Eleanor Johnson is a poet, scholar, translator, and teacher. She studies medieval poetics, ethics, and literary theories. She has taught literature and creative writing at the University of California, Berkeley, and is an Assistant Professor of English and Comparative Literature at Columbia University. She has published poetry in the online magazine Shampoo and has a forthcoming collaborative book entitled "Her Many Feathered Bones," from Achiote Press.
Eleanor Johnson corrects some commonly held (mis)assumptions concerning what the average medieval English person might've thought about what we now call the natural environment or the ecosystem. Reading both well-studied fourteenth- and fifteenth-century works (Sir Gawain and the Green Knight, Pearl, and the Canterbury Tales), and lesser-known ones (Winner and Waster and Mum and the Sothsegger), as well as legal and municipal documents, sermons, moral and penitential tracts, practical and medical guides, plague narratives, and historical chronicles from the period, Johnson describes how poets used the resources of poetic language-meter, rhyme, alliteration, metaphor, simile, personification, characterization, plot, dramatic staging, repetition, and other literary devices-to think and feel their way into the problems of ecological peril, even though they lacked the science and scientific vocabulary we have today. Johnson explores how these writers combined multiple discourses from their particular, if narrow, vantage point to comment on ecological disasters, inventing their own "ecosystemic" language and commentary. As Johnson reminds us, the English Middle Ages had their share of environmental problems-air pollution, soil depletion, deforestation, Little Ice Ages, famines, and plagues-similar to the ones we face in the twenty-first century. Focusing on the word "waste" in its original usage across various texts, ranging from the literary to the legal, from the theological to the psychological, Johnson puts twenty-first-century concerned citizens in touch with kindred spirits in medieval England, fully aware of-and interested in-how human (mis)behavior might be connected to the natural world; how resource allocation, use, and pollution by one person might affect another; how environmental damage was linked to urbanization; and how one person's choices might affect the next generation. The book will be read primarily by those interested in medieval English literature, medieval historians, and literary scholars working in later periods, but Johnson also invites conversation with anyone working more broadly in the environmental humanities today"--
Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
What does it mean to contemplate? In the Middle Ages, more than merely thinking with intensity, it was a religious practice entailing utter receptiveness to the divine presence. Contemplation is widely considered by scholars today to have been the highest form of devotional prayer, a rarified means of experiencing God practiced only by the most devout of monks, nuns, and mystics. Yet, in this groundbreaking new book, Eleanor Johnson argues instead for the pervasiveness and accessibility of contemplative works to medieval audiences. By drawing together ostensibly diverse literary genres—devotional prose, allegorical poetry, cycle dramas, and morality plays—Staging Contemplation paints late Middle English contemplative writing as a broad genre that operated collectively and experientially as much as through radical individual disengagement from the world. Johnson further argues that the contemplative genre played a crucial role in the exploration of the English vernacular as a literary and theological language in the fifteenth century, tracing how these works engaged modes of disfluency—from strained syntax and aberrant grammar, to puns, slang, code-switching, and laughter—to explore the limits, norms, and potential of English as a devotional language. Full of virtuoso close readings, this book demonstrates a sustained interest in how poetic language can foster a participatory experience of likeness to God among lay and devotional audiences alike.
Examines the humble thimble and its many varieties, from the simple workaday type to the rarer and more exquisite examples that gave scope for artists and craftsmen. This work gives an introduction to the possibilities that exist, including the parallel subject of thimble cases.
As manufactured goods became more easily available, ladies developed crafts such as needlework, to occupy their increased leisure time. This book illustrates and describes over 200 items used by Victorian and Edwardian ladies in their needlecrafts. It includes needlecases, scissors, tape-measures, thread waxers, pincushions and thimble.
From one of the world’s most celebrated and admired public figures, Eleanor Roosevelt, a collection of her most treasured sayings—the perfect gift for Mother’s Day, graduation, and a new generation of feminists. With a foreword by Speaker Nancy Pelosi No one can make you feel inferior without your consent. We’ve all heard this powerful Eleanor Roosevelt adage—it is, perhaps, one of her best known. A wise leader, she knew the power of words, and throughout her work as First Lady, a UN representative, and advocate for human rights, women, youth, minorities, and workers, she was a prolific writer and speaker. Eleanor’s wise words on government, race and ethnicity, freedom, democracy, economics, women and gender, faith, children, war, peace, and our everyday lives leap off the page in memorable quotations such as: · One's philosophy is not best expressed in words; it is expressed in the choices one makes. · Progress is rarely achieved by indifference. · I am convinced that every effort must be made in childhood to teach the young to use their own minds. For one thing is sure: If they don’t make up their minds, someone will do it for them. · Unless people are willing to face the unfamiliar they cannot be creative in any sense, for creativity always means the doing of the unfamiliar, the breaking of new ground. …and these are just a few. At this politically and culturally divided moment in our nation’s history, Eleanor Roosevelt’s quotes have an even deeper resonance—as moving and insightful as they are timely. What Are We For? is a celebration of a cultural icon, and a powerful reminder of Eleanor Roosevelt’s extraordinary contributions to our country, and the world.
A New York Times Notable Book, Eleanor and Harry sheds important light on the relationship between two giants of twentieth-century American history. While researching his previous book, Harry and Ike, Steve Neal came upon a trove of letters between President Harry S. Truman and Eleanor Roosevelt that had never been published. At the time they were written, the former first lady was Truman's appointee to the UN delegation -- the highest-ranking woman in his administration. These letters, collected in Eleanor and Harry, reveal the extraordinary story of a deep, often stormy, and enduring friendship throughout one of the most important eras in American history. Eleanor and Harry grew up in different worlds. Truman, who had spent much of his youth on a Missouri farm, reflected the values and work ethic of rural America. Eleanor, born into New York society, was a constant advocate of reform. Despite their differences--and sometimes opposing political traditions-- they maintained a warm and sympathetic correspondence after Truman took office, and he designated Mrs. Roosevelt the First Lady of the World. In more than 250 letters, readers will discover Eleanor and Harry's discussion of the beginning of the Cold War, the rebuilding of postwar Europe, the creation of the state of Israel, and the start of the modern civil rights movement. Mrs. Roosevelt pressed Truman to give women more influence in his administration and declined to endorse his renomination in 1948, but she supported his difficult decision to drop the atomic bomb, his military intervention in Korea, and his controversial firing of General Douglas MacArthur. Though they disagreed on several occasions and Mrs. Roosevelt oftenoffered to resign from the UN delegation, Truman valued her advice too much to allow her to quit. They remained close friends until her death in 1962. Eleanor and Harry is an uncommonly personal look at some of the momentous events of the twentieth century and offers a rare, intimate insight into the challenging and enriching friendship between two great Americans.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
This book contains70 short storiesfrom 10 classic, prize-winning and noteworthy authors. The stories were carefully selected by the criticAugust Nemo, in a collection that will please theliterature lovers. For more exciting titles, be sure to check out our 7 Best Short Stories and Essential Novelists collections. This book contains: Fitz-James O'Brien: - The Diamond Lens. - The Lost Room. - What Was it? A Mystery. - My Wife's Tempter. - The Golden Ingot. - The Child Who Loved a Grave. - The Wondersmith.Francis Marion Crawford: - The Dead Smile. - The Screaming Skull. - Man Overboard! - For The Blood Is The Life. - The Upper Berth. - By The Waters of Paradise. - The Doll's Ghost.Francis Stevens: - Behind the Curtain. - Unseen Unfeared. - Elf Trap. - Serapion. - Friend Island. - Citadel of Fear. - Nightmare!Barry Pain: - Aunt Martha. - The Bet. - The Boy in the Book. - The Discovery of Nesting. - Eliza and the Special. - The Kindness of the Celestial. - The Victim of Apparatus.Frank L. Packard: - Corporal Bob. - The Guardian of the Devil's Slide. - Where's Haggerty? - McQueen's Hobby. - Munford. - "If a Man Die" - The Blood of Kings.Paul Laurence Dunbar: - The Scapegoat. - One Christmas At Shiloh. - The Mission Of Mr. Scatters. - A Matter Of Doctrine. - Old Abe's Conversion. - The Race Question. - A Defender Of The Faith.Otis Adelbert Kline: - The Corpse on the Third Slab. - The Man from the Moon. - The Cup of Blood. - Mignight Madness. - The Malignant Entity. - The Bird-People. - The Thing of a Thousand Shapes.John Ulrich Giesy: - The Occult Detector. - The Purple Light. - The Significance of the High "D". - The Wistaria Scarf. - The Master Mind. - Rubies of Doom. - The House of Invisible Bondage.Valery Bryusov: - The Republic of the Southern Cross. - The Marble Bust. - For Herself or for Another. - In the Mirror. - Protection. - The "Bemol" Shop of Stationery. - Rhea Silvia.Eleanor H. Porter: - A Delayed Heritage. - The Folly of Wisdom. - The Letter. - The Elephant's Board and Keep. - Crumbs. - The Lady in Black. - That Angel Boy.
This basic textbook seeks to establish a "task-centered" methodology--a structured, short-term, problem-solving approach--applicable across systems at five levels of practice: the individual, the family, the group, organizations, and communities. The second edition offers more information on systems theories and includes case studies with each chapter. Checklists are provided for each level of practice along with questions for consideration and practice exercises to help students monitor their understanding and skill development.
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