The Medicine on the Move series provides fully-flexible access to subjects across the curriculum, in this case emergency and acute medicine, in a unique combination of print and mobile formats. The books are ideal for the busy medical student and junior doctor, irrespective of individual learning style and whether they are studying a subject for th
The Medicine on the Move series provides fully-flexible access to subjects across the curriculum, in this case emergency and acute medicine, in a unique combination of print and mobile formats. The books are ideal for the busy medical student and junior doctor, irrespective of individual learning style and whether they are studying a subject for th
Based on extensive archival searches, this book provides the first reconstruction of the Templar presence in North-west Italy giving general insights into the development and organization of the Order in this area and providing an outline of the history of each Templar house.
The Pontiff's power of reservation has existed for centuries: it began to develop in the Middle Ages as the papacy established itself as head of the medieval Church and the entire Christianity. This monograph is an analysis of the new system of papal reservations in relation to the Bishops as described in the 1983 Code of Canon Law and in the legal prescriptions of the Roman Catholic Church. The study highlights the cases which the Pontiff reserves to himself, removing them from the responsibility of the diocesan bishops, who continue to exercise the power they possess in their own right.
Una ragazza di origini ebraiche che studiava a Boston, dopo la deportazione della sua famiglia nei campi di concentramento riesce a tornare in Italia e qui viene accolta in una grande ed importante famiglia di armatori. Nel 1970 la quiete famigliare viene stravolta dalla morte accidentale di un figlio e la sua unità subisce un duro colpo, tanto che per moltissimi anni ci saranno dei forti dissapori fra i vari componenti. Specialmente la vita di Gloria, la protagonista principale, sarà quella più sconvolta dall'evento luttuoso, che la porterà a ripercorrere a ritroso, tutto il suo passato e che sarà costretta ad affrontarla anche grazie all'aiuto di una psicologa. La vicenda si svolge in un ampio arco temporale, dagli anni precedenti allo scoppio della seconda guerra mondiale fino ai giorni nostri.
This book questions the reliance on melodrama and spectacle in social performances and cultural productions by and about migrants from Mexico and Central America to the United States. Focusing on archetypal characters with nineteenth-century roots that recur in the twentieth- and twenty-first centuries – heroic saviors, saintly mothers and struggling fathers, martyred children and rebellious youth – it shows how theater practitioners, filmmakers, visual artists, advocates, activists, journalists, and others who want to help migrants often create migrant melodramas, performances that depict their heroes as virtuous victims at the mercy of evil villains. In order to gain respect for the human rights that are supposedly already theirs on paper and participate in a global market that trades in performances of suffering, migrants themselves sometimes accept the roles into which they are cast, or even cast themselves. Some express their suffering publicly, often on demand. Others find ways to twist, parody, resist, or reject migrant melodrama. Timely, beautifully written, and deeply researched, Puga’s and Espinosa’s study captures the complex nuances of how performance scholars and ethnographers grapple with telling stories of and bearing witness to trauma. They invite scholars to re-imagine the narrative genres into which histories of migration are often coerced. They question how familiar forms such as melodrama can empower or dis-empower individuals struggling to share their stories and change their circumstances. Their thoughtful work offers a compassionate and erudite model for performance ethnographers. Heather S. Nathans Alice and Nathan Gantcher Professor in Judaic Studies Tufts University In their penetrating analysis, Puga and Espinosa show how militarized borders, neoliberal economics, exclusionary immigration policies, and rising nativism have combined to create an ongoing melodrama in which migrants, journalists, and rescuers perform scripted roles as martyrs, saints, and heroes in an effort to sway a global audience of onlookers. Although the protagonists in this melodrama seek to relieve the suffering of migrants by valorizing their pain and using it as a currency in a political economy of suffering, the authors’ sympathetic but critical analysis reveals both the promise and perils of this emotive strategy. Their analysis is essential to understanding how immigration is portrayed and perceived in the world today. Douglas S. Massey Henry G. Bryant Professor of Sociology and Public Affairs Princeton University Ana Elena Puga and Víctor M. Espinosa’s Performances of Suffering is well-researched and compellingly theorized collaboration which reveals the affective labor performed by, with and for migrants in the United States and Mexico. In these perilous times, the lessons that this book teaches us about the performance of melodrama as a key aspect of obtaining justice and care for migrants throughout the hemisphere are crucial to understanding representations of “migrant crises” in our contemporary social media, performance and advocacy movements. Patricia Ybarra Professor of Theatre Arts and Performance Studies Brown University In this fascinating book, Puga and Espinosa illuminate the political economy of suffering among Latin American migrants. This is a timely and important work to understand how migrants, the state, humanitarian workers, and the media all perform the melodrama of the suffering migrant. An impressive and provocative book! Carolyn Chen Associate Professor of Ethnic Studies University of California at Berkeley
This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.
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