In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
Never far from centre stage, Edwina Currie falls comfortably into that category of celebrity you simply cannot ignore. Her first published diaries explosively revealed an affair with former Prime Minister John Major. This second volume, which begins in 1992 with her refusal to serve in Major's government, is no less revelatory about her colleagues, encounters with others in the public eye and, of course, her extraordinary career. Honest, compulsive and of the moment, this collection covers her life in Parliament up to the election of Blair's Labour government, but more importantly sees Edwina's emergence as a mainstay in the public imagination, first as a bestselling author, then as a commentator, broadcaster, presenter and performer. Shot through with her trademark effervescence and sense of fun, this volume of diaries documents one of the biggest characters in British public life at her saucy, scathing best.
What led Edwina Gateley to serve the poor in Africa, inspire lay people to become missioners on four continents, befriend and minister to women in prostitution in Chicago, go to a hermitage in the Sahara Desert and to a trailer in Illinois to pray, adopt an African-American baby, and without seeking it, become one of todays most popular contemporary speakers and retreat leaders in North America, Ireland and the United Kingdom? This amazing memoir begins with a childhood mystical experience and continues with the authors responses to the Christ she began to recognize in her brothers and sisters everywhere.
Poetic and political, Strayed Homes invites architects, interior designers, and urbanists to think again about common concepts in architecture – 'private', 'public' and 'home'. Whereas most writing about the public/private focusses on urban space, this book focusses on the domestic – exploring those overlooked, everyday places where private and intimate activities take place in public. With four chapters set in four small, liminal spaces: the launderette, the greasy spoon, the fire escape, and the sleeper train - the book is part architectural history, part cultural history. It follows a series of allusions and impressions, to explore how films, adverts, books and anecdotes shape experiences of everyday architecture. Making a case for the poetic interpretation of space, the book can be used as a sourcebook for architects, designers, and theorists alike – prompting the reader to rethink the emotional state of leaving home, intimacy in public, and lonely dreaming.
An examination of the emergence, reception and legacy of modernism in Ireland. Engaging with the ongoing re-evaluation of regional and national modernisms, the essays collected here reveal both the importance of modernism to Ireland, and that of Ireland to modernism. This collection introduces fresh perspectives on modern Irish culture that reflect new understandings of the contradictory and contested nature of modernism itself.--
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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