The term Minimalism appeared in the mid-1960s, primarily with reference to the stripped down sculpture of artists like Donald Judd. This volume investigates the origins of Minimalism in post-war American culture. The author redefines it as a movement that developed reductive stylistic innovations.
. . . Strickland's own deep involvement with the works of these composers [is] revealed by the questions and comments he poses in an appreciative, Paterian way. His profound pleasure in these works also leads him to scrutinize and challenge them intimately." —Publishers Weekly "This is an indispensable book about American music . . . " —Fanfare " . . . exhilarating . . . Any of the interviews in American Composers will stimulate your curiosity and appetite." —Hungry Mind Review " . . . not only engaging, but also a useful representation of the major compositional styles of the 1980s and their corresponding practitioners." —Notes Philip Glass, Keith Jarrett, Meredith Monk, and eight other active American composers reveal a broad spectrum of musical personalities in these candid, in-depth conversations. Witty and articulate, their remarks convey the great vitality, diversity, and distinctiveness of today's American music.
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Welcome to Elm Wood Academy, where money and corruption flow like a septic river. Brad Fuller, Emily Tate, Ben Green and Edward Sane know all too well, what it means to be the outcast crowd. They live under the iron thumb of Robbie Brian and Shannon Price. The rich and elite walk the hallways, mocking the innocent and weak spirited, until the day, Brad Fuller and his band of misfits strike back hard, knocking the bullies off their so-called thrones. Lockers with hidden surprises are uncovered as a new form of terror rears its ugly head in the narrow hallways. The blood flows thick and rich as something sinister waits over the horizon. This fast paced thriller dives into the dark nature of the human soul. Just how far can you push a child to his or her breaking point? Welcome to Elm Wood!
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