Inside the Sixth Edition of this now-reference, you will discover encyclopedic coverage of topics ranging from basic science to sophisticated computer-based radiation therapy treatment planning and supportive care. The book's comprehensive scope and abundantly illustrated format provide you with better understanding of the natural history of cancer, the physical methods of radiation application, the effects of radiation on normal tissues, and the most judicious ways in which you can employ radiation therapy in patient care. Including epidemiology, pathology, diagnostic work-up, prognostic factors, treatment techniques, applications of surgery and chemotherapy, end results, and more. Increased emphasis on new approaches and technologies improve your understanding of three-dimensional treatment planning, intensity-modulated radiotherapy, combined modality therapy, and particle therapy. Digital version includes the complete text, index-based search, note sharing, regular content updates integrated into the text, and much more.
In the first section of this work, ten scholars examine E.W. Godwin's life and career, discussing his diverse contributions as a design reformer. The second section presents a fully annotated selection of over 150 items that represent the formation and flowering of Godwin's oeuvre.
Discover how Jazz shaped the history and enhanced the life of the citizens of New Orleans. From the days when Buddy Bolden would blow his cornet to attract an audience from one New Orleans park to another, to the brass bands in clubs and on the streets today, jazz in New Orleans has been about simple things: getting people to snap their fingers, tap their toes, get up and clap their hands, and most importantly dance! From the 1890s to World War I, from uptown to Faubourg Treme and out to the lakefront, New Orleans embraced this uniquely American form of music. Local musicians nurtured jazz, matured it, and passed it on to others. Some left the city to make their names elsewhere, while others stayed, playing the clubs, marching in the parades, and sending loved ones home with jazz funerals. Older musicians mentored younger ones, preserving the traditions that give New Orleans such an exciting jazz scene today.
An independent scholar and former history professor addresses the post-WWII period in Volume 2 of his narrative history of the 20th century. His account revolves around two dominant global events--the Cold War and the revolt against imperialism--showing how these events both drove nations apart while creating political and regional alliances. Annotation copyrighted by Book News, Inc., Portland, OR
Restoration is set in eighteenth-century England: a world of cruelty, injustice and iron privilege. Lord Are is forced by poverty into an unwanted marriage with the daughter of a wealthy mineowner. One morning, during breakfast, he commits a bizarre and fatal crime. He seeks to pin responsibility for it on his guileless, illiterate footman, Bob Hedges. A battle ensues between Bob's black, justice-hungry wife and the fortified privilege of the ruling classes. This is a new programme text edition of the play with minor revisions to the original text and produced for the tour by Oxford Staeg Company.
This volume presents the complete correspondence between two of the most important and influential American poets of the postwar period. The almost 500 letters range widely over the poetry scene and the issues that made the period so lively and productive. But what gives the exchange its special personal and literary resonance is the sense of spiritual affinity and shared conviction about the power of the visionary imagination. Duncan and Levertov explore these matters in rich detail until, under the stress of dealing with the Vietnam War in poetry, they discover deep-seated differences in the religious and ethical convictions underlying their politics and poetic stance. The issues that drew them together and those that drove them apart create a powerful personal drama with far-reaching historical and cultural significance. The editors have provided a critical Introduction, full notes, a chronology, and a glossary of names.
The history of modern American literature is inextricably tied to the history of the literary magazine. Conversely, in the individual histories of these magazines can be gleaned highlights of literary activity and insights on the writers and editors in the forefront. The literary magazines of the twentieth century, most of them known as littles because of small budgets and circulation and short lives, number in the thousands. Some, like the venerable New Yorker, have enjoyed wide circulation for well over half a century; others, like The Fugitive, published in Nashville, Tennessee, in the early 1920s, were regional and/or experimental and short-lived. Of these thousands, editor Edward E. Chielens has selected seventy-six of the most significant for description and analysis in individual historical essays. An additional one hundred magazines are briefly profiled in an appendix. Forty-three scholars and writers contributed to this volume. Following the pattern established in Chielens's earlier complementary volume, American Literary Magazines: The Eighteenth and Nineteenth Centuries, the magazine essays also provide appended data on information sources and publishing history. The volume introduction discusses the characteristics of different types of literary magazines in the twentieth century and their sponsoring organizations or individuals as well as the influence on their development of leading literary figures such as Ezra Pound and H. L. Mencken. This discussion is bolstered by a chronological appendix to the volume presenting highlights in the history of literary magazines in the perspective of events in literary history. An additional appendix provides a directory of major collections of literary magazines in the United States and Canada with descriptions of their holdings.
A collection of revised and expanded writings culled from the author's popular Washington Post Book World "Poet's Choice" column demonstrates how poetry responds to world challenges and introduces the work of more than 130 writers.
Of the many infantry brigades in Robert E. Lee's Army of Northern Virginia, John Bell Hood's Texas Brigade earned the reputation as perhaps the premier unit. From 1862 until Lee's surrender at Appomattox, the brigade fought in most of the major campaigns in the Eastern Theater and several more in the Western, including the Seven Days, Second Manassas (Second Bull Run), Sharpsburg (Antietam), Fredericksburg, Gettysburg, Chickamauga, Chattanooga, Knoxville, the Wilderness, Spotsylvania Court House, Cold Harbor, the siege of Richmond and Petersburg, and Appomattox. Distinguished for its fierce tenacity and fighting ability, the brigade suffered some of the war's highest casualties. This volume chronicles Hood's Texas Brigade from its formation through postwar commemorations, providing a soldier's-eye view of the daring and bravery of this remarkable unit.
An antidote to the culture of fear that dominates modern life From moral panics about immigration and gun control to anxiety about terrorism and natural disasters, Americans live in a culture of fear. While fear is typically discussed in emotional or poetic terms—as the opposite of courage, or as an obstacle to be overcome—it nevertheless has very real consequences in everyday life. Persistent fear negatively effects individuals’ decision-making abilities and causes anxiety, depression, and poor physical health. Further, fear harms communities and society by corroding social trust and civic engagement. Yet politicians often effectively leverage fears to garner votes and companies routinely market unnecessary products that promise protection from imagined or exaggerated harms. Drawing on five years of data from the Chapman Survey of American Fears—which canvasses a random, national sample of adults about a broad range of fears—Fear Itself offers new insights into what people are afraid of and how fear affects their lives. The authors also draw on participant observation with Doomsday preppers and conspiracy theorists to provide fascinating narratives about subcultures of fear. Fear Itself is a novel, wide-ranging study of the social consequences of fear, ultimately suggesting that there is good reason to be afraid of fear itself.
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