Edgar Award Finalist: The true story of a serial killer who terrorized a midwestern town in the era of free love—by the coauthor of The French Connection. In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body—stabbed over thirty times and missing both feet and a forearm—was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated. Southeastern Michigan was terrorized by something it had never experienced before: a serial killer. Over the next two years, five more bodies were uncovered around Ann Arbor and Ypsilanti, Michigan. All the victims were tortured and mutilated. All were female students. After multiple failed investigations, a chance sighting finally led to a suspect. On the surface, John Norman Collins was an all-American boy—a fraternity member studying elementary education at Eastern Michigan University. But Collins wasn’t all that he seemed. His female friends described him as aggressive and short tempered. And in August 1970, Collins, the “Ypsilanti Ripper,” was arrested, found guilty, and sentenced to life in prison without chance of parole. Written by the coauthor of The French Connection, The Michigan Murders delivers a harrowing depiction of the savage murders that tormented a small midwestern town.
The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews.
The Catholic Church has in recent decades been associated with opposition to the death penalty. It was not always so. This timely work recovers, and calls for a revival of, the Catholic tradition of support for capital punishment. Drawing upon a wealth of philosophical, scriptural, theological, and social scientific arguments, the authors show that it is the perennial and irreformable teaching of the Church that capital punishment can in principle be legitimate -not only to protect society from immediate physical danger, but also for purposes such as retributive justice and deterrence. They show that the recent statements of churchmen in opposition to the death penalty are merely "prudential judgments" with which faithful Catholics are not obliged to agree. They also show that the prudential grounds for opposition to capital punishment offered by Catholics and others in recent years are without force. The extreme statements made by some Catholics in opposition to the death penalty do grave harm to the Church by falsely suggesting a rupture in her traditional teaching, thereby inadvertently casting doubt on the reliability of the Magisterium. And they do grave harm to society by removing a key component of any system of criminal justice which can protect the lives of the innocent, inculcate a horror of murder, and affirm the dignity of human beings as free and rational creatures who must be held responsible for their actions. By Man Shall His Blood Be Shed is a challenge to contemporary Catholics to move beyond simple-minded sloganeering to a serious engagement with scripture, tradition, natural law, and the actual social scientific evidence, and a faithful exercise of the "hermeneutic of continuity" called for by Pope Benedict XVI.
Originally published in 1924, E. Phillip Oppenheim’s ‘The Lesser Sin’ is a captivating tale of love and deception. A young lady of sophisticated tastes but limited means, young Phillipa is on her way to London with her new husband Robert Sherriff. Agreeing to the marriage only for his supposed wealth, Phillipa is distraught when she finds her husband has deceived her, and in a moment of madness the young bride takes desperate action to try and free herself from her predicament. A gripping and suspenseful tale from the prolific author. E. Phillips Oppenheim (1866-1946) was a hugely prolific and highly popular British author of novels and short stories. Born in Tottenham, London, Oppenheim left school as a teenager and worked for his leather-merchant father for 20 years prior to launching his literary career. Oppenheim published five novels under the pseudonym ‘Anthony Partridge’ before establishing his reputation as a writer under his own name. An internationally successful author, Oppenheim’s stories revolved mainly around glamourous characters, luxurious settings, and themes of espionage, suspense, and crime. He is widely regarded as one of the earliest pioneers of the thriller and spy-fiction genre as it is recognised today. Oppenheim’s incredible literary success meant that his own life soon began to mirror that of his opulent characters. He held lavish, Gatsby-style parties at his French Villa and was rumoured to have had frequent love affairs aboard his luxury yacht. Oppenheim’s success earned him the cover of Time magazine in 1927. Some of his most well-known novels include ‘The Great Impersonation’, ‘The Long Arm of Mannister’ and ‘The Moving Finger’.
In this first historical account of the District of New Jersey, Mark Edward Lender traces its evolution from its origins through the turn of the twenty-first century. Drawing on extensive original records, including those in the National Archives, he shows how it was at the district court level that the new nation first tested the role of federal law and authority. From these early decades through today, the cases tried in New Jersey stand as prime examples of the legal and constitutional developments that have shaped the course of federal justice. At critical moments in our history, the courts participated in the Alien and Sedition Acts, the transition from Federalist to Jeffersonian political authority, the balancing of state and federal roles during the Civil War and Reconstruction, and modern controversies over civil rights and affirmative
America's remarkable explosion of industrial output and national wealth at the end of the nineteenth century was matched by a troubling rise in poverty and worker unrest. As politicians and intellectuals fought over the causes of this crisis, Henry George (1839–1897) published a radical critique of laissez-faire capitalism and its threat to the nation's republican traditions. Progress and Poverty (1879), which became a surprise best-seller, offered a provocative solution for preserving these traditions while preventing the amassing of wealth in the hands of the few: a single tax on land values. George's writings and years of social activism almost won him the mayor's seat in New York City in 1886. Though he lost the election, his ideas proved instrumental to shaping a popular progressivism that remains essential to tackling inequality today. Edward T. O'Donnell's exploration of George's life and times merges labor, ethnic, intellectual, and political history to illuminate the early militant labor movement in New York during the Gilded Age. He locates in George's rise to prominence the beginning of a larger effort by American workers to regain control of the workplace and obtain economic security and opportunity. The Gilded Age was the first but by no means the last era in which Americans confronted the mixed outcomes of modern capitalism. George's accessible, forward-thinking ideas on democracy, equality, and freedom have tremendous value for contemporary debates over the future of unions, corporate power, Wall Street recklessness, government regulation, and political polarization.
Seventy of Forster's BBC broadcasts trace his evolution from novelist to skillful cultural critic, revealing his vitality and importance as an astute critic of contemporary literature--from Joyce to Steinbeck to Tagore--and a political activist for India. Scripts dating from WWII provide new perspective on the arts during wartime"--Provided by publisher.
This book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.
Edward Sellner mines the deep wisdom of many traditions and demonstrates how relationships of mentoring, rooted and grounded in the love of Christ, can forge fast friendship, heal wounds from the past, and bring about the Reign of God.
This work offers an assessment of progress made towards the "information society". It begins from the premise that the construction of such a society in Europe is a dynamic process and that the journey towards a society so dependent upon digital information is far from straightforward.
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