Will Rees accompanies his wife to Boston to help clear her estranged father's name in this gripping mystery set in the early nineteenth century. January, 1801. When Lydia's estranged father is accused of murder, Will Rees escorts her to Boston to uncover the truth. Marcus Farrell is believed to have murdered one of his workers, a boy from Jamaica where he owns a plantation. Marcus swears he's innocent. However, a scandal has been aroused by his refusal to answer questions and accusations he bribed officials. As Will and Lydia investigate, Marcus's brother, Julian, is shot and killed. This time, all fingers point towards James Morris, Lydia's brother. Is someone targeting the family? Were the family quarreling over the family businesses and someone lashed out? What's Marcus hiding and why won't he accept help? With the Farrell family falling apart and their reputation in tatters, Will and Lydia must solve the murders soon. But will they succeed before the murderer strikes again?
Will Rees faces a moral dilemma when a slaveholder is murdered while attempting to recapture a former slave: should he pursue lawful justice or should he let the killer go free? November 1800, Maine. After helping their long-time friend Tobias escort his wife, along with a liberated slave and her child, from the Great Dismal back to Durham, Will and Lydia Rees’s lives are interrupted when a dead body is found near their home. The body is that of Mr Gilbert, a slaveholder from the Great Dismal. Was he murdered in pursuit of the former slaves? When it’s discovered Gilbert was infected with smallpox, and Gilbert’s sister arrives demanding justice and the return of her absconded slaves, Will is torn. Finding the killer could lead to the recapture of the former slaves. Letting them go free could result in a false arrest and endanger the Durham community. Will must make a choice . . .
A peaceful Shaker community is rocked by a series of bizarre accidents, but is there more to them than first appears? Fresh from facing allegations of witchcraft and murder, travelling weaver Will Rees, his heavily pregnant wife Lydia and six adopted children take refuge in Zion, a Shaker community in rural Maine. Shortly after their arrival, screams in the night reveal a drowned body ... but is it murder or an unfortunate accident? The Shaker Elders argue it was just an accident, but Rees believes otherwise. As Will investigates further, more deaths follow and a young girl vanishes from the community. Haunted by nightmares for his family’s safety, Rees must rush to uncover the truth before the dreams can become reality and more lives are lost. Yet can the Shaker Elders be trusted, or is an outsider involved?
Finding themselves in a slave community hidden within the Great Dismal Swamp, Will Rees and his wife Lydia get caught up in a dangerous murder case where no one trusts them. September 1800, Maine. Will Rees is beseeched by Tobias, an old friend abducted by slave catchers years before, to travel south to Virginia to help transport his pregnant wife, Ruth, back north. Though he's reluctant, Will's wife Lydia convinces him to go . . . on the condition she accompanies them. Upon arriving in a small community of absconded slaves hiding within the Great Dismal Swamp, Will and Lydia are met with distrust. Tensions are high and a fight breaks out between Tobias and Scipio, a philanderer with a bounty on his head known for conning men out of money. The following day Scipio is found dead - shot in the back. Stuck within the hostile Great Dismal and with slave catchers on the prowl, Will and Lydia find themselves caught up in their most dangerous case yet.
Will Rees is adjusting to life on his Maine farm in 1797, but he's already hungering for the freedom of the road, and his chance to travel comes sooner than he expects. Lydia has just received a letter from her old friend Mouse, a soft-spoken and gentle woman who now lives in the Shaker community in Mount Unity, New York. To Lydia and Rees's astonishment, she's in trouble with the law. She's kidnapped five children, claiming that their mother, Maggie Whitney, is unfit to care for them. Despite the wintry weather and icy roads, Rees and Lydia set out for New York, where they sadly conclude there's nothing they can do for Mouse legally, and they reluctantly set out for home. But before they've travelled very far, they receive more startling news. Maggie Whitney has been found murdered, and Mouse is the prime suspect.
It's 1796, and traveling weaver Will Rees is visiting Salem, Massachusetts. He's in town to buy a luxurious gift for his pregnant wife, a few yards of well-made fabric from the traders at the famed Salem harbor. While traveling through Salem, however, Rees comes upon a funeral procession for the deceased Mrs. Antiss Boothe. When Rees happens upon Twig, a friend who fought alongside him in the war, he learns that Mrs. Boothe had been very ill, and her death had not come as a surprise. But the next morning, the town is abuzz with the news that Mr. Boothe has also died—and this time it is clearly murder. When the woman that Twig loves falls under suspicion, Twig persuades Rees to stay in Salem, despite the family waiting for him back home in Maine, and help solve the murder. Rees is quickly pulled into the murky politics of both Salem and the Boothe family, who have long been involved in the robust shipping and trading industry on the Salem harbor. Everyone Rees meets seems to be keeping some kind of secret, but could any of them actually have committed murder? Will Rees returns in Death in Salem, the next delightful historical mystery from MB/MWA First Novel Competition winner Eleanor Kuhns.
Will Rees is back home on his farm in 1796 Maine with his teenage son, his pregnant wife, their five adopted children, and endless farm work under the blistering summer sun. But for all that, Rees is happy to have returned to Dugard, Maine, the town where he was born and raised, and where he's always felt at home. Until now. When a man is found dead - murdered - after getting into a public dispute with Rees, Rees starts to realize someone is intentionally trying to pin the murder on him. Then, his farm is attacked, his wife is accused of witchcraft, and a second body is found that points to the Rees family. Rees can feel the town of Dugard turning against him, and he knows that he and his family won't be safe there unless he can find the murderer and reveal the truth...before the murderer gets to him first.
A circus arrives in Durham in the 1790s and the whole town is excited... until the body of a Shaker girl is found beaten. 1790s. The circus has arrived in Durham, Maine. Before weaver Will Rees is able to take in its spectacle, he spots Magistrate Hanson – the man he blames for his family’s having to flee Dugard two years earlier. On his journey home he encounters Shaker brothers searching for a girl from their Zion community. Despite women not being allowed inside the circus, Leah had snuck out to visit it. They quickly come across her lifeless body beaten and thrown into a farmer’s field on the road leading to the circus. Bored of his household chores, Rees begins investigating at the expense of his home life. He becomes entranced by the lives of the circus performers, including the charismatic horse rider and tightrope walker. Is his longing for his old journeyman’s life causing him to take his eye off the case, and can he stay out of Hanson’s way and keep his family safe?
Will Rees feels at home. It's been a long time since he last felt this way—not since before his wife died years ago and he took to the road as a traveling weaver. Now, in 1796, Rees is back on his Maine farm, living with his teenaged son, David, and his housekeeper, Lydia—whose presence contributes more towards his happiness than he's ready to admit. But his domestic bliss is shattered the morning a visitor brings news of an old friend's murder. Nate Bowditch and Rees hadn't spoken in many long years, but as children they were closer than brothers, and Rees feels his loss acutely. Asked to look into the circumstances surrounding Nate's death, Rees simply can't refuse. At the Bowditch farmstead, Rees quickly discovers that everyone—from Nate's frosty wife to his missing son to the shy serving girl—is hiding something. But are any of them actually capable of murder? Or does the answer lie elsewhere, behind stones no one even knew needed unturning? Death of a Dyer once again proves Eleanor Kuhns's remarkable ability to spin a captivating story of a fascinating era and capture the light and darker sides of human nature on the page.
The murder of a young Shaker woman in 1796 Maine draws traveling weaver and former soldier Will Rees into a suspicious community to investigate in an outstanding debut from MB/MWA's 2011 First Crime Novel Competition Winner.
A midwife disappears after attending the birth of a child in another community, leading to an investigation that uncovers innumerable lies and secrets. 1790s, Maine. In the depths of winter Hortense, a midwife, disappears after attending a birth in the woodlands. During the search Will Rees finds her struggling through the snow and woods without shoes or a coat. After two young men begin stalking the community in search of her – including targeting Rees’s own family – she is questioned further and claims she was kidnapped . . . but Rees and his wife Lydia are suspicious. It is agreed Hortense’s presence is endangering everyone’s safety and she needs to leave. As the arrangements are made she is hidden in Zion, the local Shaker community, only while there a Shaker Sister is murdered. Witnesses describe a man fitting Josiah Wooten’s description, a ferocious man living in the woods with two young sons.
Eleanor Rees’s first collection, Andraste’s Hair was shortlisted for Best First Collection in the 2007 Forward Prizes and for the 2008 Glen Dimplex Poetry Award. In her second full-length collection she continues to play the role of mythologiser and tale teller, moving away from her previous subject, the imagined city, into the magical psyches of changeling creatures.In powerful nocturnal encounters silent visitors travel from the dark world, take on elemental form and embrace Rees’s narrators with sensual and erotic urgency. Laced with tales of physical transformations, Rees’s use of fairy stories and night visions radically reimagines the female experience through the psychic collisions of the body and our desires. Eliza and the Bear offers a man who gives birth, trees that sing, a dissolving house, a woman trapped in walls, a peasant farmer in his barren fields, the wife of a Victorian botanist who longs for a child while her husband ‘discovers’ the new world, winter songs and red hot hearths: mysterious forces which have their home within us all.
This book covers nutritional needs over the entire life span, from prenatal to elder years. It focuses on nutrition during pregnancy, infancy, childhood, adolescence, and adulthood. Each life span section features a specialized topic for focus, such as weight control for early adulthood, disease prevention for middle adulthood, and managing the aging process for older adulthood.
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