In the footsteps of Wild Swans and Red Azalea comes the fearlessly honest memoir of Eileen Kan. Alone and on the run, she survived war, rape, slave labor, and starvation, protected only by her resourcefulness and tenacious will to survive. This is her unflinching story, told in her own words. As the child of a wealthy general under the Last Emperor, Eileen had everything except love. But when war shattered her self-indulgent life, she was forced to flee from one end of China to the other, shedding family, treasure, and her pride along the way. Destitute and desperate when the Communists took over, she was confined in a commune to do slave labor. And when her health was broken, she was exiled to the countryside, where she endured the grueling poverty of the peasants. Many of her ordeals are forbidden knowledge in China today. Unlike the millions who perished in those deadly years, Eileen endured, ultimately forging an independent life. Set against the backdrop of the 1989 student democracy demonstrations, Eileen's unique story is a moving narrative of resiliency and the strength of the human spirit.
An NYRB Classics Original Set in the early years of Mao’s China, Naked Earth is the story of two earnest young people confronting the grim realities of revolutionary change. Liu Ch’üan and Su Nan meet in the countryside after volunteering to assist in the new land reform program. Eager to build a more just society, they are puzzled and shocked by the brutality, barely disguised corruption, and ruthless careerism they discover, but then quickly silenced by the barrage of propaganda and public criticism that is directed at anyone who appears to doubt a righteous cause. Joined together by the secret of their common dismay, they remain in touch when Liu departs to work on a newspaper in Peking, where Su Nan eventually also moves. Something like love begins to grow between them—but then a new round of purges sweeps through the revolutionary ranks. One of the greatest and most loved of modern Chinese writers, Eileen Chang illuminates the dark corners of the human existence with a style of disorienting beauty. Naked Earth, unavailable in English for more than fifty years, is a harrowing tale of perverted ideals, damaged souls, deepest loneliness, and terror.
Eileen Gray (1878-1976) is regarded as one of the most important furniture designers and architects of the early 20th century and the most influential woman in those fields. This book looks at her life and work.
This law book includes advice on corporate business structuring deals, negotiating agreements, identifying issues and solving the real problems that are likely to arise during the acquisition.
Athletic contests help define what we mean in America by "success." By keeping women from "playing with the boys" on the false assumption that they are inherently inferior, society relegates them to second-class citizens. In this forcefully argued book, Eileen McDonagh and Laura Pappano show in vivid detail how women have been unfairly excluded from participating in sports on an equal footing with men. Using dozens of powerful examples--girls and women breaking through in football, ice hockey, wrestling, and baseball, to name just a few--the authors show that sex differences are not sufficient to warrant exclusion in most sports, that success entails more than brute strength, and that sex segregation in sports does not simply reflect sex differences, but actively constructs and reinforces stereotypes about sex differences. For instance, women's bodies give them a physiological advantage in endurance sports, yet many Olympic events have shorter races for women than men, thereby camouflaging rather than revealing women's strengths.
Eileen M. Wirth never set out to be a groundbreaker for women in journalism, but if she wanted to report on social issues instead of society news, she had no alternative. Her years as one of the first women reporters at the Omaha World-Herald, covering gender barriers even as she broke a few herself, give Wirth an especially apt perspective on the women profiled in this book: those Nebraskans who, over a hundred years, challenged traditional feminine roles in journalism and subtly but surely changed the world. The book features remarkable women journalists who worked in every venue, from rural weeklies to TV. They fought for the vote, better working conditions for immigrants, and food safety at the turn of the century. They covered wars from the Russian Revolution to Vietnam. They were White House reporters and minority journalists who crusaded for civil rights. Though Willa Cather may be the only household name among them, all are memorable, their stories affording a firsthand look into the history of journalism and social change.
Lu Xun (1881–1936), arguably twentieth-century China’s greatest writer, is commonly cast in the mold of a radical iconoclast who vehemently rejected traditional culture. The contradictions and ambivalence so central to his writings, however, are often overlooked. Challenging conventional depictions, Eileen J. Cheng’s innovative readings capture Lu Xun’s disenchantment with modernity and his transformative engagements with traditional literary conventions in his “modern” experimental works. Lurking behind the ambiguity at the heart of his writings are larger questions on the effects of cultural exchange, accommodation, and transformation that Lu Xun grappled with as a writer: How can a culture estranged from its vanishing traditions come to terms with its past? How can a culture, severed from its roots and alienated from the foreign conventions it appropriates, conceptualize its own present and future? Literary Remains shows how Lu Xun’s own literary encounter with the modern involved a sustained engagement with the past. His creative writings—which imitate, adapt, and parody traditional literary conventions—represent and mirror the trauma of cultural disintegration, in content and in form. His contradictory, uncertain, and at times bizarrely incoherent narratives refuse to conform to conventional modes of meaning making or teleological notions of history, opening up imaginative possibilities for comprehending the past and present without necessarily reifying them. Behind Lu Xun’s “refusal to mourn,” that is, his insistence on keeping the past and the dead alive in writing, lies an ethical claim: to recover the redemptive meaning of loss. Like a solitary wanderer keeping vigil at the site of destruction, he sifts through the debris, composing epitaphs to mark both the presence and absence of that which has gone before and will soon come to pass. For in the rubble of what remains, he recovered precious gems of illumination through which to assess, critique, and transform the moment of the present. Literary Remains shows how Lu Xun’s literary enterprise is driven by a “radical hope”—that, in spite of the destruction he witnessed and the limits of representation, his writings, like the texts that inspired his own, might somehow capture glimmers of the past and the present, and illuminate a future yet to unfold. Literary Remains will appeal to a wide audience of students and scholars interested in Lu Xun, modern China, cultural studies, and world literature.
Unlocking Business is a new kind of textbook for business students in their first and second year of a degree. Unlocking Financial Accounting provides the following benefits: - Strict coverage of key knowledge, concepts and ideas, keeping the title lean and focused and allowing students to find what they want without having to plough through thousands of pages. - Carefully written for the learner - case studies, exercises and seminar ideas are woven into the text to help students learn as quickly as possible and to retain that knowledge in the most time-efficient way. - Encourages good practice such as complete referencing and suggested wider reading, to help those who wish to obtain the best possible degree classification. - Useful web resources include further questions, revision summaries and interactive multiple-choice quizzes at http://www.hodderplus.co.uk/unlockingbusiness - A cost-effective way to prepare students for their studies.
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