This study examines how Cyprian of Carthage, the most significant bishop in the early Latin tradition, appropriates the canonical Paul. Cyprian, like Paul, is a pastoral theologian, so his pastoral concerns provide a helpful lens through which to study his use of the apostle. These include divine truth and eternal glory; the church’s unity, ministry and sacraments; discipline and repentance; and wealth and welfare. Examining Cyprian’s use of Paul in these areas allows us to move beyond a simple literal/allegorical paradigm to appreciate the wide range of reading strategies used by Cyprian: model, image, maxim, title, contextual exegesis, direct application, prophetic fulfilment and qualification. It also provides a different perspective on Paul than the one arrived at by privileging a handful of texts. This study of Cyprian’s appropriation of Pauline texts therefore illuminates the interplay between text, context and theology in his exegesis. It also deepens our understanding of the early North African hermeneutical tradition and the early reception of Paul.
From the romance of its evolution to the splendor of its design, the wedding dress is unlike any other garment, a talisman from a fantasy world, the manifestation of dreams coming true. This book draws on wedding garments in the V&A's renowned collection along with photographs, letters, memoirs, and newspaper accounts to explore the history of the white wedding dress and the traditions that have developed around it from 1700 to today, when designers from Vera Wang to Vivienne Westwood continue to challenge the aesthetic. Paintings, drawings, and wedding photos depict queens, princesses, celebrities, and everyday women--including Kate Middleton--in their gowns. The text considers the dress in the context of the commercialization of weddings that began in the Victorian era. The Wedding Dress is not only about costume, but also about the cultivation of the image of the bride.
In recent years the language of Shakespearean drama has been described in a number of publications intended mainly for the undergraduate student or general reader, but the studies in academic journals to which they refer are not always easily accessible even though they are of great interest to the general reader and essential for the specialist. The purpose of this collection is therefore to bring together some of the most valuable of these studies which, in discussing various aspects of the language of the early 17th century as exemplified in Shakespearean drama, provide the reader with deeper insights into the meaning of Shakespearean text, often by reference to the social, literary and linguistic context of the time.
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