We Are Left without a Father Here is a transnational history of working people's struggles and a gendered analysis of populism and colonialism in mid-twentieth-century Puerto Rico. At its core are the thousands of agricultural workers who, at the behest of the Puerto Rican government, migrated to Michigan in 1950 to work in the state's sugar beet fields. The men expected to earn enough income to finally become successful breadwinners and fathers. To their dismay, the men encountered abysmal working conditions and pay. The migrant workers in Michigan and their wives in Puerto Rico soon exploded in protest. Chronicling the protests, the surprising alliances that they created, and the Puerto Rican government's response, Eileen J. Suárez Findlay explains that notions of fatherhood and domesticity were central to Puerto Rican populist politics. Patriarchal ideals shaped citizens' understandings of themselves, their relationship to Puerto Rican leaders and the state, as well as the meanings they ascribed to U.S. colonialism. Findlay argues that the motivations and strategies for transnational labor migrations, colonial policies, and worker solidarities are all deeply gendered.
THE ASTOR INHERITANCE Discovering her father is still alive, Beth sets out to find him, only to fall in love with his adopted son. MISTRESS AT THE HALL On the death of her mother, Gina seeks out the grandfather of whom, until then, she had no knowledge. ALL FOR JOLIE When her friend is killed and Leonie discovers the man she believes responsible is still around, she decides to seek revenge.
We Are Left without a Father Here is a transnational history of working people's struggles and a gendered analysis of populism and colonialism in mid-twentieth-century Puerto Rico. At its core are the thousands of agricultural workers who, at the behest of the Puerto Rican government, migrated to Michigan in 1950 to work in the state's sugar beet fields. The men expected to earn enough income to finally become successful breadwinners and fathers. To their dismay, the men encountered abysmal working conditions and pay. The migrant workers in Michigan and their wives in Puerto Rico soon exploded in protest. Chronicling the protests, the surprising alliances that they created, and the Puerto Rican government's response, Eileen J. Suárez Findlay explains that notions of fatherhood and domesticity were central to Puerto Rican populist politics. Patriarchal ideals shaped citizens' understandings of themselves, their relationship to Puerto Rican leaders and the state, as well as the meanings they ascribed to U.S. colonialism. Findlay argues that the motivations and strategies for transnational labor migrations, colonial policies, and worker solidarities are all deeply gendered.
What are the various forces influencing the role of the prison in late modern societies? What changes have there been in penality and use of the prison over the past 40 years that have led to the re-valorization of the prison? Using penal culture as a conceptual and theoretical vehicle, and Australia as a case study, this book analyses international developments in penality and imprisonment. Authored by some of Australia’s leading penal theorists, the book examines the historical and contemporary influences on the use of the prison, with analyses of colonialism, post colonialism, race, and what they term the ’penal/colonial complex,’ in the construction of imprisonment rates and on the development of the phenomenon of hyperincarceration. The authors develop penal culture as an explanatory framework for continuity, change and difference in prisons and the nature of contested penal expansionism. The influence of transformative concepts such as ’risk management’, ’the therapeutic prison’, and ’preventative detention’ are explored as aspects of penal culture. Processes of normalization, transmission and reproduction of penal culture are seen throughout the social realm. Comparative, contemporary and historical in its approach, the book provides a new analysis of penality in the 21st century.
A novel of a shattering loss, an act of revenge, and a quest for redemption from the New York Times–bestselling author of Garden of Lies. Alice Kessler has lived through a mother’s worst nightmare. While riding his bike, her eight-year-old son, David, was killed by a drunk driver. Out of her mind with grief and rage—especially after losing the wrongful death suit—Alice runs down the driver, Owen White, crippling him. After serving nine years in prison, she returns to Grays Island in the Pacific Northwest, divorced and destitute, to reunite with her surviving son, Jeremy. But the child she has not seen in almost a decade has become an angry teenager, and when Jeremy is falsely accused of rape, White, who is now mayor, seizes his chance for revenge. To defend Jeremy, Alice seeks the help of former Manhattan DA Colin McGinty, who lost his wife on 9/11 and returned to Grays Island after the death of his grandfather—an artist famous for his haunting portrait Woman in Red. As the story of the painting is revealed, the past becomes intertwined with the present, and Alice and Colin discover that they are bound together by a deadly wartime secret on the verge of being exposed.
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