Sister Eileen McNerney, CSJ, moved to Santa Ana, California, in 1992. Eighty percent of Santa Ana's 370,000 residents are Spanish-speaking, and over fifty percent were born outside the United States. With the heart of an active contemplative, Sister Eileen observed the woundedness of the city's youth - their pessimism and hopelessness, the deep pits of trouble that they had dug for themselves early in fife. She mobilized support and started a youth center. But who is it that ministers to whom there? Is it the youth surrounded by love who are healed, or is it their love that transforms her?" "At once uplifting and shocking, this book tells the story of the multi-award-winning Taller San Jose (St. Joseph's Workshop), the youths whose lives it touches, and its dedicated founder. All will be inspired and challenged by the love and determination of the Sisters of St. Joseph who make it work."--BOOK JACKET.
In Trapped in Paradise, during World War II, four Catholic nuns from California were caught behind enemy lines in the South Pacific. Two of these Sisters of St. Joseph of Orange were teachers and two were nurses. Having arrived In the Solomon Islands in December, 1940, they were new to missionary life, new to a culture not their own, new to the languages spoken on their island and new to navigating in the geography that surrounded them. On December 7, 1941, a year and a day after the nuns arrived in the Solomons, Japan attacked Pearl Harbor. After that devastating air-strike, the Japanese quickly and strategically occupied many of the islands of the South Pacific. What the nuns didn't know was that the Japanese wanted to occupy their island, Buka, and they wanted it fast! Buka, a small island just north of the large island of Bougainville, offered the Japanese a strategic site for an airfield to support their invasion of the rest of the South Pacific, including Australia. When the nuns had left Wilmington, California in 1940, one of them, Sister Hedda Jaeger, a nurse, was tasked with keeping a journal that was sent back periodically to their religious community in Orange, California. In good times and bad, Sister Hedda was faithful to recording their story. This first person account documents their journey-from their eager anticipation about their new mission, to adapting to the realities of native culture, to sheer terror as they run from the invading Japanese. Once in hiding on the larger island of Bougainville, they learn that other missionaries in the Solomons had been tortured and executed. Throughout their adventures and later ordeals, they are protected by the Marist priests, experienced missionaries who knew the lay of the land and feared for the sisters' fate should they be captured. After many months of hiding in the jungle and with no communication with the larger world, the sisters were ultimately rescued by United States submarine Nautilus in a high risk mission on New Year's Day 1943. The book tells the story of these four courageous and devoted women, the natives they taught and nursed, the priests who hid and protected them, and the incredible physical, emotional, and spiritual challenges they faced. After the end of the war, the Sisters of St. Joseph returned again to serve the people of the Solomon Islands. An epilogue describes the fate of the principal missionaries, both those who survived and those who died at the hands of the Japanese. The sisters' journal, related writings, maps, and original photographs form the basis for this book.
Eileen Gray (1878-1976) is regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. This book looks at her life and work.
Calling on the natural world around her for inspiration, Eileen Mayo's extraordinary skill with line, colour and composition made her one of Britain's foremost print artists in 1930s London, where she exhibited alongside the likes of Claude Flight, Sybil Andrews and Cyril Power. Mayo left it all behind when, in 1953, she abandoned London for Sydney then Christchurch, each move generating a new body of work. This is the first substantial publication on Mayo, publishing for the first time many of her exquisite neo-romantic wood engravings, prints, designs and book illustrations that continue to enthral and delight audiences.
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