The basic form of the American sports stadium has not changed much in the last century. But in an unexpected and controversial act of daring, the Arizona Cardinals football team selected awarding-winning architect and intellectual provocateur Peter Eisenman to design their stadium in Glendale, Arizona. Opened in the summer of 2006, Eisenman's latest work rejects all traditional and staid notions of the sports stadium. Inspired by and sectioned like a barrel cactus, its shell is composed of huge, steel paraboloid sections. The domed stadium boasts a steel-and-fabric retractable roof that allows lightto penetrate when closed while maintaining an airy feel inside. The most ground-breaking feature of the design is its grass roll-out field, which remains outside the stadium until game time, when it is rolled in on steel wheel sets powered by small electric motors. Eisenman Architects, the eighth volume in the Source Books in Architecture series, provides a comprehensive look at a contemporary masterpiece and a landmark of excellence in civic and sports architecture.
ZERO PIRANESI Giovanni Battista Piranesi's engravings, Campo Marzio dell'antica Roma of 1762, have a peculiar position within the discipline of ar- chitecture. With their dissemination, the folio collection of six etch- ings have till this day nurtured architects' speculations on the city. Since the Enlightenment, they - and in particular the Campo Marzio plan - have fuelled research, discussions and visions for the future of architecture. These engravings are also some of the most beau- tiful documents in Western architectural history. Zero Piranesi, is guest-edited by Peter Trummer. It celebrates Piranesi's vision of ancient Rome and the disciplinary search of the endless realities within his Campo Marzio plan of Rome. For Trummer, Zero Piranesi suggests an ar- chitectural methodology based on a theory of replacement. With it, Piranesi's plan of Rome is transformed into an "Object Plan" - a plan where multiple authors' various positions are absorbed. Thus, the "Object Plan" contains a kaleidoscope of ideas which form a crust of architectural speculations accumulated within. Zero Piranesi presents the seminal projects of Peter Eisenman and amongst others, Michael Young and Marrikka Trotter. Trummer's own version of Campo Marzio comprises of drawings and a text that together construct Zero Piranesi. Finally, the journal features the award winning projects of Städel-
This volume gathers a selection of architect Peter Eisenman's later writings. In these texts, he undertakes a variety of tasks, including theoretical analyses, close readings of his own works, and innovative assessments of the designs and writings of other architects and critics.
A provocative case for historical ambiguity in architecture by one of the field's leading theorists Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.
This volume gathers a selection of architect Peter Eisenman's later writings. In these texts, he undertakes a variety of tasks, including theoretical analyses, close readings of his own works, and innovative assessments of the designs and writings of other architects and critics.
Presenting one's portfolio is where every designer begins his or her career. Therefore, crafting a portfolio, whether online or for presentation in person, is an essential skill for survival. Because a portfolio can make or break a career, it is vital that designers go out armed with all the right moves and materials. This book talks both to the professionals who have both designed their own portfolios and those on the other side of the table who have looked at scores of portfolios, to uncover the tips and tricks that have won jobs, as well as the must-avoid moves that have lost opportunities. This book is not only a handbook for dos and don'ts; it also provides plenty of inspiration from a wide collection of portfolios, both virtual and real-life. This book asks leaders in the field about the real-world realities of presenting one's work for consideration and answers the question, "What sells and what doesn't.
How should an innovative architect react today to the electronic revolution which is taking place? This work explores the answer by looking at the work of New York architect, Peter Eisenman. It includes a selection of excepts from Eisenman's writings and an analysis of some of his projects.
The basic form of the American sports stadium has not changed much in the last century. But in an unexpected and controversial act of daring, the Arizona Cardinals football team selected awarding-winning architect and intellectual provocateur Peter Eisenman to design their stadium in Glendale, Arizona. Opened in the summer of 2006, Eisenman's latest work rejects all traditional and staid notions of the sports stadium. Inspired by and sectioned like a barrel cactus, its shell is composed of huge, steel paraboloid sections. The domed stadium boasts a steel-and-fabric retractable roof that allows lightto penetrate when closed while maintaining an airy feel inside. The most ground-breaking feature of the design is its grass roll-out field, which remains outside the stadium until game time, when it is rolled in on steel wheel sets powered by small electric motors. Eisenman Architects, the eighth volume in the Source Books in Architecture series, provides a comprehensive look at a contemporary masterpiece and a landmark of excellence in civic and sports architecture.
It has been said that Peter Eisenman considers architecture a form of shock therapy: whatever his intent, he has created one of the most controversial bodies of work of any contemporary American architect.
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