A detailed, beautifully illustrated presentation of the construction and symbolism of the famed Kalachakra mandala, the crown jewel of the Indo-Tibetan tantric traditions. This volume contains an extensive analysis of the construction and symbolism of the mandala of the Kalachakra tantric system, the most intricate and explicit of the Indian Buddhist unexcelled yoga tantras, the most advanced teachings within the Indo-Tibetan tradition. Indo-Tibetan tantric traditions, particularly the unexcelled category, depend on imagery and visualization for the processes of purifying cyclic existence, and Kalachakra is the most detailed. The late scholar-practitioner Edward Henning, one of the earliest Western specialists on this material, offers this labor of love as a testament to the genius of the Tibetan tradition in preserving and transmitting these teachings over a thousand years. Well known internationally now due to the Dalai Lama’s many public initiations, the Kalachakra mandala serves as a primary focal point for meditators both new and seasoned. Henning draws primarily from the Jonang tradition of Kalachakra practice, particularly the modern master Banda Gelek, to elucidate and clarify inconsistencies across traditions and literature, including the authoritative Indian commentary Stainless Light (Vimalaprabha), regarding the construction and visualization of the three-tiered mandala with its hundreds of deities. In addition to providing detailed information on the images to be visualized, Henning provides in the final chapter a clear and extensive explanation of the symbolism of the habitat and inhabitants that are to be animated during the meditation session. An excellent companion to the translations of the Kalachakra Tantra and Stainless Light chapters co-published by the American Institute of Buddhist Studies and Wisdom Publications, this beautifully illustrated volume is a must-have for scholars and practitioners alike.
Electromagnetic Boundary Problems introduces the formulation and solution of Maxwell’s equations describing electromagnetism. Based on a one-semester graduate-level course taught by the authors, the text covers material parameters, equivalence principles, field and source (stream) potentials, and uniqueness, as well as: Provides analytical solutions of waves in regions with planar, cylindrical, spherical, and wedge boundaries Explores the formulation of integral equations and their analytical solutions in some simple cases Discusses approximation techniques for problems without exact analytical solutions Presents a general proof that no classical electromagnetic field can travel faster than the speed of light Features end-of-chapter problems that increase comprehension of key concepts and fuel additional research Electromagnetic Boundary Problems uses generalized functions consistently to treat problems that would otherwise be more difficult, such as jump conditions, motion of wavefronts, and reflection from a moving conductor. The book offers valuable insight into how and why various formulation and solution methods do and do not work.
Clwyd, covering the former counties of Denbighshire and Flintshire, is exceptionally rewarding in architecture. the medieval period has left a fine legacy, including castles of the time of Edward I as sophisticated as any in Europe, the monastic ruins of Basingwerk and Valle Crucis, and the distinctive local 'double-nave' type of Perpendicular church. Country houses range in size and ambition from Erddig, Kinmel and Chirk Castle to a host of lesser buildings, humbler but still of quality. Towns such as Denbigh and Ruthin, village groups and Victorian seaside resorts all add to the pattern of styles and materials, a pattern further enriched by relics of the Industrial revolution and the striking diversity of vernacular styles.
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.
For the architectural tourist, one of Cheshire's greatest delights is the use of timber. Chester, whose famous rows with their upper walkways are unique in medieval Europe, continues the timber-framed tradition in its riotous Victorian buildings but glories also in its Roman past.
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