A sculptor who began working during the postwar period in a classical figurative style, Alina Szapocznikow radically reconceptualized sculpture as an imprint not only of memory but also of her own body. Though her career effectively spanned less than two decades (cut short by the artist's premature death in 1973 at age 47), Szapocznikow left behind a legacy of provocative objects that evoke Surrealism, Nouveau Râealisme, and Pop art. Her tinted polyester casts of body parts, often transformed into everyday objects like lamps or ashtrays; her poured polyurethane forms; and her elaborately constructed sculptures, which at times incorporated photographs, clothing, or car parts, all remain as wonderfully idiosyncratic and culturally resonant today as when they were first made. Well known in Poland, where her work has been highly influential since early in her career, Szapocznikow's compelling book of work is ripe for art historical reexamination. Alina Szapocznikow: Sculpture Undone, 1955-1972 offers a comprehensive overview of this important artist's work at a moment when international interest is blossoming. Spanning one of the most rich and complex periods of the 20th century, Szapocznikow's oeuvre responds to many of the ideological and artistic developments of her time through artwork that is at once fragmented and transformative, sensual and reflective, playfully realized and politically charged. Featuring over 100 works, including sculpture, drawings, and photography, the exhibition draws on loans from private and public collections, including major institutions in Poland. It is accompanied by a major publication, co published by The Museum of Modern Art and Mercatorfonds, that reflects new scholarship on Szapocznikow, contextualizing this little known artist's work for a wider audience."--Publisher's website.
National Book Award-finalist: an “ingenious social satire” of the “arrogance, folly, injustice, and debauchery” among Spain’s privileged class (The Atlantic). Solita, a young daughter of refugees from Francisco Franco’s dictatorship in Spain, is whisked from the urban ghetto of Galmeda to El Topaz, the lush hacienda of a wealthy eccentric, which Solita’s mother assures her will be paradise. But behind its beautiful facade, El Topaz is a quagmire of social subterfuge, from its politicking adults to its spiteful children, and Solita finds herself alone in a glittery world where “you couldn’t trust anything. Or anybody. You had to navigate completely on your own.” Yet somehow, with only her sharp eye for separating truth from insincerity, Solita must weave her way through the social minefield of this supposed Spanish Shangri-La, searching for the happiness and harmony promised by her family’s liberation. Nominated for the National Book Award, Elena Castedo’s Paradise wickedly skewers the follies and falsehoods, conniving and cluelessness, of society’s so-called elite.
New Functional Biomaterials for Medicine and Healthcare provides a concise summary of the latest developments in key types of biomaterials. The book begins with an overview of the use of biomaterials in contemporary healthcare and the process of developing novel biomaterials; the key issues and challenges associated with the design of complex implantable systems are also highlighted. The book then reviews the main materials used in functional biomaterials, particularly their properties and applications. Individual chapters focus on both natural and synthetic polymers, metallic biomaterials, and bio-inert and bioactive ceramics. Advances in processing technologies and our understanding of materials and their properties have made it possible for scientists and engineers to develop more sophisticated biomaterials with more targeted functionality. New Functional Biomaterials for Medicine and Healthcare provides an ideal one-volume summary of this important field that represents essential reading for scientists, engineers, and clinicians, and a useful reference text for undergraduate and postgraduate students. - Provides a concise summary of the latest developments in key types of biomaterials - Highlights key issues and challenges associated with the design of complex implantable systems - Chapters focus on both natural and synthetic polymers, metallic biomaterials, and bio-inert and bioactive ceramics
This book gives a comprehensive view of the strengths and limits of the interdisciplinary methods that work together to form the geohistorical approach to geographical and geological sciences. The geohistorical approach can be synthetically defined as a multi- and interdisciplinary approach that uses techniques and perspectives, mainly from geography, history, and natural sciences, to examine topics that inform the space-time knowledge of environment, territory, and landscape. The boundary between the application of physical and human science methods is large and hazy. This volume exists at this boundary and offers an approach that utilizes both historical data (from both physical and human records) and GIScience (e.g. GIS, cartography, GPS, remote sensing) to investigate the evolution of the environment, territory and landscape through both space and time. The first objective of this volume is to define the term geohistorical approach. An entire chapter focuses on a review of the main disciplines that connect geography and history, a review of the terms environment, territory, and landscape as objects of study of this approach, and the definition and importance of the geohistorical approach. The second goal is to describe the methods used in the geohistorical approach. Eight chapters present the key methods also using examples of applications from the international context, offering an awareness of the potentials, limitations and accuracy of each method, with particular focus on the integration of methods. The third goal is to provide case studies to demonstrate the use and integration of geohistorical methods from both original material and published research. A final chapter is dedicated to an interdisciplinary case study from the Venetian Plain (Italy), providing an example of the integration of almost all methods described in the book.
Italians love to talk about food. The aroma of a simmering ragú, the bouquet of a local wine, the remembrance of a past meal: Italians discuss these details as naturally as we talk about politics or sports, and often with the same flared tempers. In Why Italians Love to Talk About Food, Elena Kostioukovitch explores the phenomenon that first struck her as a newcomer to Italy: the Italian "culinary code," or way of talking about food. Along the way, she captures the fierce local pride that gives Italian cuisine its remarkable diversity. To come to know Italian food is to discover the differences of taste, language, and attitude that separate a Sicilian from a Piedmontese or a Venetian from a Sardinian. Try tasting Piedmontese bagna cauda, then a Lombard cassoela, then lamb ala Romana: each is part of a unique culinary tradition. In this learned, charming, and entertaining narrative, Kostioukovitch takes us on a journey through one of the world's richest and most adored food cultures. Organized according to region and colorfully designed with illustrations, maps, menus, and glossaries, Why Italians Love to Talk About Food will allow any reader to become as versed in the ways of Italian cooking as the most seasoned of chefs. Food lovers, history buffs, and gourmands alike will savor this exceptional celebration of Italy's culinary gifts.
Protein Biosynthesis Interference in Disease offers a thorough discussion and overview of protein biosynthesis interference, its mechanisms of action, and influence over disease processes. This book examines the role of protein biosynthesis interference in Alzheimer's and other neurodegenerative conditions, cancer and inflammatory disorders, with specific attention paid to the biochemical dynamics of tryptamine, biogenic amines and aminoacyl-tRNA synthetases in these pathologies. Methods of regulating protein translation and interference mechanisms, including gene therapy, are presented, empowering biochemists, molecular biologists, disease researchers, and health professionals to understand the underlying factors of protein disease and improve patient outcomes. - Enables biochemists, molecular biologists and disease researchers to advance disease prevention, laboratory testing, and treatment pathways for protein biosynthesis interference related disorders - Examines the biochemical and molecular basis of protein biosynthesis interference in neurodegenerative disorders, cancer and inflammatory conditions, among other diseases - Analyzes tryptamine, biogenic amines, and aminoacyl-tRNA synthetases dynamics in protein translation and possible treatment pathways regulating protein biosynthesis
Black Pasta is a riveting story of a beautiful, feisty young aristocrat, Elena Curtopassi, growing up under Mussolini. She endures the German occupation of Rome, witnesses Adolf Hitler’s triumphant parade from the Colosseum and then experiences the liberation of the city by the Allies. After becoming a secretary to the Allied Control Commissioner, then the King’s aide-de-camp, she fraternises with the British and decides to leave to start a new life in England – one of the first to do so after Britain and Italy’s former enmity. In an austerity-ridden London, she falls in love with the British and the then-unconventional bohemian sculptor and painter John Harvey, the son of Britain’s most powerful diplomat, Sir (later Lord) Oliver Harvey, the most dominant figure in the Foreign Office during the war as Anthony Eden’s private secretary. For the first time, the story of the relentless vendetta by the Harveys’ predecessors at the Paris Embassy, Duff and Diana Cooper, can be told. Back in London, Elena finds that her previous way of life has been turned upside down. She must experience the unconventional life of the art world, John’s Picasso-esque variety of styles and early success as a best-selling author (the Beatles song ‘Within You Without You’ was derived from the title of his novel Within and Without, which was published by Penguin), whilst also managing a country estate in glorious surroundings in Wales. Black Pasta tells the story of a love affair not just between a young Italian woman and an Englishman, but of an enduring love between the two countries from Roman times onwards. Poignant and heart-warming, it will appeal to those wishing to learn more about life under occupation whilst experiencing a love story.
Up to now the theme of the artist in the service of Italian courts has been examined in various studies focused mostly on the High Renaissance, as though the phenomenon was relevant only to the XV and XVI centuries. It actually lasted much longer, spanning the whole longue durée of the lives of the courts of the ancient regime. The present volume intends to fill this gap, presenting for the first time a comprehensive examination of the subject of the court artist from sixteenth to seventeenth century and the transformations of this role. “Court artist” is here defined as one who received a regular salary, and was therefore attached to the court by a more or less exclusive service relationship. The book is divided in six chapters: each of them examines the position of the court artist in the service of the most important ruling families in Italy (the Savoy in Turin, the Gonzaga in Mantua, the Este in Modena, the Della Rovere in Pesaro and Urbino, the Medici in Florence) and in papal Rome, a particular and unique center of power.
This book is the first in a series of three volumes that comprehensively examine Mario Pieri’s life, mathematical work and influence. The book introduces readers to Pieri’s career and his studies in foundations, from both historical and modern viewpoints. Included in this volume are the first English translations, along with analyses, of two of his most important axiomatizations — one in arithmetic and one in geometry. The book combines an engaging exposition, little-known historical notes, exhaustive references and an excellent index. And yet the book requires no specialized experience in mathematical logic or the foundations of geometry.
Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
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