For fans of The Push and The Undoing, an edge-of-your-seat thriller that peels back the layers of a family that's not as perfect as it seems. “My Name Was Eden is a compulsive, didn't-see-it-coming thriller.”—Abigail Dean, international bestselling author of Girl A One twin vanished. The other twin remained. Until now... When her daughter Eden came home from the hospital, Lucy was profoundly relieved. Eden had survived a drowning incident and had no apparent brain damage, no serious injuries, not even a scratch on her. Lucy fervently welcomed having a second chance at being the good mother she should have been before her teenager’s accident. Until Eden tells her that Eden isn’t her name. Until she starts calling herself Eli. The name Lucy had reserved for Eden’s unborn twin. Don’t worry, says the doctor. Eden is completely fine, says her husband. Of course I’m fine, Eden says, with that strange new smile of hers. I didn’t die. I’m here. But Lucy knows something’s very wrong with Eden. She’s not her maddening, complicated teenage girl anymore—this straight-backed, even tempered, steady-eyed child in her house is someone else entirely. Eden, it seems, is the twin who disappeared…
Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites Paradox': Ambivalence, Destabilization and Resistance in Five Miles from Outer Hope Ginette Carpenter 'Woah there a moment. Time out!': Slowing Down in Clear: A Transparent Novel Beccy Kennedy Beneath the Thin Veneer of the Modern: Medievalism in Darkmans Christopher Vardy Burley Cross Postbox Theft as Comedy Huw Marsh 'Tuning into My "Awareness Continuum"': Optimized Attention in The Yips Alice Bennett Exuberant Narration as Metaphysical Currency in In the Approaches Berthold Schoene The Pursuit of Happiness in H(A)PPY, or What a Difference an (A) Makes Eleanor Byrne Notes on Contributors Index
Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites Paradox': Ambivalence, Destabilization and Resistance in Five Miles from Outer Hope Ginette Carpenter 'Woah there a moment. Time out!': Slowing Down in Clear: A Transparent Novel Beccy Kennedy Beneath the Thin Veneer of the Modern: Medievalism in Darkmans Christopher Vardy Burley Cross Postbox Theft as Comedy Huw Marsh 'Tuning into My "Awareness Continuum"': Optimized Attention in The Yips Alice Bennett Exuberant Narration as Metaphysical Currency in In the Approaches Berthold Schoene The Pursuit of Happiness in H(A)PPY, or What a Difference an (A) Makes Eleanor Byrne Notes on Contributors Index
Put progression at the heart of your curriculum with this hugely popular KS3 course from David Gardner, a leading authority in the Geography community. Fully reviewed and updated - with three new units - this forward-thinking course will fascinate young geographers, incorporating many diverse voices and exploring 'big ideas' such as place, the Earth's systems, the impact of colonialism and the complexities of development. br” bChoose the most cost-effective course/b. With 180 ready-made lessons in a single book, Progress in Geography provides a full three-year KS3. The free accompanying Progression Framework maps progress from Year 7 to Year 9, across the National Curriculum and towards the GCSE Assessment Objectives.brbr” bEnsure progress in geographical skills, knowledge and understanding/b. Every lesson and every unit builds upon prior learning and links to future learning, fully embedding geographical enquiry. Each double-page spread represents one lesson, with rich geographical resources, up-to-date data and case studies for pupils to interpret, analyse and evaluate.brbr” bAlign with Ofsted's expectations.. Ideal for formative assessment, lesson activities create a stepped approach to enquiry learning, guiding pupils through the geographical data as they answer each lesson's enquiry question. End-of-unit review lessons create a reflection point, facilitating medium-term summative assessment and giving a broader view of progress. br” bLay firm foundations for GCSE/b. Key vocabulary, command words and concepts are introduced gradually, preparing pupils for the content and question types they will encounter at GCSE, with a particular focus on analysis and evaluation, plus newly added decision-making activities.
Eleanor Hallowell Abbott (Mrs. Fordyce Coburn) (September 22, 1872 - June 4, 1958), born in Cambridge, Massachusetts, was a nationally recognized American author. She was a frequent contributor to The Ladies' Home Journal. She went on to publish seventy-five short stories and fourteen romantic novels. Being Little in Cambridge When Everyone Else Was Big is an autobiography written by Abbott about her childhood in Cambridge. In this book: Fairy Prince and Other Stories, 1922 Peace on Earth, Good-will to Dogs, 1920 The Indiscreet Letter, 1915 Molly Make-Believe, 1910 Little Eve Edgarton, 1914 The Sick-a-Bed Lady, 1911 The White Linen Nurse, 1913 Rainy Week, 1921
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Naomi "Omie" Wise was drowned by her lover in the waters of North Carolina's Deep River in 1807, and her murder has been remembered in ballad and story for well over two centuries. Mistakes, romanticization and misremembering have been injected into Naomi's biography over time, blurring the line between reality and fiction. The authors of this book, whose family has lived in the Deep River area since the 18th century, are descendants of many of the people who knew Naomi Wise or were involved in her murder investigation. This is the story of a young woman betrayed and how her death gave way to the folk traditions by which she is remembered today. The book sheds light on the plight of impoverished women in early America and details the fascinating inner workings of the Piedmont North Carolina Quaker community that cared for Naomi in her final years and kept her memory alive.
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