Lightweight structures and material optimized systems are of major relevance in the building industry and particularly in the design of concrete structures. This is not only for aesthetic reasons, but also to use material in a resource conserving way. The increase of strength characteristics, as one measure to reduce cross section dimensions, postulates the prefabrication of cementitious materials under laboratory conditions. This thesis examines the contradiction of the possibility to realize slender concrete elements and the complexity of the discontinued homogeneity arising from necessary segmentations. Proposals of implementation strategies are demonstrated and verified on the basis of selected case studies.
Lightweight structures and material optimized systems are of major relevance in the building industry and particularly in the design of concrete structures. This is not only for aesthetic reasons, but also to use material in a resource conserving way. The increase of strength characteristics, as one measure to reduce cross section dimensions, postulates the prefabrication of cementitious materials under laboratory conditions. This thesis examines the contradiction of the possibility to realize slender concrete elements and the complexity of the discontinued homogeneity arising from necessary segmentations. Proposals of implementation strategies are demonstrated and verified on the basis of selected case studies.
Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.
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