In 1625, Lady Eleanor Davies published her first treatise, A Warning to the Dragon, initiating her controversial career as a writer of prophetic tracts. They focus on a complex of personal and political events that Lady Eleanor thought indicated the fast approach of the "last days" foretold by the biblical prophets Daniel and John of Patmos. A complement to Teresa Feroli's facsimile edition of Eleanor Davies' pre-1640 texts (Ashgate, 2000), this pair of volumes reproduces 60 texts from the corpus of 66 printed between 1641 and 1652.
Little is known of the upbringing of Lady Eleanor Davies, what is known is that her life was mired in both flamboyant personal conflict and in the notoriety of the Castlehaven scandal (resulting in the execution of her brother), and that her writings were embroiled in political affairs. Married in 1609 to Sir John Davies, her husband tried to discourage her prophetic writing and burned her early treatises. Her second husband, Sir Archibald Douglas was equally critical. Once free from the censorship of her husbands, her prophetic career spanned the years between 1625 and 1652. During that time she published some 69 treatises, spent years in prison, and some time in Bedlam, and made astonishing predictions on a wide range of subjects. Viewed as both an inspired seer and a mad ’ladie’ by her contemporaries, Lady Eleanor has received a great deal of scholarly attention, not least of all because of her densely allusive and complex prose style. Reproduced here is the 1625 treatise A Warning to the Dragon and all his Angels which is a classic example of the kind of apocalyptic writing that predominates in late-sixteenth- and early-seventeenth-century England. All the kings of the earth shall prayse thee (1633) is one of three texts that Lady Eleanor had printed in Amsterdam and is an exegetical treatise on the visions of Daniel. Woe to the House (1633) is the first of Lady Eleanor’s four treatises that defended the innocence of her brother, Mervin Touchet.
Eleanor Davies was one of the most prolific women writing in early - 17th-century England. This volume includes 38 of her tracts, revealing her experiences as a woman and exhibiting her extraordinary intellect, extensive education and fascination with words.
Eleanor (Ellie) Hinig Davies shared her eloquently written memoir with her friends and family in 2010. After her death at age ninety-seven in 2017, her family came across an exceptional archive of journals, poetry, photographs, and other short works. Now combined, her memoir tells an even more compelling story about the coming of age of a remarkable woman who transcends a series of family tragedies during the Great Depression and World War II, when she moved from Cleveland to Meadville, Pennsylvania. The lessons that Ellie learned through these very difficult years are timeless and have much to teach us about resilience, love, and the families we choose.
Domestic Violence Advocacy: Complex Lives/Difficult Choices, Second Edition is a comprehensive and highly practical resource for anyone working with domestic violence victims. The essential elements and values of the victim-defined approach provide the foundation for a completely revised exploration of all victims’ perspectives and advocates’ roles. Authors Jill Davies and Eleanor Lyon draw on the far-reaching progress and increased knowledge of the field and delve deeply into the experiences of victims, their perspectives and decision-making, culture, and risks. Attentive to the real- world context of limited time, resources, and options for victims and for advocates, this enlightening text focuses on what is feasible and offers ideas for working within such constraints.
Drawing attention to the complexity of helping battered women and their children, this volume introduces a new model of `women-defined' advocacy. The model emphasizes: understanding a battered woman's perspective, including her risk analysis and safety plan; building partnerships with battered women; and systems advocacy. It seeks to craft courses of action that will enhance women's safety given their individual realities - which might include, for example, a woman deciding to remain temporarily in an abusive relationship.
In Group Music Therapy Alison Davies, Eleanor Richards and Nick Barwick bring together developments in theory and clinical practice in music therapy group work, celebrating the richness of what group analytic thinking and music therapy can offer one another. The book explores the dynamic elements of the processes that take place in both group analytic therapy and group music therapy, exploring both the commonalities and the distinctive characteristics of the two modalities. To music therapists, psychotherapists and other arts therapists Group Music Therapy offers a body of knowledge and enquiry through which to understand the music therapy group process through some of the central proposals of group analysis; to group analysts it offers insight into the possibilities of non-verbal communication through improvised music and, more widely, invites thought in musical terms about the nature of events and exchanges in a therapy group. Links are made with group analytic theory as well as with other associated theoretical traditions, such as attachment theory and theories of early infant development. The book explores the history of group music therapy and the history of group analysis, looking both at core concepts and at more recent developments. Attention is also given to developmental issues, drawing upon theories of infant development and attachment theory and clinical vignettes drawn from music therapy practice with a wide range of patient groups illustrates these ideas. The book concludes with a discussion of the possibilities of co-therapy and other collaborative working and of the value of experiential groups in training. Group Music Therapy will be a key text for clinicians and students seeking to expand their theoretical thinking and enrich their practice, and offers a grounding in group analytic ideas to professionals in other disciplines considering referrals to group work.
In 1625, Lady Eleanor Davies published her first treatise, A Warning to the Dragon, initiating her controversial career as a writer of prophetic tracts. They focus on a complex of personal and political events that Lady Eleanor thought indicated the fast approach of the "last days" foretold by the biblical prophets Daniel and John of Patmos. A complement to Teresa Feroli's facsimile edition of Eleanor Davies' pre-1640 texts (Ashgate, 2000), this pair of volumes reproduces 60 texts from the corpus of 66 printed between 1641 and 1652.
Easy Blank Staff Manuscript Book Large 8.5 X 11 Inches Musician Paper Wide 12 Staves Per Page for Piano, Flute, Violin, Guitar, Trumpet, Drums, Cello, Ukelele and Other Musical Instruments - Code: A4 7357
Easy Blank Staff Manuscript Book Large 8.5 X 11 Inches Musician Paper Wide 12 Staves Per Page for Piano, Flute, Violin, Guitar, Trumpet, Drums, Cello, Ukelele and Other Musical Instruments - Code: A4 7357
Blank Sheet Music Book for Piano, Flute, Violin, Guitar, Trumpet, Drums, Cello, Ukelele and other Musical Instruments. Features: IDEAL FOR STUDENTS, kids, amateurs, and professionals MEASURES LARGE 8.5 x 11 inches (21.59 x 27.94 cm) (Close to A4 size) 110 PAGES of 12 Stave - Music Manuscript Standard 5 lines SIMPLE EMPTY interior with plenty of room to write in DURABLE matte finish cover
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