This Framework was initiated as a part of the NIST Cryptographic Key Management Workshop. The goal was to define and develop technologies and standards that provide cost-effective security to cryptographic keys that themselves are used to protect computing and information processing applications. A Framework is a description of the components (i.e., building blocks) that can be combined or used in various ways to create a ¿system¿ (e.g., a group of objects working together to perform a vital function). This Framework identifies and discusses the components of a cryptographic key management system (CKMS) and provides requirements for CKMS design specifications conforming to this Framework. Glossary of terms. Illus. A print on demand pub.
This collection of socially distant shorts is designed to be performed on the internet as well as the stage. Playful and inventive, TECHNICAL DIFFICULTIES taps into the delights and frustrations of staying connected. HEY STRANGER by Steph Del Rosso. Years after a messy breakup, Eve and Gideon reunite. What could go wrong? Possibly everything. A comedy about mixed signals and bad internet, loneliness and autonomy. And one very precocious high schooler. (1M, 2W.) OYSTER by Elaine Romero. Marisela negotiates a potential opportunity in a border world where kids live in government cages and being bilingual comes at a price. (1W.) INTRO TO FICTION (VIRTUAL) by Ken Urban. During office hours, a professor discusses his student’s short story. When her characters feel too close for comfort for the professor, teacher and student must reckon with how to write a good ending. (1M, 1W.) A REAL ESTATE OPPORTUNITY FOR YOUR CONSIDERATION by Leah Barker. Are you in the market for a new home, and with that home, a new you? Would you like that new home-slash-you to be a charming saltbox Cape? Audience votes guide this interactive tour and auction, complete with special guests, updated appliances, and a realtor’s long hidden secret. (1W, flexible casting.) BLACK IN BLUE by Aurin Squire. After one act of police brutality too many, one man decides to do something. But in trying to get “street justice,” he threatens his life, his brother, and his job. (2M.) LOOKING BACK by Arlene Hutton. Kath was the last visitor to leave a major theme park before the pandemic lockdown. While reminiscing about life pre-Covid, two roommates challenge each other’s ideas of what truly makes a person happy. (2 n/s.) ARTFUL by Christina Quintana (CQ). In the wake of her ex-husband’s departure, Taani logs on to a Metropolitan Museum of Art webinar. Suddenly in conversation with the art itself, she finds the event is more personal than she ever could have imagined. (1M, 3W.) BOREDOM, FEAR AND WINE by Craig Pospisil. When you’re stuck at home during a pandemic, everything happens online— even therapy. Harper is suffering, and can’t reconcile feelings about the terrifying disease with the monotony of lockdown. Jess tries to be sympathetic, but the session goes off the rails. (2 n/s.) FORCED by John Cameron Mitchell. When the author was invited to attend Russia’s first queer film festival, he was prepared for trouble: The hosting cinema had pulled out after a national film figure derided the event as a “festival for child molesters.” Inspired by the courage of the organizers, Mitchell agreed to attend, bringing his Russian friend Sasha along. This monologue is derived from his diary. (1M.) TELEPHONES WITH CORDS by Mashuq Mushtaq Deen. Bozz and Banjo, best friends and fellow puppets, are feeling the separation of a Zoom existence. Frustrated, Bozz wants to talk by phone, and Banjo can’t help but sense their friend’s growing existential despair. Usually the optimist, even Banjo begins to wonder about the hands at work in their lives. (2 n/s.)
Elaine Barker has a feeling for the poetic moment, an eye for detail, and the deftness and delicacy of style to capture the experience for the reader. Her vivid, mercurial poems are streetwise, often humorous and always open to other people, whether Greek neighbours, a blind woman on a tram, a child busking in Mendoza, or a gipsy woman in Bucharest. This is a rich, varied collection.' - Jan Owen
Special Publication 800-57 provides cryptographic key management guidance. It consists of three parts. Part 1 provides general guidance and best practices for the management of cryptographic keying material. Part 2 provides guidance on policy and security planning requirements for U.S. government agencies. Finally, Part 3 provides guidance when using the cryptographic features of current systems.
A new collection of essays which challenges many existing assumptions, particularly the conventional models of separate spheres and economic change. All the essays are specifically written for a student market, making detailed research accessible to a wide readership and the opening chapter provides a comprehensive overview of the subject describing the development of gender history as a whole and the study of eighteenth-century England. This is an exciting collection which is a major revision of the subject.
This Recommendation specifies mechanisms for the generation of random bits using deterministic methods. The methods provided are based on either hash functions, block cipher algorithms or number theoretic problems.
This Recommendation specifies key establishment schemes using discrete logarithm cryptography, based on standards developed by the Accredited Standards Committee (ASC) X9, Inc.: ANS X9.42 (Agreement of Symmetric Keys Using Discrete Logarithm Cryptography) and ANS X9.63 (Key Agreement and Key Transport Using Elliptic Curve Cryptography).
This National Institute of Standards and Technology Special Publication 800-67, Revision 2: “Recommendations for the Triple Data Encryption Algorithm (TDEA) Block Cipher” specifies the Triple Data Encryption Algorithm (TDEA), including its primary component cryptographic engine, the Data Encryption Algorithm (DEA). When implemented in an SP 800-38 series-compliant mode of operation and in a FIPS 140-2 compliant cryptographic module, TDEA may be used by Federal organizations to protect sensitive unclassified data.~
The Windmill's Song, by Barker, is a well-grounded convincing evocation of childhood, of a particular past. Driver's Kite Lady is an atmospheric collection ranging from land to sea yet focused by detail and crisp visual images. Mortimer's Fine Rain Straight Down is intellectually decisive and linguistically playful.
Full indexes by topic, keyword and individual work\author form a complete subject-index, based on the indexes in source bibliographies. This is a complete bibliography of Arthurian literature to 1978, the result of five years' work by Professor Cedric Pickford and Dr Rex Last of the University of Hull. It consists of a complete alphabetical author-listing, with key numbers for each item, of all critical material recorded in the standard Arthurian bibliographies (Bruce, Modern Languages Quarterly, BBSIA and various other minor lists) with full indexes by topic, keyword and individual work, /author. The total is over 10,000 main entries, with all recorded reviews listed after each entry. Where summaries exist in BBSIA, this is indicated in the main entries. The computer programs have been specially devised and written for this bibliography by Dr Last, and programming and editing of the material has taken more than two years. Updating volumes are planned to appear at five-year intervals.
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