Poetic and political, Strayed Homes invites architects, interior designers, and urbanists to think again about common concepts in architecture – 'private', 'public' and 'home'. Whereas most writing about the public/private focusses on urban space, this book focusses on the domestic – exploring those overlooked, everyday places where private and intimate activities take place in public. With four chapters set in four small, liminal spaces: the launderette, the greasy spoon, the fire escape, and the sleeper train - the book is part architectural history, part cultural history. It follows a series of allusions and impressions, to explore how films, adverts, books and anecdotes shape experiences of everyday architecture. Making a case for the poetic interpretation of space, the book can be used as a sourcebook for architects, designers, and theorists alike – prompting the reader to rethink the emotional state of leaving home, intimacy in public, and lonely dreaming.
Helen Majinsky is sixteen, Jewish and confused. She is also in love - like every Merseyside schoolgirl - with four mop-topped young men, seduced by the Cavern Club and the exciting sound of 1963. In the year The Beatles have the world at their feet, Helen dreams secretly of reaching university and leaving Liverpool. Her Liverpool. Her world. For a grammar school girl to even consider a future outside the city is to break taboos stronger than the Mersey undertow, and as the prospect of a place at Oxbridge shimmers into view, Helen knows she is restrained by the very forces of stability she longs to escape. But when love intervenes - with Michael Levison, a locally stationed US serviceman - Helen finds the means to break the chains of the old life, and her guide through the hidden dangers of the new...
Elaine Stalker, newly elected MP, has worked hard for her election to Westminster. But the unequivocally masculine atmosphere of the House of Commons is a hostile environment for an attractive, ambitious woman and Elaine is frustrated when her talents are ignored. Relishing his powerful role as wheeler-dealer, whip Roger Dickson provides a sympathetic ear for Elaine. At first their relationship is strictly professional; but a shared passion for politics proves an aphrodisiac and late-night sittings offer ample opportunities for discussions of a more private nature...
Strayed Homes explores the blurring of public and private space. But whereas most writing about the public/private focusses on urban space, Strayed Homes focusses on the domestic – exploring those overlooked, everyday places where private and intimate activities take place in public. With four chapters set in four small, liminal spaces: the launderette, the greasy spoon, the fire escape, and the sleeper train - the book is part architectural history, part cultural history. It follows a series of allusions and impressions, to explore how films, adverts, books and anecdotes shape experiences of everyday architecture. Making a case for the poetic interpretation of space, the book can be used as a sourcebook for architects and designers as well as for theorists. It invites the reader – by embracing the notion of the 'strayed home' – to think again about concepts that are commonly invoked in the fields of architecture and urbanism, such as 'private', 'public' and 'home', and to rethink the emotional state of leaving home, intimacy in public, and lonely dreaming.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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