Few phases of history were as heavy with implications for the world at large than the turbulent years through which China moved from the overthrow of the last imperial dynasty in 1911, through anarchy, civil war and invasion, to the final triumph of the Communists in 1949 - yet few periods are as little known by the wider world, and so little understood. Professor Dreyer's impressive account of China at war is both an important contribution to this new series of studies of modern wars in their full political, social and ideological contexts, and also a valuable introduction to the birth- confused, bloody and painful as it was - of the future superpower.
The China we know today emerged at the end of a long period of internal rebellions, civil wars, foreign invasions, and revolutionary insurrections that stretched across the nineteenth century to the mid-point of the twentieth. This book explores one important consequence of this situation—the increased role of military force in the determination of elite social, political, and economic power, and presents fascinating case studies of the warlords, militia leaders, and military officers who benefited from this. Examining the intersection of military force and elite power in the formative years of modern Chinese history, this book highlights just how important military force was to elite power in nineteenth- and early twentieth-century China in a context of frequent warfare and political turmoil. It shows that the way in which military empowerment unfolded and who exactly was empowered, depended heavily on shifting military and political conditions, and each case confirms the extent to which military force emerged as a consistently significant determinant of elite power across this period. Indeed, the transformative effect of military force on social and political structures of power revealed by these studies sheds distinctive light on the prevalence, and wide-ranging impact, of military conflicts in this period. In turn, these studies also provide a particular perspective on the fluid boundaries of, as well as the constraints on, elite power in Chinese society in a time of intense social and political change. This book makes an important contribution to our understanding of the rise of modern China, and provides a keen insight into impact of war on the country, as such, it will be welcomed by students and scholars interested in Chinese history, Asian history, and military history more broadly.
The most comprehensive study of Shifu available, this valuable work explores the life and political milieu of a central figure in Republican China. Krebs provides an intellectual biography of this committed revolutionary and analyzes the importance of Shifu's thought during the New Culture-May Fourth years as his followers fought for influence with the Marxists and later over the issue of alliance with the Nationalists.
China is known for its deep veneration of history. Far more than a record of the past, history to the Chinese is the magister vitae (teacher of life): the storehouse of moral lessons and bureaucratic precedents. Mirroring the Past presents a comprehensive history of traditional Chinese historiography from antiquity to the mid-Qing period. Organized chronologically, the book traces the development of historical thinking and writing in Imperial China, beginning with the earliest forms of historical consciousness and ending with adumbrations of the fundamentally different views engendered by mid-nineteenth-century encounters with the West. The historiography of each era is explored on two levels: first, the gathering of material and the writing and production of narratives to describe past events; second, the thinking and reflecting on meanings and patterns of the past. Significantly, the book embeds within this chronological structure integrated views of Chinese historiography, bringing to light the purposive, didactic, and normative uses of the past. Examining both the worlds of official and unofficial historiography, the authors lay bare the ingenious ways in which Chinese scholars extracted truth from events and reveal how schemas and philosophies of history were constructed and espoused. They highlight the dynamic nature of Chinese historiography, revealing that historical works mapped the contours of Chinese civilization not for the sake of understanding history as disembodied and theoretical learning, but for the pragmatic purpose of guiding the world by mirroring the past in all its splendor and squalor.
Archaeological discoveries over the past one hundred years have resulted in repeated calls to "rewrite ancient Chinese history." This is especially true of documents written on oracle bones, bronze vessels, and bamboo strips. In Writing Early China, Edward L. Shaughnessy surveys all of these types of documents and considers what they reveal about the creation and transmission of knowledge in ancient China. Opposed to the common view that most knowledge was transmitted orally in ancient China, Shaughnessy demonstrates that by no later than the tenth century BCE scribes were writing lengthy texts like portions of the Chinese classics, and that by the fourth century BCE the primary mode of textual transmission was by way of visual copying from one manuscript to another.
In modern times the coal capital of China, Datong was once the capital of empire and one of the most important cultural centres of northern China. A controversial reconstruction of its old city has attracted recent attention, but Datong’s lasting attraction is its artistic and architectural heritage. The Northern Wei (386-535), a dynasty founded by outsiders, established its capital in capital in Datong from 398 until 494. The artistic legacy of that period, the Buddhist carvings at the Yungang Grottoes, illustrates how foreign motifs and styles interacted with native Chinese aesthetics to establish forms that would dominate the iconography of East Asia. The city remained an important military, religious and mercantile centre throughout imperial China, with spectacular wooden temple architecture from the Liao and Jin dynasties (907–1271) is preserved to a greater extent here than in any other region of China.
A graduate-level textbook on the astrophysics of binary star systems and their evolution Physics of Binary Star Evolution is an up-to-date textbook on the astrophysics and evolution of binary star systems. Theoretical astrophysicists Thomas Tauris and Edward van den Heuvel cover a wide range of phenomena and processes, including mass transfer and ejection, common envelopes, novae and supernovae, X-ray binaries, millisecond radio pulsars, and gravitational wave (GW) sources, and their links to stellar evolution. The authors walk through the observed properties and evolution of different types of binaries, with special emphasis on those containing compact objects (neutron stars, black holes, and white dwarfs). Attention is given to the formation mechanisms of GW sources—merging double neutron stars and black holes as well as ultra-compact GW binaries hosting white dwarfs—and to the progenitors of these sources and how they are observed with radio telescopes, X-ray satellites, and GW detectors (LIGO, Virgo, KAGRA, Einstein Telescope, Cosmic Explorer, and LISA). Supported by illustrations, equations, and exercises, Physics of Binary Star Evolution combines theory and observations to guide readers through the wonders of a field that will play a central role in modern astrophysics for decades to come. 465 equations, 47 tables, and 350+ figures More than 80 exercises (analytical, numerical, and computational) Over 2,500 extensive, up-to-date references
In recent years, three ancient manuscripts relating to the Yi jing (I Ching), or Classic of Changes, have been discovered. The earliest—the Shanghai Museum Zhou Yi—dates to about 300 B.C.E. and shows evidence of the text’s original circulation. The Gui cang, or Returning to Be Treasured, reflects another ancient Chinese divination tradition based on hexagrams similar to those of the Yi jing. In 1993, two manuscripts found in a third-century B.C.E. tomb at Wangjiatai contained almost exact parallels to the Gui cang’s early quotations, supplying new information on the performance of early Chinese divination. Finally, the Fuyang Zhou Yi was excavated from the tomb of Xia Hou Zao, lord of Ruyin, who died in 165 B.C.E. Each line of this classic is followed by one or more generic prognostications similar to phrases found in the Yi jing, indicating exciting new ways in which the text was produced and used in the interpretation of divinations. This book details the discovery and significance of the Shanghai Museum Zhou Yi, the Wangjiatai Gui cang, and the Fuyang Zhou Yi, including full translations of the texts and additional evidence that constructs a new narrative of the Yi jing’s writing and transmission in the first millennium B.C.E.
Drawing on nearly 30 years of field and documentary research in rural North China, this book explores the contested relationship between village and state since the 1960's. The authors bring the countryside to life through personal and poignant accounts of villagers across three generations of social upheaval.
The Zhou Changes, better known in the West as I Ching, is one of the masterpieces of world literature. This book, the climax of more than forty years of research in Chinese archaeology, explores the text’s origins in the oracle-bone and milfoil divinations of Bronze Age China and how it transformed over the course of the Zhou dynasty into the first of the Chinese classics. The book provides an in-depth survey of the theory and practice of divination to demonstrate how the hexagram and line statements of the text were produced and how they were understood at the time.
Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way they do in this century. Drawing on linguistic and rhetorical descriptions of language in writing as features of style, the author reviews the innovations that have been introduced into modern Chinese prose from both Chinese and foreign sources. The social history of these features, the attempts by various writers to assert cultural, political, and aesthetic principles through them and the resulting tensions and conventions that arise all form the critical framework for a study of Chinese prose literature and its most innovative authors in this century. The study is introduced and informed throughout by a succinct review o scholarly research from a wide range of disciplines relevant to the question of style as an object of study in contemporary criticism. The book begins its approach to style with an Introduction that draws on Gestalt theory, information theory, and linguistics to develop a nuanced concept of what "style" is, one that gives adequate weight to the complex interplay of psychological, formal, and historical features at work. Two chapters then examine various aspects of convention, necessarily a historical phenomenon. The fourth chapter, by contrast, discusses the aesthetic prescriptions by which modern Chinese writers sought consciously to introduce innovation and points out the limitations of a prescriptive approach. The final two chapters study the strategies of specific writers. Almost half the book is an Appendix that consists of a rich catalog of rhetorical and stylistic examples, drawn from a wide range of twentieth-century Chinese literary writing. These hundreds of examples, identified by the nomenclature of grammar, rhetoric, and sentence cohesion, constitute a veritable handbook of modern Chinese prose. The book also contains a Glossary of terms draw from rhetoric and linguistics.
This book introduces the basic concepts necessary to understand Single Event phenomena which could cause random performance errors and catastrophic failures to electronics devices. As miniaturization of electronics components advances, electronics components are more susceptible in the radiation environment. The book includes a discussion of the radiation environments in space and in the atmosphere, radiation rate prediction depending on the orbit to allow electronics engineers to design and select radiation tolerant components and systems, and single event prediction.
This book examines the formation of the Chinese empire through its reorganization and reinterpretation of its basic spatial units: the human body, the household, the city, the region, and the world. The central theme of the book is the way all these forms of ordered space were reshaped by the project of unification and how, at the same time, that unification was constrained and limited by the necessary survival of the units on which it was based. Consequently, as Mark Edward Lewis shows, each level of spatial organization could achieve order and meaning only within an encompassing, superior whole: the body within the household, the household within the lineage and state, the city within the region, and the region within the world empire, while each level still contained within itself the smaller units from which it was formed. The unity that was the empire's highest goal avoided collapse back into the original chaos of nondistinction only by preserving within itself the very divisions on the basis of family or region that it claimed to transcend.
In the seventh century the kingdom of Samarkand sent formal gifts of fancy yellow peaches, large as goose eggs and with a color like gold, to the Chinese court at Ch'ang-an. What kind of fruit these golden peaches really were cannot now be guessed, but they have the glamour of mystery, and they symbolize all the exotic things longed for, and unknown things hoped for, by the people of the T'ang empire. This book examines the exotics imported into China during the T'ang Dynasty (A.D. 618-907), and depicts their influence on Chinese life. Into the land during the three centuries of T'ang came the natives of almost every nation of Asia, all bringing exotic wares either as gifts or as goods to be sold. Ivory, rare woods, drugs, diamonds, magicians, dancing girls—the author covers all classes of unusual imports, their places of origin, their lore, their effort on costume, dwellings, diet, and on painting, sculpture, music, and poetry. This book is not a statistical record of commercial imports and medieval trade, but rather a "humanistic essay, however material its subject matter.
This book examines the evolution of China’s maritime security strategy, and questions what has made China shift from a constrained to a more assertive strategy. Historically, China has not been an active player in maritime security, but in recent years Beijing has begun to pursue policies and measures to safeguard its maritime rights and interests in the Indo-Pacific region. This growing influence in the region has become a concern for other countries about what kind of sea power China is developing. This book seeks to address this concern by providing an overview of the development of China’s maritime security strategy from the era of Deng Xiaoping to Xi Jinping. It suggests that while the involvement of maritime actors and the development of naval capability have provided the depth to the strategy, the national strategic guidelines from each generation of Chinese leadership have determined the overall direction of the maritime security strategy. After 40 years of development, China has established a set of priorities for its maritime agenda: territorial integrity is at the top, followed by development, and then regional and international maritime cooperation. These findings help us to understand China’s multidimensional maritime power as being both assertive and cooperative. This book will be of much interest to students of naval strategy, maritime security, Chinese politics and International Relations.
Although Rasselas has received more critical commentary than almost any other work by Samuel Johnson, Edward Tomarken's book is the first full length study to focus on his tale of the Prince of Abyssinia. This anomaly arises, as Tomarken shows, because Rasselas has remained resistant to the customary critical approaches of the eighteenth, nineteenth, and twentieth centuries, consistently eliciting new kinds of insights and raising new sorts of problems. Tomarken' s contribution is a new methodology to explain this phenomenon. He sees Johnson's early writings, London and Irene, as instances of the writer trying with only partial success to achieve what he first realized in The Vanity of Human Wishes, a means of permitting literary form to refer to conduct. Later works, such as The Journey to the Western Islands of Scotland, are viewed as further developments of this method, which achieved its fullest expression in Rasselas and the Life of Pope. Such a reading of Johnson develops an aesthetic that operates on the margins between the literary and the extra-literary. Although Johnson's own critical view was unable to accommodate such a position, Tomarken shows that in practice he moved toward it by a process of trial and error manifest in his poetry and narratives. When raised to the level of critical method, this approach goes beyond the assumptions not only of Johnson's day but also of our own. Tomarken's theoretical coda demonstrates how the choices of current critical theory, like those in the marriage debate in Rasselas, can be understood to interact with one another. Specifically, he proposes a dialectical relationship for two approaches hermeneutics and structuralism-usually seen as opposed to one another. This innovative study will interest not only Johnson scholars but all those concerned with critical theory.
This book traces the evolving uses of writing to command assent and obedience in early China, an evolution that culminated in the establishment of a textual canon as the foundation of imperial authority. Its central theme is the emergence of this body of writings as the textual double of the state, and of the text-based sage as the double of the ruler. The book examines the full range of writings employed in early China, such as divinatory records, written communications with ancestors, government documents, the collective writings of philosophical and textual traditions, speeches attributed to historical figures, chronicles, verse anthologies, commentaries, and encyclopedic compendia. Lewis shows how these writings served to administer populations, control officials, form new social groups, invent new models of authority, and create an artificial language whose master generated power and whose graphs became potent objects.
After the collapse of the Han dynasty in the third century CE, China divided along a north-south line. Mark Lewis traces the changes that both underlay and resulted from this split in a period that saw the geographic redefinition of China, more engagement with the outside world, significant changes to family life, developments in the literary and social arenas, and the introduction of new religions. The Yangzi River valley arose as the rice-producing center of the country. Literature moved beyond the court and capital to depict local culture, and newly emerging social spaces included the garden, temple, salon, and country villa. The growth of self-defined genteel families expanded the notion of the elite, moving it away from the traditional great Han families identified mostly by material wealth. Trailing the rebel movements that toppled the Han, the new faiths of Daoism and Buddhism altered every aspect of life, including the state, kinship structures, and the economy. By the time China was reunited by the Sui dynasty in 589 ce, the elite had been drawn into the state order, and imperial power had assumed a more transcendent nature. The Chinese were incorporated into a new world system in which they exchanged goods and ideas with states that shared a common Buddhist religion. The centuries between the Han and the Tang thus had a profound and permanent impact on the Chinese world.
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
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