At the 2007 Academy Awards® ceremony, an unprecedented number of Black performers received acting nominations, and two of the statues awarded that evening went to Forest Whitaker and Jennifer Hudson. Indeed, since 2000, more African Americans have received Oscars than in the previous century. While the last few years have seen more and more Black performers receive acknowledgment by the Academy, it hasn't always been that way. African Americans and the Oscar®: Decades of Struggle and Achievement highlights the advancements Black performers have made on the silver screen and how those performances were honored by the Academy. In the Academy's first 40 years, less than ten African Americans were cited for their work on screen and only two, Hattie McDaniel and Sidney Poitier, received competitive awards before the 1980s. This book profiles all the nominees and recipients of the coveted award in the acting, writing, and directing categories, beginning with the first: McDaniel's Best Supporting Actress win for her role in Gone with the Wind (1939). Each entry, organized chronologically and by name, provides valuable information about how the role or film was viewed during its time and also places it in historical context by drawing connections to other related awards or events in film history. In the introduction, Mapp's overview of the nomination process helps explain the historically low percentage of African Americans who have been nominated or received the honor. Also, appendixes provide lists of non-acting/directing nominees and winners, overlooked performances, and performers of nominated songs. Highlighting the achievements of Sidney Poitier, Whoopi Goldberg, Halle Berry, Morgan Freeman, Spike Lee, Jamie Foxx, Denzel Washington and others, this volume provides an enlightening history of the Black experience in Hollywood and will fascinate fans of all ages.
La suite des truculentes aventures des "reines" de la campagne anglaise . Satire de la bourgeoisie et du snobisme anglais au lendemain de la Grande Guerre, le cycle Mapp & Lucia met en scène Lucia, une jolie quadragénaire métamorphosée en tyran culturel et arbitre des élégances du petit monde sur lequel elle règne implacablement ; et Élisabeth Mapp qui observe et régit son entourage qui l’admire autant qu’il la jalouse. Ce deuxième tome marque leur réunion et leurs affrontements dans le petit village de Tilling, fief menacé de Miss Mapp. Un monument d’humour anglais, un ouvrage culte outre-Manche, le cycle Mapp & Lucia inspirera à la fois Evelyn Waugh et Somerset Maugham.
Presents the history of black-cast films through their posters, covering the years from 1915 to 1965 with two hundred full-color reproductions and a brief text that places the films in a social and cultural context. Simultaneous.
Mapp and Lucia is a collective name for a series of novels by E. F. Benson, and also the name for two British television adaptations based on those novels The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Several of them are set in the small seaside town of Tilling, closely based on Rye, East Sussex, where Benson lived for a number of years and (like Lucia) served as mayor. Lucia previously lived at Riseholme, based on Broadway, Worcestershire, from where she brought to Tilling her celebrated recipe for Lobster à la Riseholme. "Mallards," the home of Miss Mapp-and subsequently Lucia-was based on Lamb House in Rye. The house had previously been lived in by Henry James and had a garden room overlooking the street (unfortunately a German bomb destroyed the Garden Room in World War II. The rest of the house is now a National Trust property.)...Edward Frederic "E. F." Benson (24 July 1867 - 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer.Early lifeE. F. Benson was born at Wellington College in Berkshire, the fifth child of the headmaster, Edward White Benson (later Chancellor of Lincoln Cathedral, Bishop of Truro and Archbishop of Canterbury), and his wife born Mary Sidgwick ("Minnie").E. F. Benson was the younger brother of Arthur Christopher Benson, who wrote the words to "Land of Hope and Glory," Robert Hugh Benson, author of several novels and Roman Catholic apologetic works, and Margaret Benson (Maggie), an author and amateur Egyptologist. Two other siblings died young. Benson's parents had six children and no grandchildren.Benson was educated at Temple Grove School, then at Marlborough College, where he wrote some of his earliest works and upon which he based his novel David Blaize. He continued his education at King's College, Cambridge. At Cambridge, he was a member of the Pitt Club, and later in life he became an honorary fellow of Magdalene College.At Cambridge he fell in love with Vincent Yorke. Benson wrote in his diary: "I feel perfectly mad about him just now...Ah, if only he knew, and yet I think he does.
Satire de la bourgeoisie et du snobisme anglais au lendemain de la Grande Guerre, le cycle Mapp & Lucia met en scène Lucia, une jolie quadragénaire métamorphosée en tyran culturel et arbitre des élégances du petit village de Riseholme sur lequel elle règne implacablement ; et Elisabeth Mapp qui, de sa demeure du village de Tilling, observe et régit son entourage qui l’admire autant qu’il la jalouse. Un monument d’humour anglais, un ouvrage culte outre-Manche, le cycle Mapp & Lucia inspirera à la fois Evelyn Waugh et Somerset Maugham.
Reviewer: E. F. Benson's strikingly original comic creation Miss Mapp is an arch-schemer and social climber from the British town of Tilling who spends her days using opera glasses and a notebook to chart her neighbors' affairs. Among her interests are Major Benjamin Flint, whom she has been trying to marry for years, and the underhanded Miss Susan Poppit.
In this revised third edition of a classic in American jurisprudence, G. Edward White updates his series of portraits of the most famous appellate judges in American history from John Marshall to Oliver W. Holmes to Warren E. Burger, with a new chapter on the Rehnquist Court. White traces the development of the American judicial tradition through biographical sketches of the careers and contributions of these renowned judges. In this updated edition, he argues that the Rehnquist Court's approach to constitutional interpretation may have ushered in a new stage in the American judicial tradition. The update also includes a new preface and revised bibliographic note.
This is a major biography of one of America's most influential and respected Supreme Court justices by a leading law scholar. In the late 1970s, Earl Warren's papers were opened and G. Edward White, a former law clerk of Warren, was given complete access to research this book. The result is the first study of the Chief Justice to cover his entire political career and to examine aspects of Warren's character that have seemed paradoxical. White goes back to Warren's roots in California Progressivism to illuminate his mid-century liberalism and the controversial decisions over which he presided in the Supreme Court. Based on a wealth of newly available information and White's understanding of Warren's work and personality, this is a fascinating, original portrait of Chief Justice Earl Warren.
E. F. Benson’s beloved Mapp and Lucia novels are sparkling, classic comedies of manners set against the petty snobberies and competitive maneuverings of English village society in the 1920s and 1930s. The third and fourth novels in the series, Lucia in London (1927) and Mapp and Lucia (1931) continue the adventures of Benson’s famously irrepressible characters, and bring them into hilarious conflict. Both Mrs. Lucia Lucas and Miss Elizabeth Mapp are accustomed to complete social supremacy, and when one intrudes on the other’s territory, war ensues. Lucia sees herself as a benevolent—if ruthless—dictator, while Miss Mapp is driven by an insatiable desire for vengeance against the presumptuous interloper. Their skirmishes—played out on a battlefield composed of dinner parties, council meetings, and art exhibits—enliven the plots of Benson’s maliciously witty comedies.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.