Early American artists and political thinkers wrestled with the challenges of forming a cohesive, if not coherent, culture and political structure to organize the young republic and its diverse peoples. The American School of Empire shows how this American idea of empire emerged through a dialogue with British forms of empire, becoming foundational to how the US organized its government and providing early Americans with the framework for thinking about the relations between states and the disparate peoples and cultures that defined them. Edward Larkin places special emphasis on the forms of the novel and history painting, which were crucial vehicles for the articulation of the American vision of empire in the late eighteenth and early nineteenth centuries.
A re-evaluation, in terms of their contributions to the landscape genre, of five important post-war poets: Philip Larkin, R. S. Thomas, Charles Tomlinson, Ted Hughes and Seamus Heaney.
The little-known WWII story of the salvage engineers whose daring and heroism helped the Allies win back North Africa, by the author of The Far Shore. By the time America joined World War II, Edward Ellsberg had already earned his place as one of the world’s great marine salvage engineers, and his bestselling accounts of raising doomed submarines and histories of classic diving operations had made him a literary star. With America’s entry into the war, Ellsberg returned to active duty with no easy assignment: clearing the vital port at Massawa, Eritrea, with no men, no equipment, and no budget. No Banners, No Bugles picks up with Ellsberg stationed at Oran, Algeria, an important Mediterranean harbor as the Allies prepare for Operation Torch, the fight to reclaim North Africa from the Axis powers. Following his success at Massawa, Ellsberg must sort out the disorganized mess left by the Vichy French and find a way to open the port, though his flagging health proves to be a dangerous obstacle. As General Eisenhower’s chief of salvage in the Mediterranean, Ellsberg needs to clear harbors all across North Africa. No Banners, No Bugles is the riveting story of how Ellsberg the miracle worker tackled his greatest mission yet.
Since the 1960s, the West has moved ever-leftwards. 'Equality' and ‘feelings' are central to the New Religion that rejects all traditional values. Yet beneath the institutionally dominant ‘Left' stews a growing and restless ‘Right’. How has this fractured situation come about? What will the future hold? In The Past is a Future Country, the authors trace it back to the Industrial Revolution. Darwinian selection massively weakened, meaning that, for the first time in history, the selfish, sick and stupid could survive and reproduce, undermining our religious, group-oriented culture. Now the West is scourged by an epidemic of narcissists, competing to signal their individuality and moral superiority. But their ‘fight for equality’ is really a fight for self-promotion. Reflecting this runaway individualism, Westerners increasingly don’t have children, save for those who are genetically resistant to this onslaught — the staunchly conservative and religious: the eventual inheritors of the earth. But there is a dark storm brewing in the demographic data that the authors have analysed. There is a burgeoning growth in the population of exceptionally unintelligent and antisocial people that social welfare systems cannot sustain for much longer. The developed world will pass away, and the global population that depends on it will crash, in the greatest Malthusian Collapse of all time. Yet all is not lost. The authors show how a resistant class of intelligent, religious conservatives will band together to preserve enclaves of civilization that may survive most of the coming apocalypse, and from its ashes rebuild a new world: A Neo-Byzantium.
Covering the period from 1878-1915, Ottomans and Armenians is a military history of the Ottoman army and the counterinsurgency campaigns it waged in the last days of the Ottoman empire. Although Ottomans were among the most active practitioners of counterinsurgency campaigning in the late-nineteenth and early-twentieth centuries, in the vast literature available on counterinsurgency in the early twenty-first century, there is very little scholarly analysis of how Ottomans reacted to insurgency and then went about counterinsurgency. This book presents the thesis that the Ottoman government developed an evolving, 35-year, empire-wide array of counterinsurgency practices that varied in scope and execution depending on the strategic importance of the affected provinces.
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Seamus Heaney’s American Odyssey describes, with a new archive of correspondence, interviews, and working drafts, the some 40 years that Seamus Heaney spent in the United States as a teacher, lecturer, friend, and colleague, and as an active poet on the reading circuit. It is anchored by Heaney’s appointments at Berkeley and Harvard, but it also follows Heaney’s readings “on the road” at three important points in his career. It argues that Heaney was initially receptive to American poetry and culture while his career was still plastic, but as he developed more assurance and fame, he became much more critical of America as a superpower, especially in the military reaction to 9/11. This study emphasizes “the heard Heaney” as much as the “writerly Heaney” by listening in on key poetry readings at different times and to recorded but unpublished lectures on American and British poets at Harvard. It includes accounts by his creative writing students, aspiring poets, who testify to his mentoring as well as modeling for them how one can be “a poet in the world” as he was most strikingly.
Trial by Ordeal takes a sharp look at central aspects of the critical reception of Thomas Hardy. It demonstrates how critical appropriations of Hardy's work often provide a simplifying, conventional, or conservative image of the writer, which a sophisticated view of his creative intentions by no means confirms. Edward Neill discusses the dangers inherent in interpreting Hardy's writings in terms of his life; the limitations of criticism that views his work as nostalgic reaction; approaches to the poetry; and the critical response to Jude the Obscure.
100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of How to Read a Poem Implicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering--not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others. In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems. For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.
In "Queer Stories for Boys and Girls" by Edward Eggleston, embark on a collection of unique and captivating tales that captivate the imaginations of both boys and girls. This diverse assortment of stories celebrates individuality, curiosity, and the power of storytelling to inspire and entertain. Through "Queer Stories for Boys and Girls," Edward Eggleston presents a tapestry of characters and situations that defy stereotypes and challenge traditional narratives. Each story offers a fresh perspective and encourages readers to embrace their own uniqueness and embrace the differences of others. Edward Eggleston's storytelling brings forth relatable characters, exciting adventures, and thought-provoking themes. From tales of friendship and bravery to stories that explore the beauty of diversity and inclusivity, this collection invites readers to expand their horizons and see the world through a new lens. Join Edward Eggleston on a journey through "Queer Stories for Boys and Girls," where you'll encounter captivating narratives that celebrate the power of imagination, promote acceptance, and ignite the joy of reading.
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