Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Provides a description of the major ideas about void space within and beyond the world that were formulated between the fourteenth and early eighteenth centuries.
The purpose of this study is to report the reactions and criticism of those German, Swiss, and Austrian authors who commented on Les sing's Emilia Galotti from the time of its creation to the twentieth century and to note the various degrees to which it influenced writers of different personal and literary bent. It will be seen that the repre sentatives of a given literary trend, although regarding the play primarily in the light of their own ideals, were not necessarily in accord with one another over certain of its aspects. Emilia Galotti is especially suited to this kind of investigation because it took form in an age when interest in principles of dramatic composition was particularly intense, and because it was written by a figure who was perhaps most influential in the discussions centering on them. Emilia Galotti further lends itself to this study because, despite the fact that it has remained an extremely enigmatic work, it was and continues to be a highly popular play, having been. translated into at least twelve foreign languages and having also had an overture written in its honor.
The Vietnam War was different from most previous U.S. wars of the twentieth century. It was an undeclared and limited war. The draft to supply the soldiers and serious problems in the Selective Service system meant that the burden of the war was carried disproportionately by minorities and working class whites, many of whom did not want to serve. While many Americans saw service in Vietnam as their patriotic duty, others opposed the war. This is the story of the men and women who served in that war, whether overseas in active combat or in support roles in Viet Nam and stateside.
Originally published in 1898 this early works is a comprehensive and informative look at the subject. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Presenting five titles in the Quest Biography series that profiles prominent figures in Canada’s history. The important Canadian lives detailed here are: nineteenth century railway builder William C. Van Horne; early nineteenth century governor and fur baron George Simpson; legendary Group of Seven-associated landscape painter Tom Thomson; intrepid early frontiersman Simon Girty; and Canada’s first world-famous movie star, Mary Pickford. Includes William C. Van Horne George Simpson Tom Thomson Simon Girty Mary Pickford
Challenging the modern assumption that ancient Athens is best understood as a polis, Edward Cohen boldly recasts our understanding of Athenian political and social life. Cohen demonstrates that ancient sources referred to Athens not only as a polis, but also as a "nation" (ethnos), and that Athens did encompass the characteristics now used to identify a "nation." He argues that in Athens economic, religious, sexual, and social dimensions were no less significant than political and juridical considerations, and accordingly rejects prevailing scholarship's equation of Athens with its male citizen body. In fact, Cohen shows that the categories of "citizen" and "noncitizen" were much more fluid than is often assumed, and that some noncitizens exercised considerable power. He explores such subjects as the economic importance of businesswomen and wealthy slaves; the authority exercised by enslaved public functionaries; the practical egalitarianism of erotic relations and the broad and meaningful protections against sexual abuse of both free persons and slaves, and especially of children; the wide involvement of all sectors of the population in significant religious and local activities. All this emerges from the use of fresh legal, economic, and archaeological evidence and analysis that reveal the social complexity of Athens, and the demographic and geographic factors giving rise to personal anonymity and limiting personal contacts--leading to the creation of an "imagined community" with a mutually conceptualized identity, a unified economy, and national "myths" set in historical fabrication.
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