In Sound Authorities, Edward J. Gillin shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. Where other studies have focused on vision in Victorian England, Gillin focuses on hearing and aurality, making the claim that the development of the natural sciences in Britain in this era cannot be understood without attending to how the study of sound and music contributed to the fashioning of new scientific knowledge. Gillin's book is about how scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to not only musical sound but also the phenomenon of sound in non-musical contexts, specifically, the cacophony of British industrialization, and he analyzes the debates between figures from disparate fields over the proper account of musical experience. Gillin's story begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, and spectacles, as well as workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious order, as well as the convergence of aesthetic and scientific approaches to pitch standardization. In closing, Gillin delves into the era's religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tension between religious/spiritualist understandings of sound and scientific/materialist ones"--
During the 1840s and 1850s, the British government financed a world-wide investigation into how the Earth's magnetic phenomena operated, consisting of a network of naval expeditions and colonial observatories. Questions surrounding terrestrial magnetism were not just philosophical, but engendered urgent concerns over accurate navigation, on which Britain's commercial and colonial power relied. The British Magnetic Survey was celebrated at the time as the most extensive state-orchestrated scientific enterprise ever conducted. Yet although it was a fundamentally global endeavour, both in terms of its scale and its impact, the experimental instruments and techniques required were to be found amid Britain's booming local industry, where the harnessing of coal and iron, and use of steam power, shaped a scientific culture prominently concerned with the relationship between heat, pressure, and motion. In particular, it was philosophical apparatus fashioned within the mines of Cornwall that the government was able to conscript within this world-wide magnetic investigation. These locally produced experimental techniques and technologies proved capable of transformation into a system for obtaining magnetic measurements from over great expanses of time and space. As An Empire of Magnetism demonstrates, this not only sustained an immense world-wide scientific investigation, but became inseparable from the proliferation of empire, sustaining colonial expansion and unprecedented multi-cultural exchanges as British naval crews and natural philosophers surveyed previously unknown regions in the search for magnetic data. In so doing, Edward Gillin argues that the British Magnetic Survey had broader implications over the formation of the 'modern state', the expansion of nineteenth-century empire, and the development of global science.
This book offers an in-depth, global history of the British Magnetic Survey - the nineteenth-century, British-government-funded efforts to measure and understand the earth's magnetic field. These scientific efforts are situated within the context of the development of 'global science' and the ways they intersected with empire and colonialism.
The Palace of Westminster, home to Britain's Houses of Parliament, is one of the most studied buildings in the world. What is less well known is that while Parliament was primarily a political building, when built between 1834 and 1860, it was also a place of scientific activity. The construction of Britain's legislature presents an extraordinary story in which politicians and officials laboured to make their new Parliament the most radical, modern building of its time by using the very latest scientific knowledge. Experimentalists employed the House of Commons as a chemistry laboratory, geologists argued over the Palace's stone, natural philosophers hung meat around the building to measure air purity, and mathematicians schemed to make Parliament the first public space where every room would have electrically-controlled time. Through such dramatic projects, Edward J. Gillin redefines our understanding of the Palace of Westminster and explores the politically troublesome character of Victorian science.
Sound Authorities shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. In Sound Authorities, Edward J. Gillin focuses on hearing and aurality in Victorian Britain, claiming that the development of the natural sciences in this era cannot be understood without attending to the study of sound and music. During this time, scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to sound in both musical and nonmusical contexts, specifically the cacophony of British industrialization. Sound Authorities begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, spectacles, workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious ordered universe. In closing, Gillin delves into the era’s religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tensions between spiritualist understandings of sound and scientific ones.
The nineteenth century is too often invoked as moment where Britain alone exerted global dominance, without the need for European collaboration. This book shows how this is fundamentally wrong by exploring British collaboration with France between 1848 and 1914. Gillen redefines our understanding of Britain’s role in the world in the age of empire.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
1559341181
ISBN 13
9781559341189
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