It has been said that the greatest Gaelic poets were from Lochaber in the Scottish Highlands. Those who emigrated to Nova Scotia in the 18th and 19th centuries were the living memory of clan history and tradition. Allan the Ridge MacDonald stands out as one poet who inherited and maintained an extraordinary wealth of vocabulary and a superior knowledge of clan and legendary history. In this first compilation and translation of the known Gaelic songs of Allan the Ridge in print, Effie Rankin gives all readers an insight into the life of the poet and the traditions that made him a highly regarded seanchaidh.
How did the avant-garde imagine its interconnected world? And how does this legacy affect our understanding of the global today? The writers and artists of the French avant-garde aspired to reach a global audience that would be wholly transformed by their work. In this study, Effie Rentzou delves deep into their depictions of the interwar world as an international and modern landscape, one marked by a varied cosmopolitanism. The avant-garde’s conceptualization of the world paralleled, rejected, or expanded prevailing notions of the global sphere. The historical avant garde—which encompassed movements like futurism, Dada, and surrealism—was self-consciously international, operating across global networks and developed with the whole world as its horizon and its public. In the heady period between the end of the Belle Époque and the tumult of World War II, both individual artists (including Guillaume Apollinaire, Blaise Cendrars, Francis Picabia, Louis Aragon, Leonora Carrington, and Nicolas Calas) and collective endeavors (such as surrealist magazines and exhibitions) grappled with contemporary anxieties about economic growth, imperialism, and colonialism, as well as various universalist, cosmopolitan, and internationalist visions. By probing these works, Concepts of the World offers an alternative narrative of globalization, one that integrates the avant-garde’s enthusiasm for, as well as resistance to, the process. Rentzou identifies within the avant-garde a powerful political language that expressed the ambivalence of living and creating in an increasingly globalized world—a language that profoundly shaped the way the world has been conceptualized and is experienced today.
It has been said that the greatest Gaelic poets were from Lochaber in the Scottish Highlands. Those who emigrated to Nova Scotia in the 18th and 19th centuries were the living memory of clan history and tradition. Allan the Ridge MacDonald stands out as one poet who inherited and maintained an extraordinary wealth of vocabulary and a superior knowledge of clan and legendary history. In this first compilation and translation of the known Gaelic songs of Allan the Ridge in print, Effie Rankin gives all readers an insight into the life of the poet and the traditions that made him a highly regarded seanchaidh.
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