In Social Systems and Social Regulations, Elaine Cumming describes attitudes of patients and clients toward health and welfare organizations. The focus is on the complex relationships between regulative agents, as revealed by the movement of clients through health and welfare systems. The author observes how doctors, clergy members, police officers, welfare officers, psychiatrists, social workers, and other social agents relate to one another and to their clients and charges.Cumming selected Syracuse, New York, typical of many middle-sized American cities of the 1960s, for her field studies. These involved several agencies and thousands of individuals. The result is a thoughtful analysis that can readily be applied to many aspects of the entire social system. Who are the clients? What are their problems? How do agents respond to them? These are some of the topics dealt with at length.From the view point of the agents, the author discusses how they see their own roles in the overall regulative system; how areas of operation interact and overlap; how the network of agencies changed over a five year period; what major problems remained to be overcome at the time; and what changes could and should have been made. When initially published, this was a new examination of the regulative system in America. Students and scholars will still find this work invaluable in the study of social control. Professionals will find many points for contrast and comparison and an analytical framework for evaluating and solving problems faced in health and welfare operations throughout the country.
Alan Cumming OBE (born 27 January 1965) is a Scottish-American actor, singer, writer, producer, director, and activist who has appeared in numerous films, television shows, and plays. His London stage appearances include Hamlet, the Maniac in Accidental Death of an Anarchist (for which he received an Olivier Award), the lead in Bent, and the National Theatre of Scotland's The Bacchae. On Broadway, he has appeared in The Threepenny Opera, as the master of ceremonies in Cabaret (for which he won a Tony Award), Design for Living and a one-man adaptation of Macbeth. His best-known film roles include his performances in Emma, GoldenEye, the Spy Kids trilogy, Son of the Mask, and X2.
In Social Systems and Social Regulations, Elaine Cumming describes attitudes of patients and clients toward health and welfare organizations. The focus is on the complex relationships between regulative agents, as revealed by the movement of clients through health and welfare systems. The author observes how doctors, clergy members, police officers, welfare officers, psychiatrists, social workers, and other social agents relate to one another and to their clients and charges.Cumming selected Syracuse, New York, typical of many middle-sized American cities of the 1960s, for her field studies. These involved several agencies and thousands of individuals. The result is a thoughtful analysis that can readily be applied to many aspects of the entire social system. Who are the clients? What are their problems? How do agents respond to them? These are some of the topics dealt with at length.From the view point of the agents, the author discusses how they see their own roles in the overall regulative system; how areas of operation interact and overlap; how the network of agencies changed over a five year period; what major problems remained to be overcome at the time; and what changes could and should have been made. When initially published, this was a new examination of the regulative system in America. Students and scholars will still find this work invaluable in the study of social control. Professionals will find many points for contrast and comparison and an analytical framework for evaluating and solving problems faced in health and welfare operations throughout the country.
This volume showcases key theoretical ideas and practical considerations in the growing area of scholarship on musical gesture. The book constructs and explores the relations between music and gesture from a range of differing perspectives, identifying theoretical approaches and examining the nature of certain types of gesture in musical performance. The twelve chapters in this volume are organized into a heuristic progression from theory to practice, from essay to case study. Theoretical considerations about the interpretation of musical gestures are identified and phrased in terms of semiotics, the mimetic hypothesis, concepts of musical force, immanence, quotation and topic, and the work of musical gestures. The lives of musical gestures in performance are revealed through engaging with their rhythmic properties as well as inquiring into the breathing of pianists, the nature of clarinettists' bodily movements, and the physical acts and personae of individual artists, specifically Keith Jarrett and Robbie Williams. The reader is encouraged to listen to the various resonances and tensions between the chapters, including the importance given to bodies, processes, motions, expressions, and interpretations of musical gesture. The book will be of significance to musicologists, theorists, semioticians, analysts, composers and performers, as well as scholars working in different research communities with an interest in the study of gesture.
In this sweeping biography, Elaine G. Breslaw examines the life of Dr. Alexander Hamilton (1712--1756), a highly educated Scottish physician who immigrated to Maryland in 1738. From an elite European family, Hamilton was immediately confronted with the relatively primitive social milieu of the New World. He faced unfamiliar and challenging social institutions: the labor system that relied on black slaves, extraordinarily fluid social statuses, distasteful business methods, unpleasant conversational quirks, as well as variant habits of dress, food, and drink that required accommodation and, when possible, acceptance. Paradoxically, the more acclimated he became to Maryland ways, the greater his impulse to change that society and make it more satisfying for himself both emotionally and intellectually. Breslaw perceptively describes the ways in which Hamilton tried to transform the society around him, attempting to re-create the world he had left behind and thereby justify his continued residence in such an unsophisticated place.Hamilton, best known as the author of the Itinerarium -- a shrewd and insightful account of his journey through the colonies in 1744 -- also founded the Tuesday Club of Annapolis, promoted a local musical culture, and in his letters and essays, provided witty commentary on the American social experience. In addition to practicing medicine, Hamilton participated in local affairs, transporting to Maryland some of the rationalist ideas about politics, religion, and learning that were germinating in Scotland's early Enlightenment. As Breslaw explains, Hamilton's writings tell us that those adopted ideas were given substance and vitality in the New World long before the revolutionary crises. Throughout her narrative, Breslaw usefully sets Hamilton's life in both Scotland and America against the background of the major political, military, religious, social, and economic events of his time. The largely forgotten story of a fascinating, cosmopolitan, and complex Scotsman, Dr. Alexander Hamilton and Provincial America illuminates our understanding of elites as they navigated their eighteenth-century world.
Take three things: the home, nature, and the feminine ideal—a notional and perfected femininity. Constitute them as inexorably and universally connected. Enrol them in diverse strategies and tactics that create varied anatomo-politics of the body and biopolitics of the population. Enlist those three things as the “handmaidens” of the government of individuals and groups, places and spaces, and comings and goings. Focus some effort on the periodical press, and on producing and disseminating narratives, discourses, and practices that relate specifically to health and well-being. Deploy those texts and shape those contexts in ways that affect flesh and bone, psychology and social conduct, and the spatial organization and relational dynamics of dwellings and streets, settlements and regions, and states and empires. Stretch these activities over the Anglophone world—from the epicentres of the United Kingdom and the United States to Australia or Canada, New Zealand or India—and extend their reach over the whole of the long nineteenth century. Such are the subjects of this work, in which Elaine Stratford draws from governmentality, the geohumanities, and geocriticism to converse with an extensive archive that profoundly shaped our engagements with home, nature, and the feminine ideal, deeply influenced our collective capacity to flourish, and powerfully constituted diverse geographies of the interior and of empire that still affect us.
This is the first book to explore the canonical narratives, stories, examples, and ideas that legal decisionmakers invoke to explain family law and its governing principles. Jill Elaine Hasday shows how this canon misdescribes the reality of family law, misdirects attention away from actual problems family law confronts, and misshapes policies.
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