In a luminous memoir of a life richly lived, one of America’s finest writers explores the themes that have shaped his life and work: the glories of the natural world, the lure of working for a circus and fighting forest fires, the afflictions of temporary blindness and blocked speech, and the enduring influence of literary friendships, including John Berryman’s, Edward Abbey’s, and his mentor, Archibald MacLeish. From his childhood in rural Connecticut to some of the earth’s last remaining wildernesses, Hoagland has traveled the world wielding his unusual gift for observation. In Compass Points he delivers an honest and lively accounting of his voyages through two marriages; the New York parties he attended as a precocious young writer; Vermont hippiedom and academia; his many vivid sojourns into Europe, Alaska, British Columbia, the Sudan; and, perhaps most unforgettably, his stint in the “Animal Department” of Ringling Bros. and Barnum & Bailey Circus fifty years ago. Leavened with Hoagland’s trademark humor and insight, Compass Points is an entertaining and moving account of the days and nights of one of our most eminent literary voices.
Called the best essayist of his time by luminaries like Philip Roth, John Updike, and Edward Abbey, Edward Hoagland brings readers his ultimate collection. In Sex and the River Styx, the author's sharp eye and intense curiosity shine through in essays that span his childhood exploring the woods in his rural Connecticut, his days as a circus worker, and his travels the world over in his later years. Here, we meet Hoagland at his best: traveling to Kampala, Uganda, to meet a family he'd been helping support only to find a divide far greater than he could have ever imagined; reflecting on aging, love, and sex in a deeply personal, often surprising way; and bringing us the wonder of wild places, alongside the disparity of losing them, and always with a twist that brings the genre of nature writing to vastly new heights. His keen dissection of social realities and the human spirit will both startle and lure readers as they meet African matriarchs, Tibetan yak herders, circus aerialists, and the strippers who entertained college boys in 1950s Boston. Says Howard Frank Mosher in his foreword, the self-described rhapsodist "could fairly be considered our last, great transcendentalist.
Thirty years ago, celebrated American writer Edward Hoagland, in his early fifties and already with a dozen acclaimed books under his belt, had a choice: a midlife crisis or a midlife adventure. He chose the adventure. Pencil and notebook at the ready, Hoagland set out to explore and write about one of the last truly wild territories remaining on the face of the earth: Alaska. From the Arctic Ocean to the Kenai Peninsula, the backstreet bars of Anchorage to the Yukon River, Hoagland traveled the “real” Alaska from top to bottom. Here he documents not only the flora and fauna of America’s last frontier, but also the extraordinary people living on the fringe. On his journey he chronicles the lives of an astonishing and unforgettable array of prospectors, trappers, millionaire freebooters, drifters, oilmen, Eskimos, Indians, and a remarkably kind and capable frontier nurse named Linda. In his foreword, novelist Howard Frank Mosher describes Edward Hoagland’s memoir as “the best book ever written about America’s last best place.” In the tradition of Twain’s Life on the Mississippi and Jonathan Rabin’s Old Glory, with a beautiful love story at its heart, this is an American masterpiece from a writer hailed by the Washington Post as “the Thoreau of our times.”
A NEW YORK TIMES EDITOR'S CHOICE Sixty years after the publication of his first novel, Cat Man, Edward Hogland is publishing his twenty-fifth book at the age of eighty-three. This capstone novel, set in Vermont’s Northeast Kingdom, introduces Press, a stockbroker going blind. Press has lost his job and his wife and is trying to figure out his next move, holed up in his Vermont cabin surrounded by a hippy commune, drug runners, farmers-gone-bust, blood-thirsty auctioneers, and general ne’er-do-wells. Solace and purpose come from the unlikeliest sources as he learns to navigate his new landscape without sight. Hoagland, himself, is going blind, and through this evocative, unsentimental novel, we experience the world closing in around Press, the rising panic of uncertainty, the isolation of exile, the increasing dependence upon the kindness of strangers, and a whole new appreciation of the world just beyond sight. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Edward Hoagland, best known for his essays, is also an extraordinary writer as fiction, as readers of his stories “The Final Fate of Alligators” and “Kwan's Coney Island” can attest. First published in periodicals such as The Paris Review, Esquire, The New Yorker, The American Review, and Saul Bellow's famous literary magazine, The Nobel Savage, Hoagland's stories amazed readers with their precise language and finely etched characters. He has been widely anthologized, including in Best American Short Stories. Assembled here are stories new and old, spanning from 1960 to today. Meet the death-defying motorcycle trick riders in the carnival's Devil's Tub, a man who keeps an alligator in his bathtub, a Chinese launder in Coney Island in search of love, a frontiersman who saves himself from a mauling grizzly bear by hiding in a beaver dam, three men from a circus looking for trouble at a rodeo, a washed out boxer trying to to hang onto his career, and dozens of others rich characters. From the cramped and gritty streets of New York City to the wide open spaces of the Old West, Hoagland's characters pine, ache, create, observe, love, learn, and live in such precisely rendered stories that we are transported into each of their peculiar worlds. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
Called the best essayist of his time by luminaries like Philip Roth, John Updike, and Edward Abbey, Edward Hoagland brings readers his ultimate collection. In Sex and the River Styx, the author's sharp eye and intense curiosity shine through in essays that span his childhood exploring the woods in his rural Connecticut, his days as a circus worker, and his travels the world over in his later years. Here, we meet Hoagland at his best: traveling to Kampala, Uganda, to meet a family he'd been helping support only to find a divide far greater than he could have ever imagined; reflecting on aging, love, and sex in a deeply personal, often surprising way; and bringing us the wonder of wild places, alongside the disparity of losing them, and always with a twist that brings the genre of nature writing to vastly new heights. His keen dissection of social realities and the human spirit will both startle and lure readers as they meet African matriarchs, Tibetan yak herders, circus aerialists, and the strippers who entertained college boys in 1950s Boston. Says Howard Frank Mosher in his foreword, the self-described rhapsodist "could fairly be considered our last, great transcendentalist.
By 1968, Edward Hoagland had successfully published three novels, including the award-winning Cat Man. Looking for material for his next book, he immersed himself in the British Columbia bush for seven weeks, recording his observations and interviews in a series of diaries that became the widely lauded travel book Notes from the Century Before. Early in the Season is an equally riveting account of his return journey. Early in the Season vividly evokes the vast stands of trees, the fast-flowing rivers, the rocky ridgelines of the province’s unspoiled central interior. Against this dramatic backdrop Hoagland profiles an extraordinary cast of characters from the region’s present and past: fearless, larger-than-life trader Skookum Davidson; self-proclaimed “Chinese-Indian medicine man” Luke Fowler; indomitable “Omineca River Queen” Agate Alexander; and many others. Poignant, probing, and historically rich, this book offers a window on the people and places that shaped British Columbia and a transporting read for anyone curious about life in one of the world's most majestic wildernesses.
100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of How to Read a Poem Implicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering--not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others. In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems. For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.
Digital Computer Design: Logic, Circuitry, and Synthesis focuses on the logical structure, electronic realization, and application of digital information processors. The manuscript first offers information on numerical symbols, fundamentals of computing aids, quantization, representation of numbers in an electronic digital computer, and computer applications. The text then ponders on the nature of automatic computation and Boolean algebra. Discussions focus on the advantages of a Boolean algebraic description of a digital computer; clock pulse generators and timing circuits; sequential switching networks; elements of information processing systems and types of digital computers; and automatic sequencing methods. The book elaborates on circuit descriptions of switching and storage elements and large capacity storage systems. Topics include static magnetic storage, dynamic delay line storage, cathode-ray storage, vacuum tube systems of circuit logic, and magnetic core systems of circuit logic. The publication also examines the system design of GP computers, digital differential analyzer, and the detection and correction of errors. The text is a valuable source of data for mathematicians and engineers interested in digital computer design.
Annie Dillard observes "The best of Edward Hoagland is the best in the land." Now, in a beautiful new hardcover edition, signed by the author, and including new material, comes the best observations on nature by the finest essayist of our time.
Thirty years ago, celebrated American writer Edward Hoagland, in his early fifties and already with a dozen acclaimed books under his belt, had a choice: a midlife crisis or a midlife adventure. He chose the adventure. Pencil and notebook at the ready, Hoagland set out to explore and write about one of the last truly wild territories remaining on the face of the earth: Alaska. From the Arctic Ocean to the Kenai Peninsula, the backstreet bars of Anchorage to the Yukon River, Hoagland traveled the “real” Alaska from top to bottom. Here he documents not only the flora and fauna of America’s last frontier, but also the extraordinary people living on the fringe. On his journey he chronicles the lives of an astonishing and unforgettable array of prospectors, trappers, millionaire freebooters, drifters, oilmen, Eskimos, Indians, and a remarkably kind and capable frontier nurse named Linda. In his foreword, novelist Howard Frank Mosher describes Edward Hoagland’s memoir as “the best book ever written about America’s last best place.” In the tradition of Twain’s Life on the Mississippi and Jonathan Rabin’s Old Glory, with a beautiful love story at its heart, this is an American masterpiece from a writer hailed by the Washington Post as “the Thoreau of our times.”
This book reveals the mother of all conspiracies. It sets forth biblical proof and irrefutable evidence that will cause the scales to fall from your eyes and reveal that the world you thought existed is a myth. The most universally accepted scientific belief today is that the earth is a globe, spinning on its axis at a speed of approximately 1,000 miles per hour at the equator, while at the same time it is orbiting the sun at approximately 66,600 miles per hour. All of this is happening as the sun, in turn, is supposed to be hurtling through the Milky Way galaxy at approximately 500,000 miles per hour. The Milky Way galaxy, itself, is alleged to be racing through space at a speed ranging from 300,000 to 1,340,000 miles per hour. What most people are not told is that the purported spinning, orbiting, and speeding through space has never been proven. In fact, every scientific experiment that has ever been performed to determine the motion of the earth has proven that the earth is stationary. Yet, textbooks ignore the scientific proof that contradicts the myth of a spinning and orbiting globe. Christian schools have been hoodwinked into teaching heliocentrism, despite the clear teaching in the bible that the earth is not a sphere and does not move. This book reveals the evil forces behind the heliocentric deception, and why scientists and the Christian churches have gone along with it.
In 1979, Edward P. Alexander's Museums in Motion was hailed as a much-needed addition to the museum literature. In combining the history of museums since the eighteenth century with a detailed examination of the function of museums and museum workers in modern society, it served as an essential resource for those seeking to enter to the museum profession and for established professionals looking for an expanded understanding of their own discipline. Now, Mary Alexander has produced a newly revised edition of the classic text, bringing it the twenty-first century with coverage of emerging trends, resources, and challenges. New material also includes a discussion of the children's museum as a distinct type of institution and an exploration of the role computers play in both outreach and traditional in-person visits.
Tullidge’s monumental work on the beautiful desert metropolis, its history and growth, its evolution and its most significant troubles is obviously also a history of Mormonism and its growth and development in Utah, written by “authority of the Council and under supervision of its Committee on Revision,” and therefore giving a picture of Mormonism in the most favorable light in which it is possible to present the institution to the public. There are too many outside evidences of material prosperity and thrift everywhere to be seen in the resourceful valley where the Mormon emigrants from Illinois and Missouri began to make their home in July, 1847, and the vitality of the community has been too plainly manifested on many occasions, for any one easily to escape the conclusion that the “Mormon question,” as it is called, is still one of no insignificant importance. Why and how it has become of such material significance is probably more fully explained in thus volume than in any other one work published. This is volume two out of two.
In 1966, Edward Hoagland made a three-month excursion into the wild country of British Columbia and encountered a way of life that was disappearing even as he chronicled it. Showcasing Hoagland’s extraordinary gifts for portraiture—his cast runs from salty prospector to trader, explorer, missionary, and indigenous guide—Notes from the Century Before is a breathtaking mix of anecdote, derring-do, and unparalleled elegy from one of the finest writers of our time.
The riddle of melancholia has stumped generations of doctors. It is a serious depressive illness that often leads to suicide and premature death. The disease's link to biology has been intensively studied. Unlike almost any other psychiatric disorder, melancholia sufferers have abnormal endocrine functions. Tests capable of separating melancholia from other mood disorders were useful discoveries, but these tests fell into disuse as psychiatrists lost interest in biology and medicine. In the nineteenth century, theories about the role of endocrine organs encouraged endocrine treatments that loomed prominently in practice. This interest faded in the 1930s but was revived by the discovery of the adrenal hormone cortisol and descriptions of its abnormal functioning in melancholic and psychotic depressed patients. New endocrine tests were devised to plumb the secrets of mood disorders. Two colorful individuals, Bernard Carroll and Edward Sachar, led this revival and for a time in the 1960s and 1970s intensive research interest established connections between hormone dysfunctions and behavior. In the 1980s, psychiatrists lost interest in hormonal approaches largely because they did not correlate with the arbitrary classification of mood disorders. Today the relation between endocrines and behavior have been disregarded. This history traces the enthusiasm of biological efforts to solve the mystery of melancholia and their fall. Using vibrant language accessible to family care practitioners, psychiatrists and interested lay readers, the authors propose that a useful, a potentially live-saving connection between medicine and psychiatry, has been lost.
The Foreign Relations of the United States series presents the official documentary historical record of major foreign policy decisions and significant diplomatic activity of the United States Government. Part of a subseries of the State Department's Foreign Relations of the United States (FRUS) series that documents the most important issues in the foreign policy of the administrations of Richard M. Nixon and Gerald R. Ford, this volume documents U.S. policy towards Iran and Iraq from 1973 to 1976. The volume's six chapters are divided into two chronological sections. The first section documents the increasingly close political, economic, and strategic relationship, which developed between the U.S. and Iran during the mid-1970s. The second section covers Washington's somewhat more distant interactions with Iraq, with whom the United States did not maintain formal diplomatic relations following the 1967 Arab-Israeli war. Historians, researchers, and students in high school and above, including debate teams, may want to use this resource for the chronological timeframes for U.S. involvement with Iran druing the mid-1970s. High school, public, community college, and academic/university libraries will want to include this primary source reference work in their Middle East reference collections. Table of Contents Preface ................................................................... III Sources ................................................................... XIII Abbreviations and Terms ............................................ XXIII Persons .................................................................. XXIX Note on Covert Actions ............................................... XXXVII Iran ....................................................................... 1 Iraq ....................................................................... 599 Index ..................................................................... 915 Edited by Monica Belmonte. General Editor, Edward C. Keefer.
The premier anthology of contemporary American poetry continues—guest edited this year by award-winning poet Edward Hirsch, a Chancellor of the Academy of American Poets and the president of The John Simon Guggenheim Memorial Foundation. The Best American Poetry series is “a vivid snapshot of what a distinguished poet finds exciting, fresh and memorable” (Robert Pinsky); a guiding light for the mood and shape of modern American poetry. Each year, this series presents essential American verse and the poets who create it. Truly the “best” American poetry has appeared in this venerable collection for over twenty-five years. A poet of decided brilliance since his 1981 debut collection, For the Sleepwalkers, Edward Hirsch curates a thoughtful selection of poetry for 2016 and an Introduction to be savored. Jumpha Lahiri said of Hirsch, “The trademarks of his poems are…to be intimate but restrained, to be tender without being sentimental, to witness life without flinching, and above all, to isolate and preserve those details of our existence so often overlooked, so easily forgotten, so essential to our souls.” Hirsch’s choices for this collection reflect the soul of poetry in America. As ever, series editor David Lehman opens this year’s edition with an insider’s guide and a thoughtful contemplation of poetry today.
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