It is generally accepted that Revelation’s heavenly scenes were intended to demonstrate that God continued to exercise his control even when the audience’s experience might suggest otherwise. In The Abyss in Revelation, Edward Gudeman argues that even though the scenes of the underworld and its inhabitants are describing reality from the opposite perspective, they declare God’s sovereignty and power in an equally powerful way. Examining the motif and imagery of the abyss and the sea in Old Testament, New Testament, Greco-Roman, and Second Temple Jewish writings, Gudeman identifies traditions that John appropriates in Revelation in order to create his unique vision of the abyss. Gudeman shows that the abyss and related concepts in Revelation are variously envisioned as the abode of evil creatures, the place from which they exit, and a prison that holds them captive. In all of this, John consistently demonstrates that God is in control of the activity of Satan and demonic beings and that their destruction is both planned and certain. Original and convincing, this volume sheds light on Revelation’s message about how God responds to evil and advances our understanding of several interpretive problems related to the abyss and its inhabitants. Biblical scholars especially will benefit from Gudeman’s research.
Meet the increasing need for effective brain tumor management with the highly anticipated revision of Brain Tumors by Drs. Andrew H. Kaye and Edward R. Laws. Over the past decade, enormous advances have been made in both the diagnosis and the surgical and radiotherapeutic management of brain tumors. This new edition guides you through the latest developments in the field, including hot topics like malignant gliomas, functional brain mapping, neurogenetics and the molecular biology of brain tumors, and biologic and gene therapy. Benefit from the knowledge and experience of Drs. Andrew H. Kaye and Edward R. Laws, globally recognized experts in the field of neurosurgery, as well as many other world authorities.
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XLI is the second of three volumes that ambitiously survey half a milliennium of poetry in the English language. More than 300 works by 60 authors in this volume alone span the 18th and 19th centuries, and include: [ George Sewell: "The Dying Man in His Garden" [ Alison Rutherford Cockburn: "The Flowers of the Forest" [ Henry Fielding: "A Hunting Song" [ Oliver Goldsmith: "The Traveller; or, A Prospect of Society" [ Richard Brinsley Sheridan: "Drinking Song" [ Carolina Oliphant, Lady Nairne: "The Auld House" [ William Blake: "The Tiger" [ William Wordsworth: "Nature and the Poet" [ Samuel Taylor Coleridge: "The Rime of the Ancient Mariner" [ Sir Walter Scott: "To a Lock of Hair" [ Thomas Campbell: "The Soldier's Dream" [ George Gordon, Lord Byron: "She Walks in Beauty" [ Percy Bysshe Shelley: "To a Skylark" [ John Keats: "Ode on a Grecian Urn" [ Elizabeth Barrett Browning: "Sonnets" [ and much more.
The Americanization of Edward Bok is an autobiography, told in the third person, that shares the life of a little Dutch boy unceremoniously set down in America unable to make himself understood or even to know what persons were saying; his education extremely limited, practically negligible; and yet, by some curious decree of fate, he was destined to write to the largest body of readers ever addressed by an American editor - the circulation of the magazine he edited running into figures previously unheard of in periodical literature. How all this came about, how such a boy, with every disadvantage to overcome, was able, apparently, to "make good" - this possesses an interest and for some, perhaps, a value which, after all, is the only reason for any book.
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