A provocative and thoroughly feminist “cult classic” (The New Yorker) about a smart and sensitive yet deeply troubled young woman fighting to live on her own terms—now returning to print for the first time in over a decade I am glad I have the radiance. This time I am wiser. No one will know. . . . The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see—the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes of what she calls “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street becomes the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, and liberating experience for Ellen, who, despite the chaos and stigma these episodes can bring, relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda, and by the freedom that it gives her. In what would turn out to be her final published work, Elaine Kraf tackles mental health and female agency in this utterly original, witty, and inventive novel. Provocative at the time of its publication in 1979 and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.
A provocative and thoroughly feminist “cult classic” (The New Yorker) about a smart and sensitive yet deeply troubled young woman fighting to live on her own terms—now returning to print for the first time in over a decade I am glad I have the radiance. This time I am wiser. No one will know. . . . The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see—the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes of what she calls “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street becomes the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, and liberating experience for Ellen, who, despite the chaos and stigma these episodes can bring, relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda, and by the freedom that it gives her. In what would turn out to be her final published work, Elaine Kraf tackles mental health and female agency in this utterly original, witty, and inventive novel. Provocative at the time of its publication in 1979 and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.
Jean Rhys has long been central to debates in feminist, modernist, Caribbean, British and postcolonial writing. Elaine Savory's study, first published in 1999, incorporates and modifies previous critical approaches and is a critical reading of Rhys's entire oeuvre, including the stories and autobiography, and is informed by Rhys's own manuscripts. Designed both for the serious scholar on Rhys and those unfamiliar with her writing, Savory's book insists on the importance of a Caribbean-centred approach to Rhys, and shows how this context profoundly affects her literary style. Informed by contemporary arguments on race, gender, class and nationality, Savory explores Rhys's stylistic innovations - her use of colours, her exploitation of the trope of performance, her experiments with creative non-fiction and her incorporation of the metaphysical into her texts. This study offers a comprehensive account of the life and work of this most complex and enigmatic of writers.
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