This acclaimed work, first published in 1985, presents in full detail, the most effective aspects of bioenergetics, Gestalt therapy, psychomotor therapy, Reichian orgonomy, and many others, are fully detailed, along with a wealth of practical therapeutic techniques. This book is divided into four parts: the historical and theoretical perspective; the body as the locus of personality assessment; the body as the locus of psychotherapeutic intervention; and personal and ethical considerations.
The techniques of psychotherapy are often given undue emphasis, slighting the importance of the psychotherapist. Research suggests that the same techniques are differently effective when used by equally trained and supervised therapists. Not only are some therapists more effective, irrespective of the type of therapy they practice, but some, because of their personal qualities, may actually harm those with whom they work. This research reflects the vast importance of the personality of the therapist, evoking the question of how a therapist may develop personhood. Aimed at training as well as practicing psychotherapists--social workers, counselors, psychologists, and psychiatrists--this scholarly exploration of personhood includes various models for classifying the types of psychotherapy and the place of personhood in this context, as well as a review of existing theory and research literature on specific personal therapist variables as they relate to therapy outcome. The role of traditional spirituality in the development of personhood is given particular emphasis.
Edward W.L. Smith, Ph.D. is a "therapist's therapist" - a teacher, trainer, mentor and author - whose writings from 1972 - 2009, capture the essence of Gestalt therapy's contribution to psychotherapeutic practice - the embodied patient. From Freud and Reich, to Nietzsche and Schopenhauer, to Perls and Polster - projection and retroflection, contact boundary disturbances, awe and terror in insight and expression, the meaning of the person of the therapist, and working with the client's breathing and posture - the essays and articles in this book incorporate Gestalt theory, applications, history and philosophical roots, yet they never leave the consulting room. Students, trainees and seasoned therapists alike will find themselves stimulated and energized in their work with clients. After earning a B.A. degree in psychology from Drake University, and an M.S. in experimental psychology and a Ph.D. in clinical psychology from the University of Kentucky, Edward W. L. Smith taught at Georgia State University and then pursued an18-year full-time independent practice of psychotherapy in Atlanta. Returning to academia, he was the founding Director of Clinical Training for the Psy.D. program at Georgia Southern University, where he is now professor emeritus. Edward is a Fellow of the American Psychological Association, the American Academy of Clinical Psychology, and the Georgia Psychological Association. He has been an international workshop leader for nearly 40 years. He holds the certificate of the American Board of Professional Psychology (ABPP) and was an early member of the National Register of Health Service Providers in Psychology. His books include The Growing Edge of Gestalt Therapy (Ed.), The Body in Psychotherapy, Sexual Aliveness: A Reichian Gestalt Perspective, Not Just Pumping Iron: On the Psychology of Lifting Weights, Gestalt Voices (Ed.), Touch in Psychotherapy: Theory, Research, and Practice (Co-ed. with Pauline Clance & Suzanne Imes), and The Person of the Therapist. Edward pursues jazz with a tenor saxophone as an erotic balance to his logos-heavy professional writing. The poetry Muses sometimes beckon him, as well.
A biography of George W. Bush, showing how he ignored his advisors to make key decisions himself--most in invading Iraq--and how these decisions were often driven by the President's deep religious faith.
This book offers the first comprehensive examination of the psychodynamic theories of artistic creativity and the arts. Neither oversimplifying the complexity of these theories, nor bogging down in pedantic discourse, it honors the depth and richness of the work of Freud, Adler, Kris, Reich, Jung, and several lesser-known theorists, while making their theories readily accessible to the educated reader. After discussing the role of theory, the work offers each concept as a readily usable template for describing and understanding a work of art, whether painting, sculpture, music, dance, film, poetry, or prose. With these theories at hand, anyone interested in the arts will possess a far richer vocabulary for describing the artistic experience and a deeper understanding of the artist's creativity.
The pagan mythology of the Vikings offers a rich metaphor for consciousness. This book presents the cosmography of Norse mythology as a landscape of human inner life. Each of the nine worlds of this cosmography is viewed as a symbol of a distinct type of consciousness that is emblematic of a particular perspective or way of relating to others. Individual gods and goddesses are considered nuanced personifications of their worlds. The philosophy of pagan mythology is explored by comparing and contrasting the Sayings of Odin from the Norse Edda with the Christian Ten Commandments.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
It all began on a Saturday night at "The Space Room." If you've seen any recent Martian travel folders, you know the place: "A picturesque oasis of old Martian charm, situated on the beauteous Grand Canal in the heart of Marsport. We were playing at "The Space Room" that night, and one of our quartet was out. We were waiting for his replacement, and he was so late we were getting threats from management. Then it happened. From the entrance of "The Space Room" came a thumping and a grating and a banging. Suddenly, sweeping across the dance floor like a cold wind, was a queerly shaped bass fiddle. It was too tall, too wide. It was more like a monstrous, midnight-black hour-glass than a bass. Behind it, streaking over the floor in a waltz of agony, was a little guy, an animated matchstick with a flat tip. His pale blue eyes were watery, like twin pools of fog. . . .
My husband began transcribing this book in March, 2000 and continued through March, 2005. He was unable to complete it due to his sudden and unexpected death in October, 2005. In order to fulfill his wishes and to share his story with others I have completed his book as best as I could through many tears and with the help of the Lord. This book is a story of love, faith and hope in the midst of sorrow, suffering and loss. It is the story of trusting in "The Love of A Father" when life can sometimes be at it's worst, when we are suffering and when nothing seems to make any sense. It begins with my husband's miraculous healing as a small child and how God spared his life with His ever loving hand and has guided our lives for His plan and purposes. When a young man from a small coal mining town in West Virginia and a young girl from a large city in Virginia meet at a local grocery food chain store their lives would be instantly changed forever. Edward ("Eddie") and Shirley Smith were married in 1963 and were devoted in marriage for 42 years. They have shared their very personal story in a hope that it will be a source of strength and encouragement for others. They have two children, one who went to be with the Lord in 1985, and three grandsons, one a heart transplant recipient and cancer survivor. Their marriage was like a fairy-tale romance and was truly apparent in the genuine love and respect that they had for each other. Through their many trials and heartaches they remained steadfast in their love for each other and in their faith and trust in Almighty God.
12 lectures in various cities, March 21 - July 11, 1922 (CW 211) "We must understand that if we relate only to dead matter, we ourselves become dead and ahrimanic, but if we have sufficient courage and love for all the beings around us to relate to them directly (not to our dead ideas about them), we discover the Christ in everything and victorious spirit everywhere. When this happens, we may need to speak in ways that seem paradoxical to our contemporaries. We may need to speak about the individual spiritual beings that live in the solid and fluid elements and so forth. As long as we avoid talking about these beings, we are talking about a dead science that is not imbued with the Christ. To speak about them is to speak in a truly Christian sense. We must imbue all of our scientific activity with the Christ. More than that, we must also bring the Christ into all of our social efforts, all of our knowledge--in short, into all aspects of our life. The Mystery of Golgotha will truly bear fruit only through human strength, human efforts, and human love for each other. In this sense, Anthroposophy in all its details strives to imbue the world with the Christ." --Rudolf Steiner These lectures were given midway between World War I and Steiner's death in 1925. They will be of particular interest to anyone wanting to comprehend Rudolf Steiner's mature understanding of his mission: "enchristing" the world. The first two lectures constitute a call to arms or return to basics. Steiner speaks existentially and phenomenologically, building upon recognizable descriptions of actual experiences. His theme is the three states of consciousness (waking, dreaming, and dreamless sleep), and he shows how these ordinary human functions have initiatory possibilities. The next four lectures deal with the evolution of consciousness in relation to the universal significance of the Christ event. Through the resurrection, Christ's being entered earthly evolution. As a result, we see the world differently. Where ancient humanity experienced, "Not I but the divine spirit around me," we can experience, "Not I, but the Christ in me." With this insight, we reach the heart of this volume--esoteric Christianity. For Steiner, our most important task as human beings is to learn to overcome death by uniting with the Christ, who overcame death. Humanity's survival depends upon the "enchristing" of the world. It is the purpose of Anthroposophy to bring this reality into world evolution, to enable all religions and all human beings to experience the new reality. The Sun Mystery and the Mystery of Death and Resurrection is the first complete English translation of Das Sonnenmysterium und das Mysterium von Tod und Auferstehung. Exoterisches und esoterisches Christentum (GA 211). Eight lectures were published in an earlier English translation as part of Festivals and their Meaning II: Easter (1956). Cover image: Burial, by Ninetta Sombart.
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