The purpose of this study is to report the reactions and criticism of those German, Swiss, and Austrian authors who commented on Les sing's Emilia Galotti from the time of its creation to the twentieth century and to note the various degrees to which it influenced writers of different personal and literary bent. It will be seen that the repre sentatives of a given literary trend, although regarding the play primarily in the light of their own ideals, were not necessarily in accord with one another over certain of its aspects. Emilia Galotti is especially suited to this kind of investigation because it took form in an age when interest in principles of dramatic composition was particularly intense, and because it was written by a figure who was perhaps most influential in the discussions centering on them. Emilia Galotti further lends itself to this study because, despite the fact that it has remained an extremely enigmatic work, it was and continues to be a highly popular play, having been. translated into at least twelve foreign languages and having also had an overture written in its honor.
Ezra Pound (1885-1972) is widely remembered not only as one of the most influential voices in twentieth-century literary modernism, but also for his notorious anti-Semitic writings and radio broadcasts that supported Mussolini's Italian Fascist regime. His ideological turn from poetics and aestheticism to extremist economics and politics has long been an area of controversy within literary studies.One Must Not Go Altogether with the Tidecollects the letters between Pound and London publisher Stanley Nott (1887-1978) to open a door to Pound's thinking and publications during the 1930s. Nott, who publishedJefferson and/or Mussolini(1935), was an interested and encouraging interlocutor for a poet seeking re-invention as an economist and political commentator - someone who sustained Pound as he swam against the tide. Pound's close involvement with his publisher illuminates an important episode in literary modernism as well as For The study of print culture in the interwar period. This edition of the letters retains Pound's idiosyncratic epistolary idiom and analyzes letter-writing as a genre critical to Pound's intellectual and cultural project, capturing Pound as a collaborator at work.
Ecocriticism has steadily gained footing within the larger arena of early modern scholarship, and with the publication of well over a dozen monographs, essay collections, and special journal issues, literary studies looks increasingly ’green’; yet the field lacks a straightforward, easy-to-use guide to do with reading and teaching early modern texts ecocritically. Accessible yet comprehensive, the cutting-edge collection Ecological Approaches to Early Modern English Texts fills this gap. Organized around the notion of contact zones (or points of intersection, that have often been constructed asymmetrically-especially with regard to the human-nonhuman dichotomy), the volume reassesses current trends in ecocriticism and the Renaissance; introduces analyses of neglected texts and authors; brings ecocriticism into conversation with cognate fields and approaches (e.g., queer theory, feminism, post-coloniality, food studies); and offers a significant section on pedagogy, ecocriticism and early modern literature. Engaging points of tension and central interest in the field, the collection is largely situated in the 'and/or' that resides between presentism-historicism, materiality-literary, somatic-semiotic, nature-culture, and, most importantly, human-nonhuman. Ecological Approaches to Early Modern English Texts balances coverage and methodology; its primary goal is to provide useful, yet nuanced discussions of ecological approaches to reading and teaching a range of representative early modern texts. As a whole, the volume includes a diverse selection of chapters that engage the complex issues that arise when reading and teaching early modern texts from a green perspective.
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