This book shares lessons gleaned from a two-year intervention in a high-poverty school, which was highly successful in significantly narrowing the literacy achievement gap and in raising children’s motivation and engagement in literacy both inside and outside school. Kennedy argues that there is much that disadvantaged schools can do to close the gap, but this is more likely to occur when a research-based approach to instruction (with a dual emphasis on cognitive skills and motivation and engagement), assessment and professional development is undertaken.
With clear links into other areas of the Curriculum, this exciting Information Book invites children to explore aspects of history, geography and the natural world. They meet a famous Irish giant and learn about Irish musical instruments; they visit the Moon and the world's greatest desert; they use their observational skills to follow directions and respond to instructions. They are encouraged to scan and skim texts and use a simple glossary and index. Reading material is supported by clear, colourful illustrations and photographs. Crack the Codes has been planned and written by an expert team of Irish educationalists to act as an exciting accompaniment to Trolls, Squirrels and Dragons.
Fiction Anthologies of Irish and world literature covering a wide range of genres. It is unabridged and unedited to reflect the 'real book' ethos of the Revised Primary Curriculum. It includes Prose, poetry and drama in a single volume to make classroom management easy.
Fiction Anthologies of Irish and world literature covering a wide range of genres. It is unabridged and unedited to reflect the 'real book' ethos of the Revised Primary Curriculum. Prose, poetry and drama are contained in a single volume to make classroom management easy.
Explore the world of the imagination in this exciting collection of prose, poetry and drama; join the girl in goal; visit the garden of the Selfish Giant; view the world from a railway carriage; run the risk of being abducted by aliens. The collection has been carefully compiled by an expert team of Irish educationalists to deliver the best of children's litrature, both modern and classical and from a wide range of genres. Children everywhere will find something to amuse and excite and will be enticed to move from each individual extract to the original work.
This book shares lessons gleaned from a two-year intervention in a high-poverty school, which was highly successful in significantly narrowing the literacy achievement gap and in raising children’s motivation and engagement in literacy both inside and outside school. Kennedy argues that there is much that disadvantaged schools can do to close the gap, but this is more likely to occur when a research-based approach to instruction (with a dual emphasis on cognitive skills and motivation and engagement), assessment and professional development is undertaken.
“State alert as pregnant asylum seekers aim for Ireland.” “Country Being Held Hostage by Con Men, Spongers, and Those Taking Advantage of the Maternity Residency Policy.” From 1997 to 2004, headlines such as these dominated Ireland’s mainstream media as pregnant immigrants were recast as “illegals” entering the country to gain legal residency through childbirth. As immigration soared, Irish media and politicians began to equate this phenomenon with illegal immigration that threatened to destroy the country’s social, cultural, and economic fabric. Pregnant on Arrival explores how pregnant immigrants were made into paradigmatic figures of illegal immigration, as well as the measures this characterization set into motion and the consequences for immigrants and citizens. While focusing on Ireland, Eithne Luibhéid’s analysis illuminates global struggles over the citizenship status of children born to immigrant parents in countries as diverse as the United States, Hong Kong, and elsewhere. Scholarship on the social construction of the illegal immigrant calls on histories of colonialism, global capitalism, racism, and exclusionary nation building but has been largely silent on the role of nationalist sexual regimes in determining legal status. Eithne Luibhéid turns to queer theory to understand how pregnancy, sexuality, and immigrants’ relationships to prevailing sexual norms affect their chances of being designated as legal or illegal. Pregnant on Arrival offers unvarnished insight into how categories of immigrant legal status emerge and change, how sexual regimes figure prominently in these processes, and how efforts to prevent illegal immigration ultimately redefine nationalist sexual norms and associated racial, gender, economic, and geopolitical hierarchies.
Hollywood is often thought of—and certainly by Hollywood itself—as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes. Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback’s Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood’s liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today’s Hollywood.
This work introduces and further develops the feminist strategy of 'norm transfer': the proposal that feminist informed standards created at the level of international criminal law make their way into domestic contexts. Situating this strategy within the complementarity regime of the International Criminal Court (ICC), it is argued that there is an opportunity for dialogue and debate around the contested aspects of international norms as opposed to uncritical acceptance. The book uses the crime of rape as a case study and offers a new perspective on one of the most contentious debates within international and domestic criminal legal feminism: the relationship between consent and coercion in the definition of rape. In analysing the ICC definition of rape, it is argued that the omission of consent as an explicit element is flawed. Arguing that the definition is in need of revision to explicitly include a context-sensitive notion of consent, the book goes further, setting out draft legislative amendments to the ICC 'Elements of Crimes' definition of rape and its Rules of Procedure and Evidence. Turning its attention to the domestic landscape, the book drafts amendments to the United Kingdom (UK) Sexual Offences Act 2003 and to the Youth Justice and Criminal Evidence Act 1999: thereby showing how the revised version of the ICC definition can be applied in context of the UK.
This beautiful book visits twenty-eight richly atmospheric sites and tells the mythological stories associated with them. Woven into these landscapes are tales of love and betrayal, greed and courage, passion and revenge, featuring the famous characters of Celtic lore, such as Cú Chulainn, the children of Lír and Queen Maeve. The historical and archaeological facts and the folk traditions of each ancient site are explored. Some are famous, such as Tara and Newgrange; others are less well known but equally captivating such as the Béara Peninsula in Cork. In a world where many have lost touch with the land and their past, the legendary Irish landscape still survives and the stories are never quite over as long as there are people to tell them.
In the late 1980s, gansta rap music emerged in urban America, giving voice to, & making money for, a social group widely believed to be in crisis: young, poor, black men. Quinn probes the origins of the genre, & follows its development, focusing on artists such as Ice Cube & Tupac Shakur.
From the author of the hugely successful book Legendary Ireland, The Turning of the Year explores the Celtic division of the year, from Samhain to Imbolc, to Bealtaine, to Lunasa, back to Samhain. It examines the significance of particular times of the year and features re-tellings of various legends associated with them. The book will look at the close connection of the Irish with the land and with nature, bringing us on an exhilarating journey through the Irish seasons and the customs that welcomed each one in turn. Along the way we encounter saints, scholars, kings and goddesses, whose stories, preserved in myth and folktale, counterpoint the book's exploration both of lost traditions such as keening and how other customs and rituals have been preserved in today's celebrations and communal events. It brings to the reader a new awareness of how such ritual can still have relevance in our lives, and a deeper appreciation of the power of the natural world.
A poignant love story . . . Bittersweet and charming, perfect for fans of Jojo Moyes. " --Shelf Awareness Grace sees her boyfriend Henry everywhere. In the supermarket, on the street, at the graveyard. Only Henry is dead. He died two months earlier, leaving a huge hole in Grace's life and in her heart. But then Henry turns up to fix the boiler one evening, and Grace can't decide if she's hallucinating or has suddenly developed psychic powers. Grace isn't going mad--the man in front of her is not Henry at all, but someone else who looks uncannily like him. The hole in Grace's heart grows ever larger. Grace becomes captivated by this stranger, Andy--to her, he is Henry, and yet he is not. Reminded of everything she once had, can Grace recreate that lost love with Andy, resurrecting Henry in the process, or does loving Andy mean letting go of Henry?
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