Can great powers ensure the political outcomes they want and prevent political developments they oppose, by stationing their military forces in distant regions during peacetime? If so, what kinds of military capabilities yield this sort of peacetime political leverage? And what kinds of political goals can-and, just as importantly, cannot-be achieved through "forward military presence?" In the post-9/11 world, as the United States seeks to use its unrivalled global military predominance to build a safer, better world by preventing terrorism and encouraging societies around the world to embrace democracy, these questions take on enormous importance. Presence, Prevention, and Persuasion addresses these issues by looking at British, French, and American experiences in the Middle East, South America, the Caribbean basin, and Africa over the last two centuries. The authors' findings will have a significant impact on scholarship but, more importantly, on American decision-making communities. An essential volume for anyone working in the field of international relations whether it is policy making, diplomacy, military planning or the private sector.
Chosen Vanities is a collection of poems, mostly written between the summer months of 2011 and the dark beginnings of 2013. It is a freer and more personal work than All My Masks, and covers a broader range of themes, and while not afraid to gaze a while into the shadows there are moments of joy which shine all the brighter when set against the darker background behind. As a rule, the poems appear in reverse chronological order.
Global Politics in a Changing World, International Edition blends conceptual writings on international relations with current events coverage from journalistic sources. Case materials in this reader are drawn from all major geographic regions in order to emphasize the global nature of post-Cold War issues. Each chapter approaches the key topics first from a scholarly/theoretical perspective, then follows with readings that present a news/current events context. The readings provide a stimulus for informed debate and discussion and encourage students to view daily events as part of a larger process of change. This unique reader goes beyond the traditional concept of international relations, defined simply as interactions between states. Covering all players in the modern global political scene, topics in the text range from international companies and intergovernmental organizations to traditional states and terrorist organizations. To discuss these varied influences in world politics, the authors have carefully selected a mix of readings that includes journal articles on current events and classic discussions of international relations.
Illustrates how the US chooses its security policies, showing that decisions about grand strategy are critically shaped by aspects of domestic politics such as political ideologies and state structure. Some topics include cultural transformation and strategic adjustment in the 1890s, the politics of American naval expansion, and defining a new role for the naval forces in the post-Cold War world. Of interest to policymakers and scholars of international affairs. Material originated at conferences held in 1994 and 1995. Annotation copyrighted by Book News, Inc., Portland, OR
All my masks is a collection of poems, written between 2003 and early 2011, mostly on the themes of unrequited love, dreams, mortality, regret, and other such sad subjects. However, some lighter material is also included, generally written either in response to some trivial happening, such as losing a favorite glove, or else as an outpouring of an over-active imagination. The poems appear, roughly speaking, in reverse chronological order.
Dismantling Glorydeals with the poetry written about the honors and horrors of battle by the very soldiers who put their lives on the line. Focusing on American and English poetry from World Wars I and II and the Vietnam War, Lorrie Goldensohn presents the move from a poetry largely bound to trench warfare to a global war poetry dominated by air power, invasion, and occupation. Civilians, prisoners, and children enter this poetry in new and compelling ways, as do issues of race and gender, changing and complicating the representation of war, and expanding the scope of antiwar thinking.
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