In this remarkable, never-before-told account of the Ovitz family, seven of whose ten members were dwarves, readers bear witness to the best and worst of humanity and to the terrible irony of the Ovitz's fate: being burdened with dwarfism helped them endure the Holocaust. Israeli authors Yehuda Koren and Eilat Negev weave the tale of a beloved and successful family of performers who were famous entertainers in Central Europe until the Nazis deported them to Auschwitz in May 1944. Descending into the hell of the concentration camp from the transport train, the Ovitz family—known widely as the Lilliput Troupe—was separated from other Jewish victims. Dr. Josef Mengele was notified of their arrival and they were assigned better quarters and provided more nutritious food than other inmates. The authors chronicle Mengele's experiments upon the Ovitz's, and the creepy fondness he developed for these small people, even the songs he composed and sang to this family of singers, dancers, and klezmorim. Finally liberated by Russian troops, the family returned to their deserted village in Transylvania, and eventually found their way to a new home in Israel. They resumed their careers, overcame their handicaps and became wealthy and successful performers.
A panoramic portrait of a remarkable woman and the tumultuous Victorian era on which she made her mark, The First Lady of Fleet Street chronicles the meteoric rise and tragic fall of Rachel Beer—indomitable heiress, social crusader, and newspaper pioneer. Rich with period detail and drawing on a wealth of original material, this sweeping work of never-before-told history recounts the ascent of two of London’s most prominent Jewish immigrant families—the Sassoons and the Beers. Born into one, Rachel married into the other, wedding newspaper proprietor Frederick Beer, the sole heir to his father’s enormous fortune. Though she and Frederick became leading London socialites, Rachel was ambitious and unwilling to settle for a comfortable, idle life. She used her husband’s platform to assume the editorship of not one but two venerable Sunday newspapers—the Sunday Times and The Observer—a stunning accomplishment at a time when women were denied the vote and allowed little access to education. Ninety years would pass before another woman would take the helm of a major newspaper on either side of the Atlantic. It was an exhilarating period in London’s history—fortunes were being amassed (and squandered), masterpieces were being created, and new technologies were revolutionizing daily life. But with scant access to politicians and press circles, most female journalists were restricted to issuing fashion reports and dispatches from the social whirl. Rachel refused to limit herself or her beliefs. In the pages of her newspapers, she opined on Whitehall politics and British imperial adventures abroad, campaigned for women’s causes, and doggedly pursued the evidence that would exonerate an unjustly accused French military officer in the so-called Dreyfus Affair. But even as she successfully blazed a trail in her professional life, Rachel’s personal travails were the stuff of tragedy. Her marriage to Frederick drove an insurmountable wedge between herself and her conservative family. Ultimately, she was forced to retreat from public life entirely, living out the rest of her days in stately isolation. While the men of her era may have grabbed more headlines, Rachel Beer remains a pivotal figure in the annals of journalism—and the long march toward equality between the sexes. With The First Lady of Fleet Street, she finally gets the front page treatment she deserves.
During the 1930s and 40s the Lilliput Troupe, a beloved and successful family of singers and actors, dazzled with their vaudeville programme and unique performances. The only all-dwarf show of the time, their small stature earned them fame - and, ironically, ultimately saved their lives. As Hitler's war descended, the Ovitz family - seven of whom were dwarfs - was plunged into the horrors of the darkest moments in modern history. Descending from the cattle train into the death camp of Auschwitz, they were separated from other Jewish victims on the orders of one Dr Joseph Mengele, the 'Angel of Death'. Obsessed with eugenics, Dr Mengele carried out a series of loathsome experiments on the family and developed a disturbing fondness for his human lab-rats, so much so that when the Russian army liberated Auschwitz, all members of the family - the youngest, a baby boy just eighteen months old; the oldest, a 58-year-old woman - were still alive. Based on exhaustive research and interviews with Perla Ovitz, the troupe's last-surviving member, and scores of Auschwitz survivors, authors Yehuda Koren and Eilat Negev deftly describe the moving and inspirational story of this remarkable family and their indomitable will to survive.
In this remarkable, never-before-told account of the Ovitz family, seven of whose ten members were dwarves, readers bear witness to the best and worst of humanity and to the terrible irony of the Ovitz's fate: being burdened with dwarfism helped them endure the Holocaust. Israeli authors Yehuda Koren and Eilat Negev weave the tale of a beloved and successful family of performers who were famous entertainers in Central Europe until the Nazis deported them to Auschwitz in May 1944. Descending into the hell of the concentration camp from the transport train, the Ovitz family—known widely as the Lilliput Troupe—was separated from other Jewish victims. Dr. Josef Mengele was notified of their arrival and they were assigned better quarters and provided more nutritious food than other inmates. The authors chronicle Mengele's experiments upon the Ovitz's, and the creepy fondness he developed for these small people, even the songs he composed and sang to this family of singers, dancers, and klezmorim. Finally liberated by Russian troops, the family returned to their deserted village in Transylvania, and eventually found their way to a new home in Israel. They resumed their careers, overcame their handicaps and became wealthy and successful performers.
During the 1930s and 40s the Lilliput Troupe, a beloved and successful family of singers and actors, dazzled with their vaudeville programme and unique performances. The only all-dwarf show of the time, their small stature earned them fame - and, ironically, ultimately saved their lives. As Hitler's war descended, the Ovitz family - seven of whom were dwarfs - was plunged into the horrors of the darkest moments in modern history. Descending from the cattle train into the death camp of Auschwitz, they were separated from other Jewish victims on the orders of one Dr Joseph Mengele, the 'Angel of Death'. Obsessed with eugenics, Dr Mengele carried out a series of loathsome experiments on the family and developed a disturbing fondness for his human lab-rats, so much so that when the Russian army liberated Auschwitz, all members of the family - the youngest, a baby boy just eighteen months old; the oldest, a 58-year-old woman - were still alive. Based on exhaustive research and interviews with Perla Ovitz, the troupe's last-surviving member, and scores of Auschwitz survivors, authors Yehuda Koren and Eilat Negev deftly describe the moving and inspirational story of this remarkable family and their indomitable will to survive.
A panoramic portrait of a remarkable woman and the tumultuous Victorian era on which she made her mark, The First Lady of Fleet Street chronicles the meteoric rise and tragic fall of Rachel Beer—indomitable heiress, social crusader, and newspaper pioneer. Rich with period detail and drawing on a wealth of original material, this sweeping work of never-before-told history recounts the ascent of two of London’s most prominent Jewish immigrant families—the Sassoons and the Beers. Born into one, Rachel married into the other, wedding newspaper proprietor Frederick Beer, the sole heir to his father’s enormous fortune. Though she and Frederick became leading London socialites, Rachel was ambitious and unwilling to settle for a comfortable, idle life. She used her husband’s platform to assume the editorship of not one but two venerable Sunday newspapers—the Sunday Times and The Observer—a stunning accomplishment at a time when women were denied the vote and allowed little access to education. Ninety years would pass before another woman would take the helm of a major newspaper on either side of the Atlantic. It was an exhilarating period in London’s history—fortunes were being amassed (and squandered), masterpieces were being created, and new technologies were revolutionizing daily life. But with scant access to politicians and press circles, most female journalists were restricted to issuing fashion reports and dispatches from the social whirl. Rachel refused to limit herself or her beliefs. In the pages of her newspapers, she opined on Whitehall politics and British imperial adventures abroad, campaigned for women’s causes, and doggedly pursued the evidence that would exonerate an unjustly accused French military officer in the so-called Dreyfus Affair. But even as she successfully blazed a trail in her professional life, Rachel’s personal travails were the stuff of tragedy. Her marriage to Frederick drove an insurmountable wedge between herself and her conservative family. Ultimately, she was forced to retreat from public life entirely, living out the rest of her days in stately isolation. While the men of her era may have grabbed more headlines, Rachel Beer remains a pivotal figure in the annals of journalism—and the long march toward equality between the sexes. With The First Lady of Fleet Street, she finally gets the front page treatment she deserves.
In the late nineteenth century, at a time when women were still denied the vote, Rachel Beer defied convention to take the helm first of The Observer, and then the Sunday Times, becoming the first woman ever to edit a national newspaper. It was to be over eighty years before Fleet Street would see the like again. Barred from the London Clubs and the Press Gallery of the House of Commons, Rachel nevertheless managed to make her formidable voice heard on both national and international political issues - including the notorious Dreyfus Affair. In public she was a rebel and a pioneer, yet behind the closed door of her study, Rachel's life was marked by strife. Her family, the Sassoons, had made their fortune in Indian opium and cotton and Rachel's marriage to Frederick Beer should have brought together two wealthy dynasties. Instead, it resulted in a deep family rift and years of heartbreak. Drawing on a wealth of original material, The First Lady of Fleet Street not only provides an important history of two venerable families, their origins and their rise to eminence, it also paints a vivid picture of a remarkable woman and of the times in which she lived.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.