Sixty of Edward Curtis' photographs are included in this story of his life and the Native American cultures he studied early in the twentieth century, creating what is still the most extensive and informative collection of its kind.
The Uncollected Writings and Photography of Edward S Curtis the history of the North American Indian as told in the words and photographs of Edward S Curtis. Includes 243 photos of which 93 have never previously been published.
The traditional cultures of the Indians of the Great Plains?Lakotas, Cheyennes, Wichitas, Arikaras, Crows, Osages, Assiniboins, Comanches, Crees, and Mandans, among others?are recalled in stunning detail in this collection of photographs by Edward S. Curtis (1868?1952). Curtis is the best-known photographer of Native Americans because of his monumental work, The North American Indian (1907?1930), which consists of twenty portfolios of large photogravures and twenty volumes of text on more than eighty Indian groups in the West. He took pictures of Plains Indians for over twenty years, and his photographs reflect both prevailing attitudes about Indians and Curtis's own vision of differences among the Native peoples whom he photographed. ø Curtis's photographs have exerted an enduring influence?both positive and negative?on mainstream American culture. They have inspired countless books, articles, and photographic exhibitions, and they continue to appear on posters, postcards, and other souvenirs. Accompanying the remarkable array of images in this book are essays by leading scholars that place the photographs within their proper critical, cultural, and historical contexts. The scholars contributing to this work are Martha H. Kennedy, Martha A. Sandweiss, Mick Gidley, and Duane Niatum.
In 1906 J.P. Morgan offered Curtis $75,000 to produce a series of books on the North American Indian. It would end up to be a big series?twenty volumes with 1,500 photographs. Curtis? goal was not just to photograph, but to document, as much American Indian traditional life as possible before that way of life disappeared. Accordingly, Curtis made over 10,000 wax cylinder recordings of Indian language and music, and took over 40,000 photographic images from over eighty tribes. He recorded tribal lore and history, and he described traditional foods, housing, garments, recreation, ceremonies, and funeral customs. He wrote biographical sketches of tribal leaders, and his material, in most cases, is the only recorded history of these amazing peoples. This book starts with the story of the chance meeting on Mount Rainier that led to the Curtis? involvement on the Harriman Alaskan expedition and, ultimately, to The North American Indian
From Curtis' epic collection, The North American Indian, come 20 evocative images, displayed against a richly-textured background and fashioned after an early 20th-century studio portfolio, in a spectacular, 12-panel folding screen. A brief text describes Curtis' illustrative career.
The Uncollected Writings and Photography of Edward S Curtis the history of the North American Indian as told in the words and photographs of Edward S Curtis. Includes 243 photos of which 93 have never previously been published.
Sixty of Edward Curtis' photographs are included in this story of his life and the Native American cultures he studied early in the twentieth century, creating what is still the most extensive and informative collection of its kind.
From Simon & Schuster, The Handbook of Good English is Edward D. Johnson's comprehensive, easy-to-use guide to modern grammar, punctuation, usage, and style. Now substantially revised and updated, this essential guide is arranged in an easy-to-follow, topical style that takes readers from the rules governing basic sentence structure to methods of achieving effective expression.
The indispensable sage, fierce enemy, silent sidekick: the role of Native Americans in film has been largely confined to identities defined by the “white” perspective. Many studies have analyzed these simplistic stereotypes of Native American cultures in film, but few have looked beyond the Hollywood Western for further examples. Distinguished film scholar Edward Buscombe offers here an incisive study that examines cinematic depictions of Native Americans from a global perspective. Buscombe opens with a historical survey of American Westerns and their controversial portrayals of Native Americans: the wild redmen of nineteenth-century Wild West shows, the more sympathetic depictions of Native Americans in early Westerns, and the shift in the American film industry in the 1920s to hostile characterizations of Indians. Questioning the implicit assumptions of prevailing critiques, Buscombe looks abroad to reveal a distinctly different portrait of Native Americans. He focuses on the lesser known Westerns made in Germany—such as East Germany’s Indianerfilme, in which Native Americans were Third World freedom fighters battling against Yankee imperialists—as well as the films based on the novels of nineteenth-century German writer Karl May. These alternative portrayals of Native Americans offer a vastly different view of their cultural position in American society. Buscombe offers nothing less than a wholly original and readable account of the cultural images of Native Americans through history andaround the globe, revealing new and complex issues in our understanding of how oppressed peoples have been represented in mass culture.
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