Brownsville Architecture: A Visual History reveals the heritage and history of Texas’s southernmost city as told by its buildings. Outstanding architectural images by Pino Shah show the influence of diverse cultures and regional styles that have shaped the border city’s built environment since 1841. Eileen Mattei weaves architectural details and Brownsville history into a narrative that illustrates how buildings mirror the people, the place and the times. Here is a new perspective for looking at more than 100 architecturally significant buildings that are often also historically and culturally important.
Quinta Mazatlan: A Visual Journey, is a celebration of the architectural and cultural wonders of McAllen’s most distinctive mansion and landscape. Photographer Deval Pino Shah and writer Eileen Mattei collaborated on this book filled with stunning images by Shah. Mattei presents new artistic and historical perspectives of one of Texas’ largest adobe homes and its surrounding environment. Quinta Mazatlan is one of the nine World Birding Centers in the Rio Grande Valley. More than 250 species of birds are attracted to the native habitat, and that brings in birders to see exotic residents such as Kiskadees, Groove-billed Anis and Red-crowned Parrots.
We Are Left without a Father Here is a transnational history of working people's struggles and a gendered analysis of populism and colonialism in mid-twentieth-century Puerto Rico. At its core are the thousands of agricultural workers who, at the behest of the Puerto Rican government, migrated to Michigan in 1950 to work in the state's sugar beet fields. The men expected to earn enough income to finally become successful breadwinners and fathers. To their dismay, the men encountered abysmal working conditions and pay. The migrant workers in Michigan and their wives in Puerto Rico soon exploded in protest. Chronicling the protests, the surprising alliances that they created, and the Puerto Rican government's response, Eileen J. Suárez Findlay explains that notions of fatherhood and domesticity were central to Puerto Rican populist politics. Patriarchal ideals shaped citizens' understandings of themselves, their relationship to Puerto Rican leaders and the state, as well as the meanings they ascribed to U.S. colonialism. Findlay argues that the motivations and strategies for transnational labor migrations, colonial policies, and worker solidarities are all deeply gendered.
Especially written for intermediate to high-intermediate students, Building on Basics and Building Understanding feature authentic, thematically organized readings from nonfiction, academic, and literary sources. The high-interest topics and thematically linked readings effectively build students' background knowledge and vocabulary for later readings. With their increased knowledge of a topic, students will have more to talk, think, and write about as they acquire English.Pre-reading activities, varied comprehension exercises, and text analyses develop students' academic skills and encourage oral and written skills.Building Understanding features: -- A wide variety of reading genres including nonfiction, personal essay, literature, and poetry to broaden students' reading experiences-- Interactive pre-reading and post-reading activities to utilize students' background knowledge and develop critical thinking skills-- Writing and discussion activities that move students from the text to broader, related issues
Quinta Mazatlan: A Visual Journey, is a celebration of the architectural and cultural wonders of McAllen’s most distinctive mansion and landscape. Photographer Deval Pino Shah and writer Eileen Mattei collaborated on this book filled with stunning images by Shah. Mattei presents new artistic and historical perspectives of one of Texas’ largest adobe homes and its surrounding environment. Quinta Mazatlan is one of the nine World Birding Centers in the Rio Grande Valley. More than 250 species of birds are attracted to the native habitat, and that brings in birders to see exotic residents such as Kiskadees, Groove-billed Anis and Red-crowned Parrots.
Calling on the natural world around her for inspiration, Eileen Mayo's extraordinary skill with line, colour and composition made her one of Britain's foremost print artists in 1930s London, where she exhibited alongside the likes of Claude Flight, Sybil Andrews and Cyril Power. Mayo left it all behind when, in 1953, she abandoned London for Sydney then Christchurch, each move generating a new body of work. This is the first substantial publication on Mayo, publishing for the first time many of her exquisite neo-romantic wood engravings, prints, designs and book illustrations that continue to enthral and delight audiences.
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