1865. A passenger train stands ready to depart amid the bustle at York station. The flurry of passengers and porters, the swooping pigeons and barking dogs are thrown into a state of turmoil when an explosion rips through the brake van of the train killing guard Jack Follis. In response to a summons from the North Eastern Railway, Inspector Robert Colbeck and Sergeant Leeming are sent to investigate. Was it an accident, deliberate vandalism or targeted murder? The longer the investigation goes on, the more complex it becomes. With a dizzying array of suspects and motives, will the combined skills of the detectives be enough to identify and catch the culprit?
October 1854. As an autumnal evening draws to a close, crowds of passengers rush onto the soon to depart London to Brighton Express. A man watches from shadows nearby, grimly satisfied when the train pulls out of the station. Chaos, fatalities and unbelievable destruction are the scene soon after when the train derails on the last leg of its journey. What led to such devastation, and could it simply be a case of driver error? Detective Inspector Colbeck, dubbed the 'railway detective' thinks not. But digging deep to discover the target of the accident takes time, something Colbeck doesn't have as the killer prepares to strike again.
A highly decorated veteran DEA agent recounts his incredible undercover career and reveals the shocking links between narcotics trafficking and terrorism What exactly is undercover? From a law-enforcement perspective, undercover is the art of skillfully eliciting incriminating statements. From a personal and psychological standpoint, it’s the dark art of gaining trust—then manipulating that trust. In the simplest terms, it’s playing a chess game with the bad guy, getting him to make the moves you want him to make—but without him knowing you’re doing so. Edward Follis mastered the chess game—The Dark Art—over the course of his distinguished twenty-seven years with the Drug Enforcement Administration, where he bought eightballs of coke in a red Corvette, negotiated multimillion-dollar deals onboard private King Airs, and developed covert relationships with men who were not only international drug-traffickers but—in some cases—operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican federation of cartels. Follis was, in fact, one of the driving forces behind the agency’s radical shift from a limited local focus to a global arena. In the early nineties, the DEA was primarily known for doing street-level busts evocative of Miami Vice. Today, it uses high-resolution-optics surveillance and classified cutting-edge technology to put the worst narco-terror kingpins on the business end of "stealth justice" delivered via Predator drone pilots. Spanning five continents and filled with harrowing stories about the world’s most ruthless drug lords and terrorist networks, Follis’s memoir reads like a thriller. Yet every word is true, and every story is documented. Follis earned a Medal of Valor for his work, and coauthor Douglas Century is a pro at shaping and telling just this kind of story. The first and only insider’s account of the confluence between narco-trafficking and terrorist organizations, The Dark Art is a page-turning memoir that will electrify you from page one.
Across Canada peace officers put their lives on the line every day. From John Fisk in 1804, the first known Canadian policeman killed in the line of duty, to the four RCMP officers shot to death in Mayerthorpe, Alberta, in 2005, renowned true crime writer Edward Butts takes a hard-hitting, compassionate, probing look at some of the stories involving the hundreds of Canadian law-enforcement officers who have found themselves in harm's way. Some, like the four RCMP officers who perished in the Northwest Territories on the "Lost Patrol" of 1910, died in horrible accidents while performing their duties. Others, such as the Mounties involved in the manhunts for Almighty Voice and the Mad Trapper of Rat River, found themselves in extremely dangerous, violent situations. One thing is certain about all of these peace officers: they displayed amazing courage and never hesitated to make the ultimate sacrifice for their fellow citizens.
In this commentary W. Edward Glenny provides a careful analysis of the Greek text and literary features of Micah based on its witness in the fourth century codex Vaticanus. The commentary begins with an introduction to Micah in Vaticanus, and it contains an uncorrected copy of Micah from Vaticanus with textual notes and a literal translation of that text. In keeping with the purpose of Brill’s Septuagint Commentary Series Glenny seeks to interpret the Greek text of Micah as an artifact in its own right in order to determine how early Greek readers who were unfamiliar with the Hebrew would have understood it.
War and PTSD are on the public's mind as news stories regularly describe insurgency attacks in Iraq and paint grim portraits of the lives of returning soldiers afflicted with PTSD. These vets have recurrent nightmares and problems with intimacy, can’t sustain jobs or relationships, and won’t leave home, imagining “the enemy” is everywhere. Dr. Edward Tick has spent decades developing healing techniques so effective that clinicians, clergy, spiritual leaders, and veterans’ organizations all over the country are studying them. This book, presented here in an audio version, shows that healing depends on our understanding of PTSD not as a mere stress disorder, but as a disorder of identity itself. In the terror of war, the very soul can flee, sometimes for life. Tick's methods draw on compelling case studies and ancient warrior traditions worldwide to restore the soul so that the veteran can truly come home to community, family, and self.
The History of the Decline and Fall of the Roman Empire is Edward Gibbon's magnum opus, written and published over a 13-year period beginning in 1776. It not only chronicles the events of the downfall starting with the end of the rule of Marcus Aurelius, but proposes a theory as to why Rome collapsed: the populace, Gibbon theorizes, lost its moral fortitude, its militaristic will, and its sense of civic duty. History is considered a classic in world literature, and Gibbon is sometimes called the first "modern historian" for his insistence upon using primary sources for his research. Many scholars today still use his highly regarded work as reference. In this second of seven volumes, readers will find Chapter 15 ("The Progress of the Christian Religion") through Chapter 24 ("The Retreat and Death of Julian"), which cover Gibbon's controversial history of Christianity in the Roman Empire; the rule of Nero; the construction of Constantinople; the organization of the Roman government; the rule of Constantine; wars with Persia; the rules of Gallus and Julian; the Schism of the Donatists; the council of Nice; and the Arian heresy. English parliamentarian and historian EDWARD GIBBON (1737-1794) attended Magdelan College, Oxford for 14 months before his father sent him to Lausanne, Switzerland, where he continued his education. He published Essai sur l'tude de la Littrature (1761) and other autobiographical works, including Mmoire Justificatif pour servir de Rponse l'Expos, etc. de la Cour de France (1779).
This work traces the etymologies of the entries to their earliest sources, shows their kinship to both Spanish and English, and organizes them into families of words in an Appendix of Indo-European roots. Entries are based on those of the Diccionario de la lengua española de la Real Academia Española.
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