The renowned literary and cultural critic Edward Said was one of our era’s most provocative and important thinkers. This comprehensive collection of his work, expanded from the earlier Edward Said Reader, now draws from across his entire four-decade career, including his posthumously published books, making it a definitive one-volume source. The Selected Works includes key sections from all of Said’s books, including his groundbreaking Orientalism; his memoir, Out of Place; and his last book, On Late Style. Whether writing of Zionism or Palestinian self-determination, Jane Austen or Yeats, or of music or the media, Said’s uncompromising intelligence casts urgent light on every subject he undertakes. The Selected Works is a joy for the general reader and an indispensable resource for scholars in the many fields that his work has influenced and transformed.
From one of the most important intellectuals of our time comes an extraordinary story of exile and a celebration of an irrecoverable past. A fatal medical diagnosis in 1991 convinced Edward Said that he should leave a record of where he was born and spent his childhood, and so with this memoir he rediscovers the lost Arab world of his early years in Palestine, Lebanon, and Egypt. Said writes with great passion and wit about his family and his friends from his birthplace in Jerusalem, schools in Cairo, and summers in the mountains above Beirut, to boarding school and college in the United States, revealing an unimaginable world of rich, colorful characters and exotic eastern landscapes. Underscoring all is the confusion of identity the young Said experienced as he came to terms with the dissonance of being an American citizen, a Christian and a Palestinian, and, ultimately, an outsider. Richly detailed, moving, often profound, Out of Place depicts a young man's coming of age and the genesis of a great modern thinker.
In his latest book of interviews, Edward W. Said discusses the centrality of popular resistance to his understanding of culture, history, and social change. He reveals his latest thoughts on the war on terrorism, the war in Afghanistan, and the Israeli-Palestinian conflict, and lays out a compelling vision for a secular, democratic future in the Middle East--and globally. Edward W. Said, a renowned cultural and literary critic, was born in Jerusalem, Palestine, and was educated there, in Egypt, and in the United States. His books include Orientalism, The Question of Palestine, Covering Islam, Culture and Imperialism, and The Politics of Dispossession. He has also published a memoir, Out of Place. Mr. Said is University Professor of English and Comparative Lit-erature at Columbia University. In October 2001, he received the $200,000 Lannan Literary Award for Lifetime Achievement. David Barsamian's interview books feature conversations with luminaries such as Noam Chomsky, Howard Zinn, and Edward W. Said. A regular contributor to The Progressive and Z Magazine, Barsamian's most recent interview books include Propaganda and the Public Mind and Eqbal Ahmad: Confronting Empire, available from South End Press. He is also the author of The Decline and Fall of Public Broadcasting. Barsamian is the producer of the critically acclaimed program Alternative Radio.
A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.
Edward Said has long been considered one of the world’s most compelling public intellectuals, taking on a remarkable array of topics with his many publications. But no single book has encompassed the vast scope of his stimulating erudition quite like Power, Politics, and Culture, a collection of interviews from the last three decades. In these twenty-eight interviews, Said addresses everything from Palestine to Pavarotti, from his nomadic upbringing under colonial rule to his politically active and often controversial adulthood, and reflects on Austen, Beckett, Conrad, Naipaul, Mahfouz, and Rushdie, as well as on fellow critics Bloom, Derrida, and Foucault. The passion Said feels for literature, music, history, and politics is powerfully conveyed in this indispensable complement to his prolific life's work.
Bringing together some of the figures most closely associated with Edward Said and his scholarship, Waiting for the Barbarians looks at Said the public intellectual and literary critic, and his political and intellectual legacy: the future through the lens of his work.
In a collection of intriguing essays on the work of Edward Said, internationally-recognized scholars pay homage to the late critic by addressing many aspects of his oeuvre, including his breakthrough Orientalism, the role of the intellectual, the Question of Palestine, and finally his dramatic memoir, Out of Place. This volume is a useful contribution for classroom use, as well as recreational reading for those interested in the work of this controversial thinker.
“Considering the emphasis in Said’s critical work on space and place and the political importance of geography, it is less surprising to see the luxuriant evocation of a specific topography of dusty roads, grottos, plump figtrees, desert flowers, muddy clods, and the “beckoning hands of lambent hills”. Most revealing of all, perhaps, is the poems’ tendency to see the world through musical form. Musical imagery is everywhere, testifying to how much of Said’s mind in an introspective mood was immersed in the sounds, forms, and fables of Western classical music.”—Timothy Brennan, from the book’s Introduction Edward Said was renowned for the breadth, erudition, and humanity of his scholarly and political writing. His ground-breaking studies of literature and culture threw a dazzling new light on the ways in which non-Western peoples have been misrepresented over the course of the centuries, and he was among the world’s most prominent voices in denouncing the modern-day injustices of Western foreign policy. This volume collects all of his never-before-published poems, offering insight into the personality of the author of Orientalism, The World, the Text and the Critic, and Culture & Imperialism “to a degree hidden in those works themselves”. The nineteen works collected in Songs of an Eastern Humanist canvass a variety of poetic forms, but they are all shot through with Said’s capacious intellect and passionate sensibility. They are also remarkable achievements of poetic craft. Said’s poetry alternates with unerring judgment between wit and pathos, between sublimely elevated and disarmingly quotidian registers. His individual lines of verse are exquisitely constructed and richly elusive, while his poems as a whole are at once sweeping in their vision and keenly evocative of sensory experience. Their publication amounts to a major literary event, marking twenty years since the great public intellectual’s passing.
In this classic work, the author of Culture and Imperialism reveals the hidden agendas and distortions of fact that underlie even the most "objective" coverage of the Islamic world. "No one stuyding the relations between the West and the decolonizing world can ignore Mr. Said's work." --The New York Times Book Review From the Iranian hostage crisis through the Gulf War and the bombing of the World Trade Center, the American news media have portrayed "Islam" as a monolithic entity, synonymous with terrorism and religious hysteria. At the same time, Islamic countries use "Islam" to justify unrepresentative and often repressive regimes. Combining political commentary with literary criticism, Covering Islam continues Edward Said's lifelong investigation of the ways in which language not only describes but also defines political reality.
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Author of the groundbreaking The Question of Palestine, Edward Said has been America's most outspoken advocate for Palestinian self-determination. As these collected essays amply prove, he is also our most intelligent and bracingly heretical writer on affairs involving not only Palestinians but also the Arab and Muslim worlds and their tortuous relations with the West. "Solidly imbued with historical context and geopolitical conjecture...fresh, unpredictable, personal and incorruptible writing."—Boston Globe In The Politics of Dispossession, Said traces his people's struggle for statehood through twenty-five years of exile, from the PLO's bloody 1970 exile from Jordan through the debacle of the Gulf War and the ambiguous 1994 peace accord with Israel. As frank as he is about his personal involvement in that struggle, Said is equally unsparing in his demolition of Arab icons and American shibboleths. Stylish, impassioned, and informed by a magisterial knowledge of history and literature, The Politics of Dispossession is a masterly synthesis of scholarship and polemic that has the power to redefine the debate over the Middle East.
Edward Said was born in Jerusalem, and brought up in Cairo, spending every summer in the Lebanese mountain village of Dhour el Shweir, until he was "banished" to America in 1951. This work is a mixture of emotional archaeology and memory, exploring an essentially irrecoverable past. As ill health sets him thinking about endings, Edward Said returns to his beginnings in this personal memoir.
In these six essays--delivered on the BBC as the prestigious Reith Lectures--Edward Said addresses the ways in which the intellectual can best serve society in the light of a heavily compromised media and of special interest groups who are protected at the cost of larger community concerns. Said suggests a recasting of the intellectual's vision to resist the lures of power, money, and specialization. In these pieces, Said eloquently illustrates his arguments by drawing on such writers as Antonio Gramsci, Jean-Paul Sartre, Regis Debray, Julien Benda, and Theodore Adorno, and by discussing current events and celebrated figures in the world of science and politics: Robert Oppenheimer, Henry Kissinger, Dan Quayle, Vietnam and the Gulf War. Said sees the modern intellectual as an editor, journalist, academic, or political adviser--in other words, a highly specialized professional--who has moved from a position of independence to an alliance with powerful corporate, institutional, or governmental organizations. He concludes that it is the exile-immigrant, the expatriate, and the amateur who must uphold the traditional role of the intellectual as the voice of integrity and courage, able to speak out against those in power.
_______________ 'A series of dazzling case studies exploring the idea of lateness in a range of composers, writers and artists' - London Review of Books 'Gracefully unquiet, probing and wise ... Said's own elegiac masterpiece of late style' - Financial Times 'What Said stands for - critical intelligence, high art and the preservation of the language - must be at the centre of our lives. This book is a fine monument to his life and work' - Hanif Kureishi 'His own late style, if it is acceptable to call it that, mixes an easy mastery of material with an unquenched desire to preserve difficulties' - Guardian _______________ On Late Style examines the work produced by great artists -Beethoven, Thomas Mann, Jean Genet among them - at the end of their lives. Said makes it clear that, rather than the resolution of a lifetime's artistic endeavour, most of the late works discussed are rife with contradiction and almost impenetrable complexity. He helps us see how, though these works often stood in direct contrast to the tastes of society, they were, just as often, announcements of what was to come in the artist's discipline - works of true artistic genius.
In Edward Said: Continuing the Conversation, Edward Said's long-time friends and collaborators continue their dialogue with Said where they had left off following his death in the fall of 2003. The essays, imagining and recalling the cadences of Said's conversation, take various forms, including elaborations on his ideas, applications of his thought to new problems, and recollections of the indescribable electricity that made conversation with him intense and memorable. This lively, personal tone is a direct result of editors Homi Bhabha and W. J. T. Mitchell urging contributors to write in the spirit of a conversation interrupted, a call on hold, a letter waiting for a reply, a question hanging in the air. This is a work of immense imaginative and intellectual force and compelling candor, honoring Said's legacy as an activist intellectual. This collection includes essays by Lila Abu-Lughod, Daniel Barenboim, Akeel Bilgrami, Paul Bové, Timothy Brennan, Noam Chomsky, Ranajit Guha, Harry Harootunian, Saree Makdisi, Aamir Mufti, Roger Owen, Gyan Prakash, Dan Rabinowitz, Jacqueline Rose, and Gayatri Spivak.
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays offers evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and culture.
This reissued classic traces the ramifications and diverse understandings of the concept of "beginning" in history and offers valuable insights into the role of the intellectual and the goal of criticism.
With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. As in the title essay, the widely admired "Reflections on Exile," the fact of his own exile and the fate of the Palestinians have given both form and the force of intimacy to the questions Said has pursued. Taken together, these essays--from the famous to those that will surprise even Said's most assiduous followers--afford rare insight into the formation of a critic and the development of an intellectual vocation. Said's topics are many and diverse, from the movie heroics of Tarzan to the machismo of Ernest Hemingway to the shades of difference that divide Alexandria and Cairo. He offers major reconsiderations of writers and artists such as George Orwell, Giambattista Vico, Georg Lukacs, R. P. Blackmur, E. M. Cioran, Naguib Mahfouz, Herman Melville, Joseph Conrad, Walter Lippman, Samuel Huntington, Antonio Gramsci, and Raymond Williams. Invigorating, edifying, acutely attentive to the vying pressures of personal and historical experience, his book is a source of immeasurable intellectual delight.
In his final book, completed just before his death, Edward W. Said offers impassioned pleas for the beleaguered Palestinian cause. “These searing essays refract the reality of terrible years through a mind with extraordinary understanding, compassion, insight, and deep knowledge.” —Noam Chomsky These essays, which originally appeared in Cairo’s Al-Ahram Weekly, London’s Al-Hayat, and the London Review of Books, take us from the Oslo Accords through the U.S. led invasion of Iraq, and present information and perspectives too rarely visible in America. Said is unyielding in his call for truth and justice. He insists on truth about Israel's role as occupier and its treatment of the Palestinians. He pleads for new avenues of communication between progressive elements in Israel and Palestine. And he is equally forceful in his condemnation of Arab failures and the need for real leadership in the Arab world.
From the Iranian hostage crisis through the Gulf War and the World Trade Centre bombing, the West has been haunted by a spectre called 'Islam'. As portrayed by the news media - and by a chorus of government, academic and corporate experts - 'Islam' is synonymous with terrorism and religious hysteria. At the same time, Islamic countries use Islam to justify unrepresentative and often oppressive regimes. In this landmark work, for which he has written a new introduction, one of our foremost public thinkers examines the origins and repercussions of the media's monolithic images of Islam. Combining political commentary with literary criticism, Edward Said reveals the hidden assumptions and distortions of fact that underlie even the most 'objective' coverage of the Islamic world.
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