From the sex-free paradise of the Shakers to the worker's paradise of Marx, utopian ideas seem to have two things in common--they all are wonderfully plausible at the start and they all end up as disasters. In Visions of Utopia, three leading cultural critics--Edward Rothstein, Martin Marty, and Herbert Muschamp--look at the history of utopian thinking, exploring why they fail and why they are still worth pursuing. Edward Rothstein, New York Times cultural critic, contends that every utopia is really a dystopia--a disaster in the making--one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art--and especially in music--does the desire for utopia find satisfaction. Martin Marty examines several models of utopia--from Thomas More's to a 1960s experimental city that he helped to plan--to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the New York Times architectural critic, looks at Utopianism as exemplified in two different ways: the Buddhist tradition and the work of visionary Viennese architect Adolph Loos. Utopian thinking embodies humanity's noblest impulses, yet it can lead to horrors such as Nazi Germany and the Soviet Regime. In Visions of Utopia, these leading thinkers offer an intriguing look at the paradoxes of paradise.
This look at the crisis facing the United States “explores the gaping disconnect between elite optimism and popular bewilderment, anger, and despair” (Foreign Affairs). “Gentlemen, we have run out of money. It is time to start thinking.” —Sir Ernest Rutherford In a book destined to spark debate among both liberals and conservatives, journalist Edward Luce advances a carefully constructed argument, backed up by interviews with key players in politics and business, that America is losing its pragmatism—and that the consequences of this may soon leave the country high and dry. Addressing the changing structure of the US economy; political polarization; the debilitating effect of the “permanent election campaign”; and problems in education and business innovation, Time to Start Thinking takes a hard look at America’s dwindling options in a world where the pace is increasingly being set elsewhere. “A brilliant reporter who has spoken to everyone: CEOs and members of the cabinet, lobbyists and small town mayors, recent MBAs and unemployed teachers. In his acutely observed, often witty, and very humane portraits, he succeeds in converting the abstractions of economics and bringing them to life.” —Liaquat Ahamed, Pulitzer Prize–winning author of Lords of Finance “Americans need friends who will tell us what we need to hear and how to think about the troubles, many of our own making, that threaten our democracy, prosperity, and leadership in the world. We’ve got just such a friend in Ed Luce. He’s a foreign observer who has not just traveled widely in the United States but listened carefully to a wide array of our citizens.” —Strobe Talbott, president, The Brookings Institution “In a tradition stretching back to de Tocqueville, sympathetic foreigners are often the keenest observers of American life. Edward Luce is one such person. He paints a highly disturbing picture of the state of American society, and of the total failure of American elites to come to grips with the real problems facing the country. It rises far above the current political rhetoric by its measured reliance on facts.” —Francis Fukuyama, author of Identity
Reviews Make the Clouds Cry In Make the Clouds Cry, author Jesse E. Corralez revives his animated characterization of Satan, but with a twist that focuses more on the behaviors of humans as opposed to Lucifer's influence over mankind. Human beings are held responsible for the chaos and pain they bring on themselves. Corralez covers morality and accountability issues in this story. Humans are challenged by Satan to look at the trouble they cause and to accept that the power to change the behavior lies in their own hands. It's interesting to hear this coming from the foul mouthed, always joking Lucifer, but it is an effective message. Make the Clouds Cry is an entertaining tale that offers suspense and moral conflict while encouraging introspection. South of Baton Rouge It is 1846 and twenty years old Clement Augustus Hope, professional gambler and former pirate, has won the deed to a plantation outside of New Orleans. The win marks the beginning of a new life for Hope and a complete transformation of the man he once was. South of Baton Rouge is a stunning work of historical fiction that burrows deep below the surface of a man's character to reveal the truth that resides in his heart. Corralez, the author of several novels, has once again created characters that require readers to stretch their perceptions about a person's background and his ability to change. The atmosphere of community and family that exists on the Hope Plantation represents unconditional love as it should exist. The residents worked, played, loved, fought and died as a unit demonstrating an intense loyalty that is hard to find in homogeneous communities. The author's penchant for detail brings the action in this story to life. His understanding of the depth of human character and all of its layers make the characters real and painful to lose when the purity of Hope Plantation is destroyed. South of Baton Rouge is a fantastic story rife with lessons that easily translate to modern times. I highly recommend it. Melissa Levine for Independent Professional Book Reviewerswww.bookreviewers.org
Shift Linguals traces a history of the cut-up method, the experimental writing practice discovered by Brion Gysin and made famous by Beat author William S. Burroughs. From the groundbreaking works of Dada and Surrealism that paved the way for Burroughs’ breakthrough, through the countercultural explosion of the 1960s, Shift Linguals explores the evolution of the cut-ups within the theoretical frameworks of postmodernism and the avant-garde to arrive at the present and the digital age. Some 50 years on from the first ‘discovery’ of the cut-ups in 1959, it is only now that we are truly able to observe the method’s impact, not only on literature, but on music and culture in a broader sense. The result of over nine years of research, this study represents the first sustained and detailed analysis of the cut-ups as a narrative form. With explorations of the works of Burroughs, Gysin, Kathy Acker, and John Giorno, it also contains the first critical writing on the works of Claude Pélieu and Carl Weissner in English, as well as the first in-depth discussion of the writing of Stewart Home to date.
The crises of industrialization and nation building have produced varying foreign policies and associated domestic images in Argentina. Classic liberals see the country as a Western, European society whose difficulties will be resolved through fuller and more effective participation in world affairs. Statist nationalists see a dependent, developing
This book, first published in 1962, is a collection of essays on the ideological origins of the European revolutionary movement. The first essay in the collection is devoted to Saint-Simon who, though not a revolutionary in the ordinary sense, was the begetter of the many ideas which became stock-in-trade of the nineteenth century revolutionaries. The essays that follow are on Marx and the Communist Manifesto, Proudhon, Herzen, Lassalle and Sorel; on the foundation and early history of the Russian Communist Party; on the histories of the British and German Communist Parties; and on Lenin and Stalin.
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