politicking adults to its spiteful children, and Solita finds herself alone in a glittery world where “you couldn’t trust anything. Or anybody. You had to navigate completely on your own.” Yet somehow, with only her sharp eye for separating truth from insincerity, Solita must weave her way through the social minefield of this supposed Spanish Shangri-La, searching for the happiness and harmony promised by her family’s liberation. Nominated for the National Book Award, Elena Castedo’s Paradise wickedly skewers the follies and falsehoods, conniving and cluelessness, of society’s so-called elite.
The New Public Health has established itself as a solid textbook throughout the world. Translated into 7 languages, this work distinguishes itself from other public health textbooks, which are either highly locally oriented or, if international, lack the specificity of local issues relevant to students' understanding of applied public health in their own setting. This 3e provides a unified approach to public health appropriate for all masters' level students and practitioners—specifically for courses in MPH programs, community health and preventive medicine programs, community health education programs, and community health nursing programs, as well as programs for other medical professionals such as pharmacy, physiotherapy, and other public health courses. Changes in infectious and chronic disease epidemiology including vaccines, health promotion, human resources for health and health technology Lessons from H1N1, pandemic threats, disease eradication, nutritional health Trends of health systems and reforms and consequences of current economic crisis for health Public health law, ethics, scientific d health technology advances and assessment Global Health environment, Millennium Development Goals and international NGOs
Dantean Dialogues is a collection of essays by some of the world's most outstanding Dante scholars., These essays enter into conversation with the main themes of the scholarship of Amilcare Iannucci (d. 2007), one of the leading researchers on Dante of his generation and arguably Canada's finest scholar of the Italian poet. The essays focus on the major themes of Iannucci's work, including the development of Dante's early poetry, Dante's relation to classical and biblical sources, and Dante's reception. The contributors cover crucial aspects of Dante's work, from the authority of the New Life to the novelty of his early poetry, to key episodes in the Comedy, to the poem's afterlife. Together, the essays show how Iannucci's reading of central cruxes in Dante's texts continues to inspire Dante studies - a testament to his continuing influence and profound intellectual legacy.
This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.
This volume is a guide to the main characteristics, movements and regional variants of a millennium of Western architecture, from the early Romanesque to the most recent contemporary trends.
Founded upon more than a century of civil bloodshed, the first imperial regime of ancient Rome, the Principate of Caesar Augustus, looked at Rome's distant and glorious past in order to justify and promote its existence under the disguise of a restoration of the old Republic. In doing so, it used and revisited the history and myth of Rome's major success against external enemies: the wars against Carthage. This book explores the ideological use of Carthage in the most authoritative of the Augustan literary texts, the Aeneid of Virgil. It analyses the ideological portrait of Carthaginians from the middle Republic and the truth-twisting involved in writing about the Punic Wars under the Principate. It also investigates the mirroring between Carthage and Rome in a poem whose primary concern was rather the traumatic memory of Civil War and the subsequent subversion of Rome's Republican institutions through the establishment of Augustus' Principate.
Midnight, 1954. A striking woman in a torn black dress slinks down a cobwebbed, candelabra'd corridor. She stops, shrieks hysterically into the camera, then solemnly says, "Good evening, I am Vampira." Her real name is Maila Nurmi and she was the first in a long line of television horror movie hosts, commonly seen on independent stations' late-night "grade Z" offerings dressed as some zany ghoul or mad scientist. This book covers the major hosts in detail, along with styles and show themes. Merchandise tie-in and fan reactions are also chronicled. The appendices list film and record credits.
A detective story tells about a successful career for a woman who can overcome difficulties in life. The author delves into the psychology of love relationships and experiences of her friend through poetic insight. The mechanisms of disorientation are launched due to the criminal activities of individual elements, which are successfully investigated by the city police, where the main heroine lives and works.
The novel describes the penal investigation of a criminal offense that has its roots in the last century and received vengeance thanks to the efforts of the investigator of the prosecutor’s office – Rezhimov, the private detective – Alice Korablevskaya and her husband, lieutenant colonel Seregin. All the characters are taken from life, but the names and surnames are changed. Translated from Russian by the author.
This book examines ideas of spiritual nourishment as maintained chiefly by Patristic theologians –those who lived in Byzantium. It shows how a particular type of Byzantine frescoes and icons illustrated the views of Patristic thinkers on the connections between the heavenly and the earthly worlds. The author explores the occurrence, and geographical distribution, of this new type of iconography that manifested itself in representations concerned with the human body, and argues that these were a reaction to docetist ideas. The volume also investigates the diffusion of saints’ cults and demonstrates that this took place on a North-South axis as their veneration began in Byzantium and gradually reached the northern part of Europe, and eventually the entirety of Christendom.
Beginning with Yuka, a 39,000-year-old mummified woolly mammoth recently found in the Siberian permafrost, each of the sixteen essays in Animals Strike Curious Poses investigates a different famous animal named and immortalized by humans. Modeled loosely after a medieval bestiary, these witty, playful, whipsmart essays traverse history, myth, science, and more, bringing each beast vibrantly to life. Elena Passarello is an actor, a writer, and recipient of a 2015 Whiting Fellowship in nonfiction. Her first collection with Sarabande Books, Let Me Clear My Throat, won the gold medal for nonfiction at the 2013 Independent Publisher Awards. She lives in Corvallis, Oregon.
MADAME ROYALE is the epic saga of Marie-Antoinette's daughter, Marie-Thérèse-Charlotte. The period which follows the fall of Napoleon Bonaparte, called by historians "the Bourbon restoration" (1814-1830), was outwardly one of rest and peace for France. Yet beneath the surface, the forces of revolution were engaged in a ruthless duel for power with those of the reaction. At the center of the drama one woman, consumed by a quest for love and restoration, struggles to survive amid deception and betrayal. A tale of murder, mystery and secret romance, the novel searches the conflicted heart of the orphaned princess who from childhood had been called "Madame Royale.
This little book describes the past, present and future of black holes through a funny and engaging story involving Grandpa Louie, his two grandchildren and two of their friends.During a beautiful sunny day on the beach, the children play, swim, enjoy their time, and ask a lot of questions to Grandpa Louie, a retired astronomy professor. Who better than him to tell all the secrets of black holes to a group of curious children? Who discovered them? What do 'black holes' mean? Are There different types of black holes? How does a black hole form? What is his fate? How did scientists manage to 'observe' these celestial bodies which, by definition, cannot be seen? At the end, we also bring up the subject of parallel universes, which could exist beyond the horizon of a black hole.This book is suitable for children from 6 to 12 years old.
Osip Mandel'shtam (1891-1938) is considered by many to have been the best Russian poet of his era. This book is the first attempt to describe in a comprehensive way Mandel'shtam's intellectual world and its effect on his evolution as a thinker.
This is a book about love, life and death set in Russia, during Czar Nicholas the II’s reign. It commences at the end of the 19th century with his father’s burial and his subsequent inheritance of the Crown – with absolute power. His reign is underpinned by the strong love between him and his wife Alexandra and overshadowed by the presence of Rasputin. But his unwise decisions lead to chaos, including the Khadynka Tragedy, Bloody Sunday, 1905 revolution and the Czar’s abdication. His family is imprisoned, first in Tobolsk and then in Ekaterinburg, and the story concludes with the communists obtaining power and executing the entire royal family. Become entangled in the tales of love, hate, conflict, sex, treachery, and murder between the characters. Dive into a horrifying historical moment from one hundred years ago and experience for yourself life at a crucial turning point in Russia’s bloody history.
Life is not easy in the Soviet Union at mid-20 th century, especially for a factory worker who becomes an unwed mother. But Antonina is lucky to get a room in a communal apartment that she and her little girl share with three elderly women. Glikeria is a daughter of former serfs. Ariadna comes from a wealthy family and speaks French. Yevdokia is illiterate and bitter. All have lost their families, all are deeply traditional, and all become “grannies” to little Suzanna. Only they secretly name her Sofia. And just as secretly they impart to her the history of her country as they experienced it: the Revolution, the early days of the Soviet Union, the blockade and starvation of World War II. The little girl responds by drawing beautiful pictures, but she is mute. If the authorities find out she will be taken from her home and sent to an institution. When Antonina falls desperately ill, the grannies are faced with the reality of losing the little girl they love – a stepfather can be found before it is too late. And for that, they need a miracle.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.