I am Silver, and there is no other pirate like me on these waters. This being the last testament of the infamous pirate Long John Silver, you would do well not to trust a word in its pages. Held captive aboard his own ship, the Linda Maria, he is to be taken to England, where he will hang at the king's pleasure. But he has another plan: to tell a tale of treason, murder, a lost treasure that would rival King George's own riches, and what really happened on Treasure Island . . . if Long John Silver is to be believed. But is he? His beginnings as a pickpocket on the streets of Bristol are as dark as the rest of his deliciously devious life. Taken to sea by the pirate captain Black John, Silver soon learns the arts of his trade: the sword, saber, and pistol. He makes his trade in plundering, cheating, ransacking, and murder---more murders than he can bother to count. British, Frenchmen, Spaniards, and Portuguese all fall before him. He takes exceptional pleasure in murder, but never such pleasure as he finds in his search for a most uncommon treasure. To find that treasure he must heed the words of a dead man, solve the ciphers in a well-worn Bible, forgo the love of an extraordinary woman, and climb over the corpses of friend and foe alike to arrive at Treasure Island and find his fortune. But Silver's tricks are never done. Before he greets the hangman at Newgate Square, he will have one last secret to reveal. Hidden in these pages are clues that lead to his remarkable discovery. And although King George's bounty for this notorious scourge may be handsome indeed, the captain who has captured Silver would not mind adding Silver's riches to his own purse. He will let Silver tell his tale in the hope of learning clues to the treasure's location. And if you were to mark his words as well, you might discover the whereabouts of that treasure yourself. So we shall, for now, allow Long John Silver to spin his stories, tales of adventure and betrayal, gold and jewels, love and murder. And he will never leave out the murder. Not Long John Silver.
THE STORY: Wilfred Tasbinder, a romantically minded tramp, finds a birth certificate for Oliver Erwenter, indicating that its owner is 77 years old. Wilfred decides to impersonate Erwenter and enter a home for the aged. Being a fellow of rich imagi
A powerfully evocative post-World War II thriller set in LA, starring former B movie star John Ray Horn. John Ray Horn knows all about regret. One-time hero in a series of cheap westerns, he now scrapes a living collecting debts for his old Indian co-star, Joseph Mad Crow. Then his past resurfaces in the form of an old flame and forgotten movie star. Rose Galen once had a talent that lit up the screen. Now she is a shattered creature, drink-sodden and haunted by some tragic event in her past. But before she can share her secret, Rose is murdered and Horn sets out with the aid of Mad Crow to find her killer. It is a quest that leads back into the dark heart of 1920s Hollywood, to a party where mobsters mingled with movie stars, and where a young girl met a terrible death.
Originally published in 1911, The Quest of the Silver Fleece was the first novel to come from world-famous sociologist and civil-rights leader W.E.B. Du Bois. A controversial title of its time, the novel chronicles the complex interactions between Northern financing and Southern politics as it follows the story of free-spirited Zora, child of a Southern swamp, and her romance with Yankee-educated Bles, who will eventually face the opportunity to claim political power through corrupt means. In the middle of it all is the silver fleece, a crop of cotton rich with meaning and symbolism. In the tradition of other incendiary novels that explore market forces at the turn of the century, such as Frank Norris’s The Pit and Upton Sinclair’s The Jungle, The Quest of the Silver Fleece was seen as an “economic study” by Du Bois, yet it was also a romantic and otherwordly saga, loosely based on the Greek myth from which it takes its name. Using literary conventions to expose and oppose America’s views on race, Du Bois presents a sprawling and provocative work that continues to engage readers and inspire debate among literary scholars today.
The presumed link between mental disorder and violence has been the driving force behind mental health law and policy for centuries. Legislatures, courts, and the public have come to expect that mental health professionals will protect them from violent acts by persons with mental disorders. Yet for three decades research has shown that clinicians' unaided assessments of "dangerousness" are barely better than chance. Rethinking Risk Assessment: The MacArthur Study of Mental Disorder and Violence tells the story of a pioneering investigation that challenges preconceptions about the frequency and nature of violence among persons with mental disorders, and suggests an innovative approach to predicting its occurrence. The authors of this massive project -- the largest ever undertaken on the topic -- demonstrate how clinicians can use a "decision tree" to identify groups of patients at very low and very high risk for violence. This dramatic new finding, and its implications for the every day clinical practice of risk assessment and risk management, is thoroughly described in this remarkable and long-anticipated volume. Taken to heart, its message will change the way clinicians, judges, and others who must deal with persons who are mentally ill and may be violent will do their work.
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